Transforming Plastic Waste into Building Materials (ft. Ovy Sabrina)

Transforming Plastic Waste into Building Materials (ft. Ovy Sabrina)

 

In this episode of the She’s the Boss Disruptors podcast, host Jules interviews Ovy Sabrina, co-founder of Rebricks, a company that recycles non-valuable plastic into sustainable building materials in Indonesia. Ovy shares her journey from being an idealistic entrepreneur to addressing the pressing issue of plastic waste. The conversation explores the challenges faced by women in the construction industry, the innovative solutions Rebricks is implementing, and the future vision for expanding their impact. Ovy’s passion for sustainability and her personal experiences provide valuable insights into entrepreneurship and environmental responsibility.

 

Transforming Waste into Wonder: The Innovative Journey of Ovy Sabrina and Rebricks

In a world increasingly plagued by plastic waste, Ovy Sabrina stands out as a beacon of hope and innovation. As a co-founder of Rebricks, she is on a mission to revolutionize the construction industry in Indonesia by recycling non-valuable plastics into sustainable building materials. Join us as we explore her inspiring journey and the impact of her work on the environment and local communities.

The Birth of a Sustainable Idea: Ovy Sabrina’s journey began with a profound realization about the dire state of plastic waste in Indonesia. After completing her education, Ovy struggled to find purpose in her previous business ventures, often losing interest quickly. However, everything changed when she and her co-founder embarked on a zero-waste journey, prompting them to confront the pressing issue of non-recyclable plastics, particularly sachets. Inspired by an article highlighting plastic waste found on a beach that had been there for over 20 years, Ovy felt a calling to address this environmental crisis. 

Innovative Solutions to a Growing Problem: Rebricks was born from Ovy’s frustration with the lack of recycling solutions for soft plastics in Indonesia. The company specializes in creating hollow blocks and pavement blocks from recycled sachets and other non-valuable plastics. This initiative not only provides a sustainable alternative to traditional building materials but also tackles the pressing issue of plastic pollution in the environment. Ovy explains that their production process incorporates 20-22% of waste into their bricks, ensuring they remain compliant with national standards for building materials. 

From Concept to Creation: What sets Rebricks apart is the rigorous research and development process that preceded its launch. Ovy and her team spent over a year perfecting their product before bringing it to market. Despite facing significant challenges, including the COVID-19 pandemic, which delayed their operations and financial stability, Ovy’s determination never wavered. She and her co-founder have successfully collaborated with Habitat for Humanity Indonesia, contributing to the construction of 50 to 74 houses using their innovative materials. 

The Impact of Rebricks: The impact of Rebricks extends beyond just building materials. Ovy’s initiative fosters community engagement and raises awareness about the importance of recycling and sustainability. By providing affordable, eco-friendly building solutions, she is not only improving construction practices but also inspiring others to consider the environmental implications of their choices. Ovy emphasizes that her work is driven by a desire to create a positive impact on the community and the planet. 

Ovy Sabrina’s journey with Rebricks is a testament to the power of innovation and purpose-driven entrepreneurship. By transforming plastic waste into sustainable building materials, she is paving the way for a greener future in Indonesia. Her story encourages us all to consider the role we can play in addressing environmental challenges in our communities. Key takeaways from Ovy’s experience include the importance of perseverance, the impact of sustainability initiatives, and the need for innovative solutions to combat plastic pollution.

 

Takeaways

Ovy Sabrina is the co-founder of Rebricks, focusing on recycling plastic into building materials. Rebricks addresses the issue of non-recyclable plastics in Indonesia. The company produces hollow blocks and pavement blocks from recycled materials. Ovy’s journey reflects the challenges and motivations of female entrepreneurs. Sustainability is a core value driving Ovy and her co-founder Novi. The importance of collaboration and support among women in business is emphasized. Ovy’s background in a family of entrepreneurs influenced her career path. Rebricks aims to expand its production capacity and impact on plastic waste. The conversation highlights the need for innovative solutions in the construction industry. Ovy’s passion for anime adds a personal touch to her story.

Transcript

Jules (00:13) Ovi Sabrina is my latest guest for the She’s the Boss Disruptors podcast and Ovi and I have been working over the last few months. Thanks very much to Irene Zhang from Lift Women who connected the two of us. And I just absolutely love what you’re doing and I can’t wait to share with everybody what you’re doing because I think everyone will be really interested. So I’ve put you on the spot a bit now Ovi, but can you tell us… Ovy Sabrina (00:27) Thank you. Jules (00:41) what it is that you do, what is your business? Ovy Sabrina (00:45) So maybe I should hi first hi everyone I’m Ovi so So what I do is like I’m one of the founders of ⁓ one ⁓ Company that recycled non-failable plastic such as sachets into building materials in Indonesia Yeah, we call it. Yeah Jules (00:48) Hi. Yeah. which is amazing now what kind of sachets and what kind of building materials. Ovy Sabrina (01:08) So we make ⁓ like wall like hollow blocks and pavement blocks and we are using a non-valuable plastic as I said before it’s actually like any kind of soft plastic such as like sachet, packaging for many things like household products that kind of stuff actually in my country in Indonesia we don’t have any solution yet to recycle those type of plastic so those type of plastic only ended up in the landfill or basically like leaked to the environment so Jules (01:13) Yeah. Right. Ovy Sabrina (01:38) So we take that kind of plastic, we mix it with other materials, and then turn it into pavement blocks and hollow blocks. Jules (01:45) Okay, so the next question has to be why? And I know that you’ve got a great little story about this, but why do you want to do it? And talk a little bit about what you think is broken in the system in terms of the sustainable building and why you’ve created this. So what’s your why, Ovi? Ovy Sabrina (01:47) Why? Hmm. My wife, I think like she’s very young. mean like see after I graduated from my university I think like i’m a type of person that very I call it i’m very idealist. So basically I I failed a lot on what I did How to say I I get bored really fast. So after I graduated I I Yeah And then like I tried so many stuff but and then I quit so fast too, you know because like I just never found any kind of meaning in what I Jules (02:14) Mm-hmm. Right? Entrepreneur through and through. Yeah. Ovy Sabrina (02:38) And then like at that time, think like me and my business partner right now, my co-founder, we both already started so many businesses before Rebricks. But then together, together. Jules (02:47) Together or separately? Okay. Ovy Sabrina (02:51) But then in the past, before that, like I said, I’m easily bored. I don’t have any fighting spirit. Usually I didn’t find any meaning with what I do. Like, for example, we sold food at the time at the food and beverage industry, right? And then I didn’t find like, why did I do this? What’s the point of doing this? That kind of stuff. Like, yeah, something like that. like, and then like at the time, like me and my co-founder, I think it’s more like two women have a crazy idea and they’re supporting each other. So we just like, okay, let’s do this. At that time we were Jules (02:58) You Right? Ha! Yeah? Ovy Sabrina (03:21) just like hmm because like we started more like our zero waste journey right we did it in our life first for example we separate the plastic waste first we try to minimize our plastic consumption that kind of stuff first so this kind of issue is not something new for us so at the time we were just like thinking like what can we do with this type of plastic like sachets that we cannot do anything about Jules (03:28) Okay. Mm-hmm. But why, can I just ask you to go back? Because I know there’s a little story about this. Why did you suddenly realize sachets were a problem and this soft plastic? Was it something that happened down at the beach? Ovy Sabrina (03:48) Hmm. Yeah. Because we found an article. Yeah, we found an article. There is an article back in 2018, 2019, something like that. And then the article is actually like there is like this instant noodle packaging that was found in one of the beach in Malang. I think it happened, I’m not mistaken, in Malang. And then like. Jules (04:02) Yeah. Mm-hmm. Ovy Sabrina (04:14) If you see it, it’s like the look and everything is still like new, but it’s actually produced 20 years prior to that. Yeah, so crazy. Yeah. Jules (04:18) Brand new. Really? 20 years and it hadn’t degraded? Ovy Sabrina (04:26) Yes, because like it’s Jules (04:27) Wow. Ovy Sabrina (04:28) like there’s like, how to say like the anniversary of like Indonesia Independence Day something like that. So we know exactly when it was produced so like that one is like basically like wow we basically inherit this type of plastic because like once you sort waste at your house you will realize there are type many types of plastic that we cannot give to anybody like the sachets nobody wanted Jules (04:35) Yeah. That’s right. And in Australia, have, because in Australia we have three bins now. We do, separate our glass of four, our glass, our paper waste, our organic waste, so food and vegetables, and then our normal rubbish. So we’re kind of used to it, but we know that the recycle bin has got a whole lot of stuff in it that, you know, maybe, maybe can’t be recycled. Ovy Sabrina (04:55) Mm-hmm. Mm-hmm. Hmm. Yeah Yeah, but maybe in Australia, I don’t know if the situation in your country Maybe you have better system, better management and everything But in Indonesia, think right now We don’t have it, in the construction especially Nobody cares, you know So when we started back in 2018-2019 I don’t think that, I think there wasn’t any green building materials Nobody really cared about it yet Jules (05:19) Yeah. Right. Really? Okay. Ovy Sabrina (05:41) So yes, so in Indonesia, we are fairly young, know, like the country hasn’t doesn’t have any like Good waste system. We don’t have the recycling system yet. So we are still like we may say like I think our generation of startup who do the sustainability is like the pioneer not pioneer like the starting team, yeah, like like the starting team in this country like the pioneer in this country because like Jules (06:03) He a pioneer? Yeah, he’s a Ovy Sabrina (06:12) Yeah, these days it’s better, but yeah. Jules (06:14) And so, yes, so what do you make? So you’ve said the hollow bricks and the pavers. Are they all made out of plastic? Are they a combination of concrete and plastic? ⁓ How do they work? Ovy Sabrina (06:21) Yes. So right now, ⁓ our production process, don’t do melting. So we only have 20 to 22 % of waste inside the bricks because we are utilizing the non-valuable waste. Apart from that, it’s still normal traditional construction materials. We are, of course, trying to substitute it to the more sustainable one. For example, we are looking for a more sustainable mortar and everything like that. Jules (06:34) Okay. Okay. Yeah. Okay. Ovy Sabrina (06:54) But yeah, it’s 20 to 22 percent, but all of our products are laboratory tested though. So we are trying to fit with the national standard criteria. So our product is for building material in Indonesia. So we are non-combustible, non-toxic, and then the pressure power is suitable for building. And then we also have an oil wet-trim test that we did in Singapore. So yeah, so and then we, yeah, that’s what we do. Jules (07:03) Full building. Yeah. Right. Okay, and the thing I guess that I particularly loved when I first met you was I said, have you ever built any houses with this? I mean, like have you used this product? And what’s the answer? Ovy Sabrina (07:35) Yeah, I mean like our product has we sold this product to many I mean like quite a lot because we started in 2019 right so we at the beginning our customer mainly are like direct user like they use it for their houses they use the pavement and then for hollow block we work specifically with Habitat for Humanity this is like an international NGO started yeah so we have Habitat for Humanity Indonesia so I think in 2000 Jules (07:43) Yeah. Yeah. Yeah, lovely, yeah. Ovy Sabrina (08:03) 21 after COVID we make a MOU with them to make like a program where they build their houses with our product. So currently we have made around like think 50 to 70 houses like with them and with other people too but mostly with them. Yeah, we’re happy about it. Jules (08:20) That’s amazing. That’s amazing. think, well, yeah, I think because I meet a lot of female founders who’ve come up with great ideas, but the fact that you’ve had that application and I think… Ovy Sabrina (08:30) Mm. Jules (08:33) when I was speaking to Nobi, your partner, said 74. So I’m going to stick with 74 houses. I think that’s amazing, like really amazing. That’s a huge achievement. so of course, the next thing is why do you care? Why do you care about this? And was there something that happened that made you go, Ovy Sabrina (08:35) Okay, yes. Mm-hmm. Jules (08:55) we’re gonna do it, we’re gonna start it. Because often there’s what I call a light bulb moment, but there’s something that happens that you’ve been thinking about it, but then you go, right, let’s just do it. Ovy Sabrina (09:04) I think it’s divine intervention though. I don’t have like that super light bulb moment, but there is one thing like I mentioned to you before, like I’m super easily get bored. So everything that I do, always try to, I always ask myself like, what is the point of doing this? That kind of thing. Like I said, I’m very like that idealist thinking too much kind of person. like, but one thing about RayBricks though, from the get go, it took us one and a half year to do research and development before we actually ⁓ published Jules (09:09) Yeah. Yeah. Wow. Ovy Sabrina (09:34) product yes and then covid happened so basically we didn’t get money at the first year because like it was covid time right but and then before that yes exactly but and then one thing that i know why it’s this is a calling like i said this i think like god knows me better than i am kind of situation because like Jules (09:40) Ugh. And you’d already spent one and a half years doing the research, so now we’re into two and a half years with no income. You ⁓ Ovy Sabrina (09:57) I basically keep going. So Novi is very interesting. My friends know me. Like Novi really knows me well too. And she was like, huh? Why you are so motivated? She was like, wow. Well, I’m so impressed with what she said. Because like. Jules (10:14) Cause you stuck at it. Ovy Sabrina (10:16) Yeah, exactly. I mean, like, doing re-bricks is not easy at all. But I think it’s more like, I know why I do it, that kind of situation. Like, it’s resonate with, like, what I believe. You know, I think we live in this earth to do something. We live in this earth to basically, like, have an impact to, you know, like, have a positive impact to anybody, to our people, to our friends, to the community. We need to do something good. And I believe that we are doing something good. So therefore, like, we keep on going, I think. Jules (10:21) No. Yes. Yeah. Yeah. And it’s interesting because you know, you’ve got some good tentacles out there now, but you need more. Like we want the world to be using your bricks. So ⁓ give it time, give it time. Actually, while we’re just talking about that and before we go into your past, I’m interested to know if someone is listening to this in Australia and is thinking of building and would like to use your bricks, is there a way, have you got a distributor here or is there a way they can do the bricks here? Ovy Sabrina (10:50) You Yes. Yes. So this year actually like at the end of 2025 is the new beginning for Rebricks because we collaborate with like a huge uh like one of the pioneer of construction material in Indonesia that start like a company yeah so like we were we are super happy about it so we collaborate in term of technology with them so all the distribution still go through Rebricks and it’s still under our like our IP with everything but yeah so with them we actually like it’s enabled us to do Jules (11:26) ⁓ Fantastic. Yeah. Ovy Sabrina (11:45) of things because like we can actually like our goal in the next our target and plan is like we would like to be able to have some sort of franchising model or like that kind of like collaboration model so we can actually replicate our technology in other countries or other cities because like the sachet is the problem everywhere i think it’s not only in jakarta right yeah so that’s the idea so in the next few years we will be like you know focusing on that so ⁓ Jules (11:55) Yeah, nice. Yes, I think it is. Ovy Sabrina (12:13) We already exported our bricks to Singapore. So it’s possible to export it to Australia as well. But it’s more like about the delivery costs and logistic costs. But there is no… It’s possible in the future. Maybe we can open a franchise in Australia. You know. No. Yeah. ⁓ Jules (12:18) Okay, great. Yeah, okay. Definitely, not maybe, definitely, definitely. I’m sure there’s a big market for it here because I’ve never heard of anything like that. So now let’s go a little bit into the production though, Ovi, because the next thing, I guess, when I first met you is two women, bricks. Like, where did that idea come from? But there’s actually quite a strong story in your past. So let’s go back a little bit to when you were a little girl. Can you tell me what your mum and dad did? Ovy Sabrina (12:44) Mmm, yes. Mm-hmm, yes. Yeah. So my mom and dad has been running the already construction factory. my dad has working in the construction field for so long. So we own the traditional pavement block factory for almost 30 years at the time in 2018. Yes. Yes. Jules (13:14) Okay And did you used to work there when you were young? Have you seen it? You understand how the manufacturing works? Ovy Sabrina (13:27) Actually, like it’s very Jules (13:27) Right. Ovy Sabrina (13:28) interesting. I didn’t know that I know as much as I do, if that makes sense, because it’s like a daily thing, right? Like I do there, I go there. Yeah. So when we started Rebricks, I just like, wow, I actually know a lot of things about how to make this, that kind of stuff. Because like, yeah, my family own the factory. So. Jules (13:31) HAHAHAHA Yeah, you were just absorbing it. Hahaha! Ovy Sabrina (13:54) A little bit about my family background is like my whole like big family they are all entrepreneur. I think no one. They are all entrepreneur. So like when I was young like my days like this culture that they are like Jules (13:56) Yeah. ⁓ Well, you obviously are a classic entrepreneur. Okay, okay. That makes sense. Ovy Sabrina (14:12) how to say, put it in my mind that there’s always like, need to be an entrepreneur, you need to be an entrepreneur. That’s kind of like, no matter what degree you are taking in the university, you need to be an entrepreneur. Like, entrepreneur is above everything else. Jules (14:18) Right. I love that so much, that’s the opposite of my family. My mum spends her whole life telling me to get a job. Just get a job, life will be easier. And I’m like, I would hate it. Ovy Sabrina (14:29) Really? But then like it’s… Really? But it’s really hard though. mean like I, it’s it’s pro and cons because like, I think like at end of the day because like I was taught to be a, you know, like my dad and everybody just like, it’s just like, I don’t know. They don’t really teach me, but it’s just like, you know. Jules (14:42) It is hard, yes it is. Yeah. Ovy Sabrina (14:57) I’m so proud of you if you become a business person, know, something like that. So like, I think like after I graduated university, they just like, just come work with us. I took psychology. Jules (15:05) What did you do at university, Obi? What did you study? ⁓ stop! Ovy Sabrina (15:14) So I took psychology because like at that time, know, like, you know, 17 years old, was like, major should I take? And then I was like, I read a book and I was like, I will take psychology because I will help people, you know, that kind of intention. But then I graduated. yeah. Really? Right. Jules (15:27) Yeah, yeah. I did psychology too. Same thing. I thought I love people. It’s all gonna be about people. It’s gonna be brilliant. And then it was all about science and it was like measure this and test this. And I was like, I don’t wanna do that bit. Ovy Sabrina (15:39) Yes. Yes. Yeah, so, but then after I graduated, because of that, you know, like that value that my mom and my dad kind of like put in my head, it’s become like, you know, a struggle in my mind. Like, am I going to continue in this field? Or should I do what my mom and dad said? So it’s like that kind of process of confusion, Jules (17:13) So did you say you mentioned earlier that you and Novi have started a few businesses. Is Novi a childhood friend of yours? Did you know each other? okay. University friends. And then what businesses have you started? So take me through your career from university onwards because it sounds interesting. Ovy Sabrina (17:18) Yeah. No. We are university friends. So after university, you know me, I was like rebelling, like I wanna go to Bali and then do whatever I want, right? That kind of, so I just, exactly, I mean like after I graduated, I went to China for studying for one year. I completely changed my mind. But then like, and then I moved to Bali to work for one and a half year. Jules (17:39) Hang around with the tourists! Okay. Yeah. Ovy Sabrina (17:58) Every single week my dad will call me and say like, do you want to open this new business with me? But I’m not, I’m not kidding. This is not a joke. they will be like, ⁓ want to go home? can do that kind of stuff. But then like after one and a half year after I work in that company, in the company, right. You know the value, right. And then there is the question, what do I do? Why am I doing what I’m doing? Jules (18:04) Right. I love your dad. Hahahaha Yeah. Ovy Sabrina (18:28) I will make this company grow richer and richer and I will stay here that kind of so I went back home. Jules (18:34) See, that is the way an entrepreneur thinks as well. I used to do that and I’d look at my bosses and go, they’re charging me out at $230 an hour and I’m only getting paid $50 an hour or whatever. I could do this myself, but that’s, it is a certain kind of person. I think you just have it or you don’t. Ovy Sabrina (18:47) Nah. Nah. Yeah, for the longest time I thought like I’m more suitable to become a worker. But then right now at this age, right, I just feel like I’m too rebellious to become anybody’s employees. I’m just too annoying. You know, like I would be like, no, why, why you do that? You know, that kind of stuff. ⁓ Jules (19:04) You Yeah, questioning things all the time. I I kind of say that if you are a classic entrepreneur, you get to a stage where really you’re unemployable because no boss would want to have you as their staff member questioning everything and going, why don’t we do it this way or that way? Ovy Sabrina (19:18) Exactly. So I think like, yeah, I think I’m in the right path right now. You know, it’s half half a little bit like in a sense is very idealistic to like, I’m doing like what I Jules (19:37) No, but it’s very grounded. I don’t think it is idealistic. If you’d said, want to solve the world’s plastic problem, and you didn’t have a solution that’s so practical… Ovy Sabrina (19:44) Mm-hmm. Jules (19:47) Maybe I would have said that, but I think, I absolutely think you’re on the right track. But I’m interested as well, because this is obviously a podcast for women. You are two women running a construction products company in Jakarta, which doesn’t strike me as the most progressive country for women. How is that for you? Are you coming up against anything or your dad is just so supportive, you don’t care? Ovy Sabrina (19:47) Mm-hmm. Mm-hmm. you So this is very interesting. I’m my dad’s daughter, right? I mean, like, my dad is like the sweet, just super sweet we have. Like, we are, we are, I’m the youngest from three. There’s like two daughters and one son. My dad never raised us differently. He always taught that, he always treat us like, I don’t know, all of my life, I never thought that as a woman, we need to do something, something, you know, either that kind of stuff. Nothing, like. Jules (20:16) Yeah. Okay. Right. Yeah, good. No, no, neither do I. But then you go out into industry and sometimes that’s not quite the same. Ovy Sabrina (20:46) it’s true. It’s actually. Me and Novi, we are very like a tomboy, right? We are not really feminine. So even before we did stick-rhythmics, we already did so many stuff that is a little bit crazy. Like we just do everything ourselves, you know? We go to like the waste-bang ourselves. We go to like the waste-picker place ourselves, you know, with our car. The waste is on the back. We are driving ourselves, you know, that kind of situation. But then the first time I realized it’s a weird thing is when we were at this Instagram Live at that time. It was COVID era. Jules (20:51) Yeah. Yeah. Yeah. Ovy Sabrina (21:18) Instagram Instagram life and then there is a girl who basically asked me this why you guys women Pretty you want to do this and then you want to work in this kind of field that kind of situation this kind of question and ⁓ Jules (21:29) Right. Yeah, well it’s interesting. There’s not a lot of women in your industry, I wouldn’t think. Ovy Sabrina (21:35) Yeah, until that point, we didn’t realize that. Until that point, we didn’t really think about it that way. So we didn’t really think. But of course, as you mentioned, Indonesia is not really progressive. So the racism, the gender making it hard for us to basically penetrate the industry. For example, we talked with Jules (21:38) Right. Right. Yeah, well that’s what I’m interested in, Ovy Sabrina (21:58) There was this architectural meeting, like there is one day, there is this guy collecting all the architect and then we were there because he is this very prominent figure in architecture in Indonesia. And then all of the architects was boys, like was guys. So during the break, me and Mobi was just sitting there and talking to each other and then the boys were outside and smoking. At that time I was just like… Jules (22:10) Yeah. I bet. Yeah. Ovy Sabrina (22:28) Such a shame, I quit smoking, that’s basically what I said to nobody. Because it would basically make it easier for me to basically talking to them. Because right now I cannot talk to them because I don’t smoke and I’m a woman so they already doesn’t wanna talk and associate it with us. That kind of situation. Yeah, I think so. ⁓ Jules (22:35) Yes. All right, so we need to get you a plastic cigarette that you can just go out and pretend you’re smoking because it’s the same. I I always used to laugh about that with smoking. It does mean that the CEO has to go outside as well as the junior staff. So you could meet some very interesting people outside. But so how are you addressing that? How are you penetrating into that industry where, I mean, I imagine if you go to a conference for Ovy Sabrina (23:00) Yeah Jules (23:11) but building materials or whatever, you would be maybe one of very, very few, very small percentage of women at those events. Are the men coming around, mean, are they treating you like equals and saying, tell me about your products? Ovy Sabrina (23:25) No, but I mean like but I mean it’s okay. I mean like at one point I think there is like a pro and cons being women, right? We got so much of like we got a lot of ⁓ Attention because we are two meet women. Yes Jules (23:27) Hahaha Yeah, of course. We get under… And we get underestimated though as well. So people kind of go, two little girls, lovely. And then you go, yeah, well we run this manufacturing company. And they go, what? Ovy Sabrina (23:44) Yes. Exactly. Yeah, I think like with me and Ovi like we decided very early on to be just like whatever whatever you say we just like going to do what we are doing and then keep on like how to say bettering our product and then we sell it more we find more people for some reason also because I think there’s also a privilege being a woman you know I mean like we we become like Jules (24:01) Yeah. Yeah. Of course. Ovy Sabrina (24:14) more popping right because like there’s two women doing this so people notice us more like oh he breaks that’s two women thing that kind of situation Jules (24:20) Well, of course, I’m PR, so I’m all about the media would love two women in an industry. I bet if you went to, I don’t know, the Builders Monthly Magazine or whatever it might be in Indonesia and said we’re two women running a company, they’d go, we’ve never had a woman come and apply, you know, supplier, like I’m sure. I’m sure it’s like that. Ovy Sabrina (24:38) Yeah. Yeah. So I think like there’s pros and cons being women in this industry. So we just take it all. Like, you know, we take the pro. So we take, we accept the cons as well. So it’s okay. And then like, I think. Jules (24:44) Yeah. Yeah. Ovy Sabrina (24:53) We just try to always focus on our goals. From the very get-go, we are focusing to become bigger companies who actually can cater to everybody. So we don’t do smaller-scale stuff. It’s not really our goal. So we just focus. Jules (25:00) Yeah. Yeah, good. So you don’t want to go direct to consumer, you want to do the B2B and get those deals with the big developer companies and things like that. ⁓ Yes, okay. So I asked you what jobs you had when you finished school, you and Novi, I know you said you’ve started some businesses, tell me what businesses you’ve started other than this one. Ovy Sabrina (25:12) Yeah. Yes. Yes. Well. yes, my god, we started like funny stuff like god first we tried to one all of them in the food and beverage. That’s the easiest one, I was a translator for a long time though. It was like a freelance translator I did like translating to English to Indonesian Indonesian to English Jules (25:37) Okay. from what to into English. Yeah, because your English is amazingly good. That’s okay. Ovy Sabrina (25:50) Thank you. But yeah, I mean like I do we did like food and beverage so we make snack like making like that chips thing and then try to sell it to everywhere. There’s like a crazy stuff. We cook it ourselves that kind of stuff. And then we tried selling like sausages like frozen food. We open like shops for like frozen food shop. That kind of situation. So it’s like. Jules (26:15) my goodness. Ovy Sabrina (26:18) You can imagine how unsatisfactory that work is. You know what I mean? I mean, of course, it gives you money, then what do you get? You know, that kind of stuff. Jules (26:22) Yeah, I knew… There’s no impact. There’s no impact from that. You get stuck in a kitchen, that’s what you get. ⁓ Ovy Sabrina (26:35) Yeah, exactly. like, that’s the job that, yeah, but Novi, before she, we came together and then do business together, she went to actually work at the NGO. She worked at the very good NGO, like the World Vision Indonesia. ⁓ Jules (26:39) Yeah. Right. World Vision, yeah, right. Ovy Sabrina (26:54) Yeah, World Vision. she worked, Jules (26:55) We have that here. Ovy Sabrina (26:56) yeah, it’s a big NGO and then she worked in Singkawang and then like, you know, smaller cities. So she worked there, I think around five, six years. Jules (26:58) Yeah. Doing what kind of roles was it marketing? I mean, how do you split your kind of roles? Is one of you marketing and the other one production or? Ovy Sabrina (27:14) Right now I’m doing the operation R &D more like the more like going to the how to say going with the staff the production everything like that technical stuff so when we are doing for example presentation I’m going to be the one who is like presenting and then telling them like blah blah and then if there’s an architect asking question I would be the one who answered that but the one who is good at negotiating the price and everything would be Novi yeah Jules (27:23) Yeah. Yeah. Right? okay. I love that. And I love that you’ve got someone who’s good at negotiating price, because that’s often been my drawback too. Ovy Sabrina (27:45) Yeah, I cannot do that. Like I would be like, you want that or you don’t want that. If you don’t want it, it’s okay. I’m very bad at it. I’m very bad. So Novi is good. And then I think the difference between both of us is like she’s I think like, how to say, she has a vision. You know, I know how to make that vision come true, if that makes sense. Jules (27:52) I’m Yeah. what a great team. So where do you want to… But that’s good. That’s good as well because that probably sort of gets some of the problems out and you’re working them through. So what’s the big vision for you and Novi? Where do you want to see this being in five years? Ovy Sabrina (28:14) But we never agree. Yeah. Now we already have the collaboration technology with that big company, right? So the production for the material, they will do it. So we are going to focus in being, ⁓ what do you call it? The waste, we have the waste collector thing now. Jules (28:37) Right? Right. Ovy Sabrina (28:48) The idea of working with the bigger companies, we would like to increase our production capacity so we can collect and quote unquote, save more non-valuable plastic from added up in the environment. And then we are like, actually our goal is so we can actually work with bigger company making them pay for their waste. And then the waste can come back, and then we can actually collect more from maybe waste picker. But this is going to be like go side by side with the production, right? Jules (29:00) Yeah, great. Nice. Yep. And would you increase the percentage of the plastic in the bricks over time as well as the idea to get it to 50-50 or something? Ovy Sabrina (29:23) Yes, yes we are always keep on doing R &D though. We have we actually published one journal with our head of R &D and then like the journal is actually we try to increase it to 40 percent but then we didn’t get to 40 percent we get to 30 percent. Jules (29:33) Yeah. Yeah. Okay. So would you ever… Sorry, I’m just completely asking this because I know nothing really about your industry, but would you ever make 100 % plastic bricks? Or would they not work? Ovy Sabrina (29:54) I don’t think with this kind of plastic we can do that though. There is no binding agent. No, the plastic is like mixing with everything so they don’t melt. If you try to melt that type of plastic, they don’t melt. They just like burn, become ash. Yes. Yes. Yes. Jules (29:58) Right, it’s too soft. Right. Right. So what do you do? You have to grind it down into small, do you just grind it in and put it in like sand or soil? Yeah, amazing, absolutely amazing. just, I really have loved working with both of you and I’m so pleased with what you’re doing. I really feel that it’s changing the world. So. Ovy Sabrina (30:24) Thank you. ⁓ Jules (30:28) If somebody wants to find out more, maybe there is somebody listening, you never know, who says, my god, I need to do, I’ll be the manufacturer and distributor in Australia or whatever. What are the ways that people can get hold of you? Ovy Sabrina (30:43) We have a website, rebricks.id. Jules (30:46) ID is Indonesia, yep. Ovy Sabrina (30:49) Yeah, Rebricks.id. And then we also have Instagram, Rebricks.id. So I think you can find our contact there too with emails and everything. But I think the easier is to do either WhatsApp or email. Yes, LinkedIn. Yes, we have LinkedIn too. You can contact us in personally too, or with Sabrina, or Rebricks. Yeah. Jules (30:53) Okay? Okay, and of course you are on LinkedIn. I know, because I’ve made you get onto it. So there is LinkedIn as well. Yeah, fantastic. If anyone is listening and wants an introduction, I would be more than happy to introduce you to Obi and Novi. They’re amazing. So, okay, you are amazing. I’ve loved this interview. It is really about you, so I’ve got one last question, and it’s a weird one. Is there a quirky fact about you that people don’t know that you’d be up for sharing? It could be anything. Ovy Sabrina (31:20) Yeah. I think it’s like people don’t know how I’m so nerd. I’m so geeky. I don’t know geeky or nerdy. I really love anime. So like basically I watch I mean like I’m you know, like at this age people don’t really watch anime, but I really love it like the Japanese anime like the everything Demon Slaves. Yes, I watch it. I read it. Jules (31:58) Did you grow up watching it? Ovy Sabrina (32:04) And then there’s a certain time in my adulthood age where I felt like it wasn’t appropriate so I didn’t tell anybody about it. And then my husband is a big fan of that too. So we both just like watching it together, like the anime and everything. But I think that’s… Not yet. I would love to, but not yet. Jules (32:11) ⁓ that’s silly. Ha! ⁓ great. Have you been to Japan, Ovi? You clearly need to go. You’ll have to find a way to bring your bricks over there and then you can watch anime and it’s tax deductible. Thank you so much for this interview. I love what Rebricks is doing. I love both of you and I love working with you. So I can’t wait to share this and let everybody hear about the great things you’re doing. Ovy Sabrina (32:30) Yeah. Yes. Maybe in the future. Thank you. Yay, thank you Jules for having me. Jules (32:51) my absolute pleasure.
Crafting the Likable Badass Persona (ft. Alison Fragale)

Crafting the Likable Badass Persona (ft. Alison Fragale)

 

 

 

 

 

 

 

 

 

In this conversation, Alison Fragale discusses the importance of perception in relationships, emphasising that people are drawn to those who are both likable and competent. She introduces the concept of the ‘likable badass’ as an ideal persona that embodies these qualities, highlighting the social dynamics that influence our connections with others.

 

The Art of Being a Likable Badass

There’s a common belief that you have to choose between being respected and being liked.

Be too nice, and you risk being overlooked.
Be too assertive, and suddenly you’re “difficult.”

But what if the real power lies somewhere in between?

Welcome to the space of the likable badass — a person who commands respect without sacrificing warmth, and leads with both confidence and connection.

 

Why This Balance Matters

In today’s workplace and business landscape, technical skills will only take you so far. The people who truly stand out are those who can influence, lead, and communicate effectively.

As Alison Fragale often highlights, success isn’t just about competence — it’s about the combination of warmth and assertiveness.

Being likable builds trust.
Being assertive builds respect.

You need both.

Without likability, your ideas can face resistance.
Without assertiveness, your ideas may never be heard at all.

The magic happens when you combine the two.

 

What Makes a “Likable Badass”?

It’s not about being the loudest in the room or the most agreeable. It’s about intentional presence.

A likable badass:

  • Speaks with clarity and conviction
  • Listens just as much as they talk
  • Sets boundaries without guilt
  • Stands firm without becoming rigid
  • Brings others along, rather than pushing them aside

They don’t dominate conversations — they elevate them.

 

The Confidence Without the Ego

Confidence often gets mistaken for arrogance. But they’re not the same thing.

Arrogance pushes people away.
Confidence draws people in.

The difference? Self-awareness.

When you’re grounded in your value, you don’t need to prove it at every turn. You can walk into a room, contribute meaningfully, and leave an impression — without overpowering others.

That’s real authority.

 

The Likability Without the People-Pleasing

On the flip side, likability doesn’t mean saying yes to everything.

People-pleasing erodes trust just as much as aggression does. When you avoid difficult conversations or constantly bend to others, people sense it.

Being likable is about authenticity, not approval.

It’s:

  • Being honest, even when it’s uncomfortable
  • Giving feedback that’s constructive, not softened into uselessness
  • Respecting others, while also respecting yourself

 

The Role of Communication

At the heart of this balance is communication.

Tone, timing, and delivery matter just as much as the message itself.

A direct message delivered with empathy lands far better than one delivered bluntly. Likewise, a kind message that avoids the point entirely creates confusion.

The goal isn’t to dilute your message — it’s to deliver it in a way that people can actually receive.

How to Start Building This Persona

If you’re trying to step into this space, start small:

  • Say what you mean — clearly and without over-explaining
  • Hold your ground — especially when it matters
  • Ask better questions — curiosity builds connection
  • Be consistent — trust is built over time
  • Drop the act — authenticity beats perfection every time

 

Final Thought

The likable badass isn’t a persona you fake — it’s a balance you build.

It’s about owning your voice while staying open to others.
It’s about being strong without being unapproachable.
It’s about leading in a way that people respect and want to follow.

As Alison Fragale puts it, the goal isn’t to choose between being liked or respected — it’s learning how to earn both.

Because at the end of the day, the most impactful people aren’t just heard…

They’re remembered.

 

Takeaways

When people signal to us that they care, we are drawn to them. Our brains respond positively to those we respect and like. Competence and likability are crucial in relationships. The concept of ‘likable badass’ represents an ideal persona. People generally dislike selfishness and incompetence. Social dynamics play a significant role in our relationships. Emotional intelligence enhances our interpersonal skills. Self-awareness is key to becoming a likable badass. We are all striving for a balance of likability and competence. Understanding perception can improve our social interactions.

Transcript

Jules (00:13) Alison Fregale, I am so excited to have you on this podcast. I met you only, gosh, about six weeks ago, two months ago, through the lovely Linda Fisk, and I’ve just been blown away. And now I’m following you on LinkedIn. I love you even more. So, I’m not gonna introduce you, I’m gonna ask you to introduce yourself. Can you tell everybody what you do and a little bit of your why. Alison Fragale (00:37) All right, well, I’m just as excited to be here. So, okay, I’m Allison Fregale. I am an organizational psychologist by training. I have been a professor at the University of North Carolina in the United States for over 20 years, teaching human behavior related topics. I have started and have always taught negotiation and influence as an example, which is a psychological topic. So I teach people the science of human beings. How do people think, feel, and act? And then how do we use that Jules (00:39) You Right. Okay. Alison Fragale (01:07) to get good outcomes, mainly at work is what it is. That’s the organizational piece. And over time, I’ve started doing more of that specifically for women to help them use the science of human behavior to overcome all kinds of gender-based obstacles that are put in their way that are not their fault. And so I try to use the science of my field to help them. so more recently, I wrote a book, which is often how people like, I think eventually is how you may entered your way to me. called likeable badass, so that’s a disruptor kind of model, ⁓ which is about, we can chat about if you want, is about the science of respect, which is status. And how do people decide that they respect other people and why is it harder than it should be for women to get the respect they’re due for all of their great accomplishments and how is that fixable? So that’s a lot of what I do now is talk to women. Jules (01:37) Congratulations. Right. my god, so if you’ve got the key for how to unlock that, that’s brilliant. But why did you, you know, you’ve had all this experience working with women, so why did you decide to focus on women as you started going through? I mean, I think I know the answer, but I’m very interested to hear what it is. Alison Fragale (02:17) So I always say I didn’t pick the women, the women picked me. Meaning, it was a lot of people I know that do kind of the things that you and I do, have these master plans for here is how I’m going to have my impact and here’s where my business is gonna go. And I was never that way. I was just trying to survive the day. Like I’ve got three kids, I got a busy job. And I spent a lot of time, like everybody, working in organizations that were male dominated. And then I become a professor and now I’m teaching in rooms that are male dominated. Jules (02:20) Yeah. Yeah. Alison Fragale (02:45) But what happened was that the women, numerically fewer though they were, were always the ones who would come to me after I would speak. And they would stand at the podium to talk or they would come to my office or they would send me an email and they would be talking to me about a challenge that they had. And it took me a while to connect the dots. I realized, okay, wait, why are these women coming to me? One, I look like them. So I feel like a safe space to go. Two, Jules (02:55) Right. Yes. Alison Fragale (03:13) They’re having problems that the guy sitting next to them isn’t having. Problems negotiating, problems influencing, problems being heard, problems being respected, problems advancing, all of these things. And then the third thing that occurred to me was I have this day job that has been really helpful to my own career journey, meaning that my day job is studying people. And when you study people as your day job, you get pretty good at… figuring out how to modify your behavior to get what you want from people. And so I started just like telling women, okay, here’s what I know is true about people. And here’s how I’ve used that. Here’s how I can help you solve your problem. And what happened was just, I started having those conversations and I just found a lot of joy in them. I thought it’s really fun to be able to use this, the expertise that you have and your life experience to like mentor and advise and help. And Jules (03:43) Yeah right. to genuinely help people. Yeah. Alison Fragale (04:08) to have these conversations about gender that were so different than anything I was having before. it just as they, one conversation after another that was started by them, not by me, I started finding a lot of joy in that. And I thought, how do I do more of this? How do I start bringing more of this to women? Women I don’t know or, you know, new science, stuff like that. So that’s kind of how it started. Jules (04:30) Okay, so the next question has to be, and I’m ashamed because I haven’t read your book yet, why likeable bad ass? Why is that the name and what I’m assuming that’s what you want women to be like? Or, I don’t know, just let me ask you that question. Big question. Alison Fragale (04:43) So yeah, so okay, so it’s a great question. It’s the question. I do it because, so let’s talk about a couple of reasons. One is it’s catchy and 80 % of writing a successful book is having a title that makes people wanna pick it up, okay? So I know I needed a catchy title, but it’s not just catchy. It’s not clickbait. It is a reference, a catchy reference to a very important psychological phenomenon. And that is how does a human being decide? whether or not they respect another human being. How does that decision get made in someone’s head? We study this and we know a lot about it. And the answer is that we are always trying to figure out two things about every single person we encounter. The first thing we try to figure out about people is do you care? Meaning, you try to, what are your intentions? Are you a friend or are you a foe? Jules (05:16) Yeah. Alison Fragale (05:36) So obviously we’re gonna respect people who are friends, who are gonna try to make our lives better. So I say, if you lived in cave person times and an unknown cave person walked into your cave, the most important thing you would wanna figure out is what are their intentions? Why are they there? Are they there because they have extra food and they’re gonna drop some off? Or are they gonna kill me and they’re gonna steal my food? So you gotta figure out, are you gonna help me or hurt me? Jules (05:36) Right. Alison Fragale (06:01) That’s on the cover of the book, I call that likable, but it’s a broader dimension of an orientation toward other people that psychologists will often talk about as our warmth. ⁓ And it’s, you caring? And then the second most important thing we need to figure out, once we know someone’s intentions are good, we need to know, they capable? So I know that you cave person are not there to kill me. Maybe you say we should join forces and go hunting. Well, then the next thing I need to know is, are you any good at hunting? Because I am not taking you with me if you are gonna slow me down. So I wanna be in relationships with people who are trying to help me and actually are capable enough that they could help me. And on the cover, that’s called badass, in psychology we talk about it as being results oriented or assertive, being able to control your environment to drive results. So when people signal to us that they care, Jules (06:32) Yeah. ⁓ right. Alison Fragale (06:55) and that they’re really capable, what our brains do is say, ding, ding, like, I like that person, I respect that person, that’s a person I wanna be in a relationship with. We don’t like selfish people and we don’t like incompetent people. So we want people who are both. not likable badass is not what I think people should be. Likable badass is what the world values. And it’s also what we are all going for. If I said, how do you wanna be seen? Do you wanna be warm or cold? Everyone’s gonna say warm. Jules (07:03) Right. Yeah. Alison Fragale (07:23) And how do you want to be seen? you want to be seen as capable or incapable, assertive or unassertive? Everyone’s going to say capable, please. So it’s how we also want to see ourselves. And so that’s the beauty of it is that’s how we get respect is signaling those two things to the world. But the and that’s really important for women because we are underestimated a lot and undervalued. But the beautiful part is that’s what we want to do anyway. So it ends up being very authentic with how we want to show up because we’re trying to show up as caring and we’re trying to show up. Jules (07:29) Yeah, yeah. Yeah. Alison Fragale (07:52) as capable. So it aligns very well with what we want. So that is why the book is called Likeable Badass. The psychology of that is called the interpersonal circumplex of person perception, which you should immediately forget because that would be the world’s worst title for a book, right? I mean, no one would read that book, but that’s what it’s called. Jules (08:08) I don’t think I’ll be able to. I love it, I love it. You know, it’s interesting that you say that because I grew up as an army brat and my dad was in the British Army. So we moved around a lot. And people often say to me, how do you think that affected you? And I’ve always said, and now you’re kind of, it’s making more sense, that if you move around a lot, you become one of two types of personalities. You either become quite introverted and very capable and happy of being by yourself and not really fussed about, or you learn very quickly how to make friends. And I did the second one. And so people say, how do you make friends easily? I don’t know how I do it, but it’s because I had to, I think, at a young age. And I think that’s really interesting around what you’ve just discussed. Alison Fragale (08:59) Yeah, I did not move at all, but I had a similar experience when I was a kid, which was I started school young. back, I was born in the seventies, right? I just turned 50. So it was all very negotiable, right? You could just go in and be like, she looks tall, she looks ready, we’ll just throw her in. And I had a fall birthday and I should have been a year younger than I was, but my parents were like, what are we gonna do with her? She’s really ready to go to school. We should send her even though she’s young. But my father was extremely worried that by doing this, Jules (09:12) Yeah. You Alison Fragale (09:30) he was gonna be putting me in this very awkward social situation that I was a year younger than my classmates and that that was going to mean that maybe I had less emotional maturity and people didn’t like me. And so when a lot of kids get lectured, like you should do your homework and you should read, I was always doing that stuff on my own. I was getting lectured at home. Make sure you’re nice to people. Make sure you make friends. Make sure you have to go out there and don’t make people feel like… you they’re not good if they don’t know what you know, know, make, be really kind and make friends and like treat people well. So that was like the messaging. That was the messaging I was getting. Jules (10:03) Nice advice! Great advice! Alison Fragale (10:07) I remember being kind of confused. Like, why am I being lecture? I’m perfectly nice. But what it did to my advantage was it made me start to think a lot from being like a kindergarten or a young kid. I wonder what people are thinking about me and am I showing up in a way that like makes them like me and not in a way that made me seek validation and chase approval. Jules (10:30) No. Alison Fragale (10:30) but in a way that made me thoughtful about like, huh, I wonder what causes like that person to like, like a person or not. And it was like the inner psychologist was kind of unleashed and I spent a lot of time, yeah, like thinking about it from a young age, all because my dad was lecturing me on being nice and making friends. Jules (10:39) well, let’s say it sounds like it. Yeah. Well, your dad sounds fantastic, I love that. okay, so in terms of disruption, because I have called this, she’s the boss disruptors. ⁓ What do you particularly want to disrupt and why? What do you think is a bit broken in the system? Alison Fragale (11:05) Well, I’m here to basically disrupt ⁓ women’s challenges. Yeah, like women’s challenges, getting the perception, the reputation, the respect that they’re due and all the power that comes with it. And one of the reasons I’ve done what I’ve done and spent a lot of time on this whole concept of status is because we have these other problems that we’re all trying to disrupt, right? Pay equity issues that are global. Jules (11:11) The perception. Yeah. Yep. Alison Fragale (11:33) ⁓ representation equity issues that are global. And I would love to be a disruptor for that, right? I, you know, I ⁓ always say like, I don’t know what my daughter is going to worry about when she’s an adult, but I just like her to be worrying about something else, like something new, right? Rather than the same stuff her mom worried about, that seems kind of boring. So that is really ⁓ what I would love to disrupt. But the way that I’m approaching it is through the skillset that I Jules (11:47) You Alison Fragale (12:01) And the skill set that I have is I’m a psychologist. So what I’m good at is helping people figure out their audience to get good outcomes. And so what that means is there’s a lot of ways you could be a disruptor in women’s equality, right? There’s activism, there’s implicit biases, there’s organizational design, there’s all kinds of things. But I’ve been trying to disrupt in a very specific way, which is by giving women good evidence-based tools and strategies to like… Jules (12:02) Yeah. Alison Fragale (12:29) bust through the bias even when it still exists. And that’s a part of the solution. It can’t be the only solution, but that’s the solution I feel like I’m well equipped and expert in counseling people how to do. That’s my form of disruption. Jules (12:31) Yes. No. And I think, you know, for women to gain that respect, one of the things that I’m often talking about is that you need to have an element of power and influence. You have to be visible if you want to make change happen. And so many women are driven by impact or legacy and trying to make change happen that if you’re a nobody, I mean, it sounds awful, but if you don’t have those connections and you’re not prepared to speak up, then it’s going to be impossible for you to make that change happen. So… ⁓ I love what you’re doing because it’s encouraging women to push themselves out there and be more visible, which they have to do if they want to make change happen. And we know that women own 50 % of the world’s social enterprises. ⁓ You know, they are driving that social enterprise and nurturing and community driven stuff so much. Okay, so ⁓ now I want to talk to you about your life because I actually really love this. the way that your life has affected you and you’ve told us a little bit about being in kindergarten. Did you have brothers and sisters and what did your mum and dad do? Alison Fragale (13:48) have a younger brother, he’s four years younger, ⁓ and he has traditionally been a ⁓ dentist, an endodontist. I don’t know if that is a global term, but doing root canals, basically, doing root canals. ⁓ Yeah, right. He’s literally like the person that nobody wants to see in the dentist chair. ⁓ My mom was a labor and delivery nurse, delivered babies when I was a baby, and then transit. Jules (13:57) ⁓ okay wow that’s Hahaha! ⁓ wow! Alison Fragale (14:16) transitioned during most of my childhood where I remember her to teaching nursing. So she was a teacher at a ⁓ community college. And then my dad is always, is an engineer by training who was then transitioned by the time I was born into running small businesses ⁓ and had always been ⁓ working on his own running small businesses. And so ⁓ I was definitely got this narrative, which informs how I ended up, which was not only be nice to people, but Jules (14:22) Okay, amazing. What a great role model then. ⁓ Alison Fragale (14:46) the path to financial security, because my parents grew up very, poor, the path to financial security is to be an entrepreneur and to run your own business. And so I got that narrative ⁓ very early on. So I thought, that’s what I should do. And in a way, I do now because being, yeah, because it is a very entrepreneur, but in a very non-traditional way relative to what I thought I was supposed to do. So ⁓ that was kind of the messaging that I got growing up and very much that Jules (14:55) Interesting. You do, yeah! Alison Fragale (15:15) whatever I did had to pay the rent. I think about some of the privileges that my kids have now of thinking about things they wanna do and they don’t think about the income as the primary thing always. My kids are young, right? So they don’t always think about that, right? Yet, but I was always told very early, whatever you do, it’s gotta pay the bills. And I was like, okay, pay the bills, pay the bills. Jules (15:31) Yeah, yeah. Yeah, right. That’s really good. So, did you like school? Alison Fragale (15:44) I loved school. So I was good at, you know, certain like brains are just set up to work within the rules of school. And mine does work that way. If you’re really good at memorization, like school’s pretty easy for a long time, you know? ⁓ And I was really, really good at math, which as a girl gets you a lot of positive attention at school. ⁓ Jules (15:48) Yeah. then exams become much easier. Yup. Alison Fragale (16:07) So like when most people, when people have math anxiety, like my daughter sometimes like, don’t like math, everyone in my family, our family likes math. Like I love math, you are genetically wired to love math, like that’s how it works. So yeah, I loved school and in fitting I ended up back as a professor. That did never occurred to me when I was going through school for a long time, but now that I’m back, thought, oh, that kind of fits, that’s where I was meant to stay. Like I belong in school. Jules (16:28) Now, I also just want to say, because I would say if people don’t know you, that they will think that you’re a psychologist working on one-on-one coaching with people, but you’re actually on stages everywhere, all across the states all the time. I just want to put that in so people understand what you’re doing, because you are not your average psychologist sitting in an office and meeting with people day in, day out. Alison Fragale (16:55) That’s right. So I don’t do any clinical stuff. I don’t do any coaching. ⁓ I do help people understand people, but like I help people understand functional adults ish functional ish adults in the workplace and how they can understand those people and get good outcomes through them. Cause that’s what we all do at work, right? We have to collaborate and work with other people. ⁓ And that can be, I always say that’s like the most frustrating part of work. Work would be easy if it weren’t for the people, right? That’s the stuff that drives everyone crazy. So I’m like, okay, well let me teach you how to deal with that. Jules (17:02) Yeah. Yeah, exactly. You that’s the bit I love. Okay, so, ⁓ you know, you are a psychologist, so I know you went to uni. Was that expected of you by your parents that you were going to go on and qualify in some tertiary level or not? Alison Fragale (17:41) No, in fact, I think the most concerned my parents ever were was when I told them I was going to get my PhD in psychology until I told them that at least in the United States, it’s free, it’s funded. And they didn’t have to write a tuition check because they thought this was going to be the stupidest money they ever spent. ⁓ So I went to college, university, ⁓ and I studied math and economics. Again, I was preparing for a business career and that was like, I loved math and econ seemed businessy. Jules (17:53) Yeah, right. Yeah. You absolutely were. Alison Fragale (18:10) And then I graduated and I became a management consultant because I didn’t exactly know what I wanted to do in business. And I thought that was like a good sampler. You go be a consultant, you see a bunch of industries, you you build your base, et cetera. Jules (18:20) So how did you get that job? Was that straight from uni? Wow! Alison Fragale (18:24) I, yes, and I said, you know, I got it, I did it because it was the easy thing to do. It was, I didn’t know what I wanted to do. And so I stuck with the kinds of places that tended to come to the university and recruit. And what was that? A lot of banks and investment banks and finance and a lot of big consulting firms. So I worked for McKinsey, which is a global firm. And I took that job because I applied to all the banks and consulting firms that would have me. Jules (18:38) Right. Yeah. Alison Fragale (18:51) and I got a couple jobs and this was one and everyone said that was a good job, I should take it. So that was the extent of my thinking about this. And then I got there and I hated it for a couple of different reasons. Some of it was bad luck of just who I was working with, but some of it was I didn’t love the work and it wasn’t allowing me to do the things I love. Yeah, I love asking the questions and then I love being able to answer the questions and then I love… ⁓ Jules (19:05) Yeah. Which could be a problem. Alison Fragale (19:17) being able to like use the answers to help people. And I wasn’t doing really any of that. I didn’t get to ask the questions. I did get to answer them, but answer, then I didn’t actually get to implement any of it and make it, make it good. So I didn’t like it. And I panicked because I thought, my God, here was my whole plan to have this business career. I was going to go get my MBA, my master’s in business. And, but I was like, wait a second, if I do that, I’m just going to end up like back in a job like this. And I don’t like this. So I, then I was like, God, what am I going to do? So. Jules (19:27) Right. Yeah. Alison Fragale (19:47) I start brainstorming. ⁓ Jules (19:47) How long did you stick at it first? I mean, was this a couple of months in you were going, get me out of here, I’ve got to work out how to get out? Right. Right. Well done. Alison Fragale (19:53) Yeah, I I hated it within a couple of months, but I stayed there two years. I had my two-year commitment, I stayed. So I’m trying to figure out what I’m gonna do. And this is in late 90s. So this is like, we have an internet, right? But it’s not predominantly how we search for things. I had to go buy a book in a bookstore, and it was called Careers in Psychology, because I had always liked psychology. But what I couldn’t figure out, back to what my dad was always telling me was, how do you make money being a psychologist? I didn’t know. Jules (20:08) No. Right? Alison Fragale (20:21) But I did know that the few times I had taken a psychology class, I thought it was really cool. So here I am in my little studio apartment after consulting, and I’m flipping through careers in psychology, and I come across organizational psychologists. And there were two things that stood out to me. One was that they are the highest paid psychologists. I don’t know if that’s true, but I do remember reading this. I was like, okay, we’re onto something here. Okay, I might be able to pay the bills. And then the second thing was that it was basically psychology applied to business. I thought, oh, okay. Jules (20:35) Right. Yeah, okay. Alison Fragale (20:50) Here’s how I could blend. Jules (20:51) you got all the business skills. Alison Fragale (20:52) can have this whole business story and then I can take psychology and bring it in. That sounds good. So then I was off and running. And then I started looking at these programs that I, to that point, did not know existed, figured out, okay, you can study organizational psychology. And so I started applying and then I finished my two years and then I went in to get this degree. And again, my parents were panicked, but then they realized it was free. So they were like, fine. So I spent five years getting my PhD and then rolled out from that. Jules (21:03) Right? You Alison Fragale (21:20) into being a professor. In the United States, the five years, like pretty typical path for professor. Jules (21:25) Right, at that stage you’re thinking it’s going to be an academic career? Is that what you were… Alison Fragale (21:32) I very quickly realized that the organization… No, mean, business academia is the best of the worst, right? But yes, it is not the most lucrative thing one could do at their time. I… So ⁓ once I realized that organizational psychology, that getting a PhD was really training you for an academic career, I started thinking, would I like that? And that’s where I came back to this idea of I had really always liked school, the idea of being a teacher. Jules (21:34) Because there’s not a lot of money in academia, I would have thought. right Yeah. Alison Fragale (22:02) and a researcher seemed appealing. But I put all that together pretty quickly, like from my studio apartment when I was 23 years old. So I’m lucky it worked out as well as it did because although I picked more intentionally the second time, ⁓ I jumped into a pretty big lifetime commitment without a whole lot of knowledge exactly about what that would entail. But it does fit me well. ⁓ Jules (22:12) Yeah. Alison Fragale (22:26) I have enjoyed my ability to be entrepreneurial. Being a professor is a pretty entrepreneurial venture in a way with the safety net of having least some of your income provided by your university. So it’s an interesting way to be an entrepreneur. Jules (22:40) Okay, so how long were you in academia before you decided to step out on your own and go on stages and things? Or was there something in between? Alison Fragale (22:50) So I’ve been a professor for ⁓ over 22 years. just now went what’s called emeritus and I think I don’t know if we all, everyone uses that term, but the United States, ⁓ it ⁓ just means you’re essentially retired, but you get to keep all your perks and privileges. I, yeah, so I just, I was, I have been a full-time tenured professor for 22 years. I did, ⁓ Jules (22:53) ever. okay wow that’s cool right. Alison Fragale (23:15) just recently stopped. The main reason that I stopped had not to do with the speaking because that was going concurrently. It just had to do with a lifestyle thing, which is that I now live 1,500 miles or 1,200 miles from where I work ⁓ because I went remote before it was cool because of my husband and family, ⁓ his work and everything. So then I went back and forth for 10 years. Jules (23:32) Right. back. Alison Fragale (23:44) After I was so I was in ⁓ North Carolina where my school is and then I went back and forth for 10 years. And then the combination of a couple of things, like my kids getting older, me having this book and traveling a lot ⁓ and the commute. said, okay, I think now’s the time I will retire after 22 years of being a full-time academic and teaching and then focus solely on ⁓ the writing and the educating and the speaking in these other audiences. Yeah. Jules (24:12) ⁓ So you’ve built up your speaking career at the same time as working full time, obviously. Alison Fragale (24:19) I did, I started, it grew over time. If you like looked at where I spent my time, but I did my first external speaking in my very first year of being a professor. So I always, and then I did more and more and more. And I found I really liked it for two reasons. One is I love, like the thing I love the most about my field is taking these findings that I just think are fascinating and turning them into practical ways that people can use them. And that’s really fun for me. And the second thing is I, again, like I ⁓ love talking about my field, but I can really do without like grading papers and having conversations with students about like this grade or that grade. Like that’s not really fun. And so to me, all of the education I get to do is the absolute best part of my job. It’s like the, it’s, you know, it’s like the center of the cinnamon roll, if you will, like the, like the really good stuff in the middle. I get to. use all this knowledge to help people without having to deal with all of the difficulties of grading papers and classes and stuff like Jules (26:32) Okay, so where do you want to take all of this then? One book down, yeah. Alison Fragale (26:36) So this is back to this idea of I don’t have a grand plan, meaning, you know, I wrote the book and so the book did ⁓ what I wanted it to do. It definitely established my brand as a person who serves women. And so more audiences of women have found me through the book and have come to me this year. And that has really given me opportunities to like make my living standing on stages or in audiences that serve women. That I think is really cool. I’d like to continue to do more of that. ⁓ I think… Jules (27:01) Okay. Alison Fragale (27:05) I might write another book, but I don’t have a secret like that I’m keeping from you. I don’t have an idea. I’m gonna get through the end of 2025 and 2026 is my year to kind of start some new stuff. I also would like to, ⁓ one of the things about me is that the only way people really work with me or see me other than like, you know, podcast is, ⁓ if their organization or their group or their conference hires me. Because at this point, if I don’t coach, I don’t work individually with people. But one of the things I would like to do is make behavioral science more accessible to people who are not in these very elite spaces. So a book is one way to do that, right? Because the entry point for a book of, you know, 15, 17, $20 is way less than getting a whole graduate degree. Or listen. Jules (27:37) Right. Yeah, great. As long as they read, which a lot of people don’t, I guess. Yeah, Alison Fragale (28:00) You got to do something. You have to either read or listen, Jules (28:01) or listen. Alison Fragale (28:02) right? You got to do one of the two. But also the idea of creating some communities and spaces and programming that people can join as an individual at an individual price point where they don’t have to work for a group or a company that ⁓ has a lot of these resources. ⁓ So that’s one of the things I care a lot about is trying to help women who are working extremely hard, but not with the privileges of Jules (28:10) Yeah, nice. Alison Fragale (28:29) that come with so many of the people that I see. And those people don’t wake up necessarily feeling all that privilege. Life feels hard for them, right? Working, know? But I always remember, like, they’re at a big company that has a big annual conference that they bring in people to talk. Like, they have a lot of resources. Not everyone has that. So that’s one of my goals for 2026. Jules (28:36) No, yes of course. fantastic. well, can’t wait to watch it all unfold. if somebody wanted, well, firstly, I want to do something with you. So there is going to be something with She’s the Boss and Alison next year. Yeah, we’re going to have to do something together. ⁓ But also, if there’s anyone who’s listening to this who goes, my God, I love that woman, which I’m sure they will because you’re great. ⁓ What’s the best way of them being able to get involved, help you, book you, whatever it might be that they want to do? Alison Fragale (29:00) Okay, we talked about this, yes. Totally, thank you for asking. My website is the one stop shop for all the things. So it’s http://www.mynameallisonforgale.com. And when you go there, there’s a bunch of stuff. One is if you wanna learn about the book and what’s it about, buy it, you can do that. There’s three places I show up typically ⁓ in writing. I show up in my free newsletter called The Upper Hand, which is behavioral science to help women excel. Jules (29:25) Okay. Okay. Alison Fragale (29:47) And then you said, I’m on social, I’m on LinkedIn a lot, and I’m on Instagram. And all three of those things you could click and join from my website. And then I do a lot of media, a lot of podcasts, a lot of interviews. So this podcast will be on there as well as anything else I’ve ever done. And I always say to people, like, if you do like, ⁓ if you do like listening, ⁓ you can learn a tremendous amount. Like the amount of knowledge and information this world is pushing out through podcasts right now is insane. Like you could get the equivalent of. Jules (30:02) Yep. sure. Alison Fragale (30:16) a graduate degree of knowledge. Obviously it doesn’t come with a diploma if you’ve listened to 500 podcasts, but in terms of the knowledge, like you could get all the stuff we like say behind those like gates are in these podcasts. Like, so I tell people like, listen to that stuff. So anyway, that stuff’s yeah, that’s all on there. So, you know, you can hear me chat about all kinds of stuff. Jules (30:18) Ha Go and listen to them. Okay, fantastic. Now I know on your website, and hopefully this will drive people to your website, you’ve got some quirky facts about yourself, ⁓ which I particularly liked. I loved going in and going, here’s some stuff that you might not know about me. But my question is one that a journalist gave me years ago, and I love asking it because I get such mixed responses. The question is, is there a quirky fact about you that most people don’t know that you’re willing to share? And it can be anything. Alison Fragale (31:03) Okay, I do have a fair amount of them out there. So I’ll start by repeating, yeah. So I love coffee, I’m obsessed with coffee, but I hate all coffee flavored food. I don’t like tiramisu, I don’t like espresso martini, I don’t understand. Jules (31:07) You do? ⁓ That’s so weird because I hate coffee but I’ll drink Kahlua. Or I’ll drink something that I’m the opposite. But that’s amazing. Alison Fragale (31:23) Right. Yeah. Yeah. The second my eyes open, I’m like, coffee, coffee, coffee. Jules (31:29) You’re gonna have to come to Melbourne at some stage because we are known as the coffee… the coffee city. Like, have people, everyone is obsessed with it here. Alison Fragale (31:33) Award. I did have a friend who was traveling there to speak and said she was like really excited about getting her flat white when she got there. Okay, so let’s see, a couple other random things. There are three things I have said to my kids I will never do unless one of my kids begs me to do it with them, in which case, only because of my love to them, for them I will. Run another marathon, I have run one. It was 26 miles of torture, I never wanna do it again. Unless it. Jules (31:42) You Okay. It sounds horrific. Alison Fragale (32:05) Unless a kid said, with me, mom, and then I would feel like I had to. Jump out of an airplane. was like the whole point of going in a plane is to stay in the plane till it comes back down. That seems like a terrible idea. But again, I don’t want to be lame. So if they said jump out of the plane with me, maybe I would. And get a tattoo. I really admire tattoos on other people, but I’ve never had any desire to get one myself. But if my kid said to my mom, like, let’s go to the tattoo parlor, I’m like, all right, I’m in. Jules (32:13) Yeah. Amazing! Gosh, we’re so… I’m about to turn 60 next year and I just got my first tattoo because my sons… I was in a tattoo parlor with them. I said, let me buy it for you and then I was like, I’ve always wanted a cartoon bumblebee. I’m gonna get one. In fact, I have to show it to you. Look, it’s the cutest little bumblebee you’ve ever seen. So that was my first tattoo at 59. Alison Fragale (32:35) Did you? See? Amazing, see I would love… my gosh, I love it. I love it. love it. So that’s the thing I said of my kids. So I always say to them like which one of you is going to be my tattoo kid and which one of you is going to be my airplane kid and which one’s going to be my marathon kid. ⁓ So okay, those are some of my fun facts. I do see people who have a lot of tattoos, one of my favorite questions to ask them is which one’s your favorite? And they have a good story. And then I always ask them if there’s one they regret. And those are always interesting as well. Like a thing that people have grown out of. It’s when people have like lots and lots of them. It’s always fascinating. Jules (32:58) Yeah Yes. Alison Fragale (33:23) ⁓ Okay, wait, can I ask you? Jules (33:23) Yeah, well I said I might have a full sleeve by the time I’m 80. I thought I could start getting them everywhere I travel. I did this one in Singapore. So it was a bit of fun. Yeah? Alison Fragale (33:28) Yeah, totally. nice. Okay wait, can I ask you, what’s your, do you have a quirky fact that people don’t know really know? Jules (33:39) ⁓ gosh, no one’s ever asked me that. I ⁓ think my biggest one that sort of surprises people but very easy around food is I hate strawberries and I hate coffee and I just will not touch either of them except in Kahlua. So there’s that little thing. ⁓ And other than that, I don’t know. One of my favorite things is I lived inside Brixton Prison. for two months and I actually didn’t even know I was there. I was living in one of the warden’s flats because I had arrived in London and I was couch surfing and this guy that I’d met in Jamaica said, hey, come, I’ve got a spare room in my apartment. And I said, great. And I went and stayed there and then the next day I rang him to say, I need to go out, can you drop me off the key? And I knew he worked at Brixton Prison and he said, I’ll be there in two minutes. And I said, are we really close to the prison?” And he went, we’re inside the walls. And I went to the balcony and you could see all the barbed wire. Anyway, so that was my… And the other little quirky fact is that no black cabs in London will ever take you to Brixton Prison. So I’d be finishing work, I was working in ad agencies and I’d go, you know, catch a cab home, it was late. And I’d say, can you take me down to Brixton Prison? And they’d go, they’d just shut the door and drive off. So that was quite funny as well, I didn’t realise that. But I remember saying at the time, this is going to be great dinner party story for me one day. Okay, well, it’s just been wonderful to talk to you, Alison. I hope to get to know you more and do more things with you in the future, but I really appreciate you doing this podcast and I hope that you have a whole lot of new fans on the back of it because you’ve definitely got one in me. Alison Fragale (35:03) Totally. I love it. my gosh, that’s awesome. I’m glad I asked. Very cool. my gosh, right back at you. You are the best.
The Seventh Tribe: A Movement for Change (ft. Jane Evans)

The Seventh Tribe: A Movement for Change (ft. Jane Evans)

 

In this engaging conversation, Jules interviews Jane Evans, a trailblazer for midlife women and founder of the Seventh Tribe. Jane shares her journey from a successful advertising career to advocating for women’s empowerment, particularly focusing on midlife women. They discuss the challenges faced by women in the workplace, the importance of community, and the need for societal change. Jane emphasizes the power of storytelling and the role of matriarchs in shaping a better future. The conversation also touches on Jane’s personal experiences, her innovative projects, and her vision for a more inclusive society.

 

Unlocking the Power of Midlife Women: How The Seventh Tribe Is Changing the Narrative

Are you feeling overlooked or underestimated as a woman in your midlife years? Wondering how to break free from societal stereotypes and build a future where your voice is heard? If so, you’re not alone — but there is a movement happening. Midlife women around the world are rising up, demanding recognition, and transforming society’s story about aging and power. This article shares insights from Jane Evans, a fearless advocate for women over 45, and explores how her initiatives like The Seventh Tribe are paving the way for a new narrative. In this post, you’ll learn about the myths surrounding midlife women, strategies for embracing your power, and opportunities to join a community that’s reshaping the future. Whether you’re looking for inspiration or practical steps, this guide will help you understand why midlife women are the next great change-makers.

 

The Reality of Midlife: Challenging Societal Stereotypes

As women reach midlife, many confront ageism and sexism that push them into the background. Society often labels this phase as a crisis — a time of decline and loss — but the truth is far more empowering. Jane Evans, founder of The Seventh Tribe, highlights that the narrative is just stories we’ve been told, stories society needs to rewrite. Ageism and Feminism: Two Battles Colliding Women over 50 in Australia, for example, are the fastest-growing group experiencing homelessness, a stark indicator of economic inequality and societal neglect. Simultaneously, there’s a war on feminism — the fight for gender equality is more active than ever. Evans emphasizes that these two issues are intertwined; fighting for ageism and feminism must go hand in hand to create real change.

 

Breaking the Stereotype of the “Crisis”

The phrase “midlife crisis” diminishes the incredible potential women hold during this stage. Evans points out that society’s obsession with crisis stories has created a stigma, especially around menopause, often portraying women as hormonal, irrational, or crazy. But as she explains, this narrative is not based on facts — it’s a story we can change. Key takeaway: Midlife shouldn’t be seen as a decline but as a crucial phase for reevaluation, growth, and contribution.

 

Redefining Midlife: From Invisibility to Invaluable

Evans has dedicated her life to helping women reclaim their power through storytelling, community, and activism. Her book, Invisible to Invaluable, aims to unleash the potential of women in midlife, urging society to see us as invaluable resources rather than invisible or forgotten. The Power of Community: The Seventh Tribe Why call it the Seventh Tribe? Evans shares the story of the seven tribes of Israel, with the seventh representing women of resilience, love, and leadership. She sees her community — The Seventh Tribe — as a gathering of women who refuse to accept societal limits. This community offers a safe space from social media algorithms and societal judgments, where women can discuss sensitive topics, share ideas, and take collective action. Evans emphasizes that “there is a war on feminism and ageism,” but together, women can dismantle these narratives. The Vision: Unleashing Women’s Power. Evans’s mission is to help women see themselves as the matriarchs — the leaders who shape society. She believes that women over 50, with their wealth of experience, can create societal change by sharing stories that challenge the status quo. She advocates for a social imagination project that envisions a future where technology and society serve everyone, especially older women. This includes discussions about living longer, health innovations like gene therapy, and new societal roles that embrace aging. Actionable step: Connect with The Seventh Tribe to participate in community activities, events, or storytelling projects aimed at reshaping societal narratives.

 

How Women in Midlife Are Claiming Their Power Today

Evans’s personal journey exemplifies resilience. From facing ageism and sexism in advertising to founding her own agency, her story shows what’s possible when women refuse to be sidelined. Wins in Advertising and Beyond Her creative campaigns not only broke industry rules but also won awards and gained international recognition, including remakes of ads around the world. Evans faced discrimination in many forms — including being the only woman in her creative departments and experiencing overt bias — but she persisted. Her campaigns showcased women in real, empowered roles, like the first unmarried couple on TV or women doing laundry — simple acts that broke stereotypes. These campaigns changed narratives, one viewer at a time. Moving from Corporate to Activism After personal and professional setbacks, including a difficult divorce and financial challenges, Evans pivoted—not just to survive but to thrive. She championed campaigns on menopause, ageism, and women’s rights, inspiring others to follow suit. Her recent initiative, The Seventh Tribe, is about building a community where women can share ideas, collaborate on projects, and influence societal change — online and offline. Reader action: Explore similar community groups or start your own network to support midlife women’s empowerment.

 

The Future Is in Our Hands: What You Can Do Today

Evans encourages all women to recognize their inherent power and make their voices heard. Here’s how you can start: Embrace Your Story and Share It Your experience is unique and valuable. Share your story, whether through social media, community groups, or writing. By doing so, you challenge stereotypes and inspire others. Join the Movement: The Seventh Tribe Go to theseventhtribe.com to see how you can participate — from joining a goddess circle to attending webinars about future tech impacts. Advocate for Change Get involved in campaigns that promote gender and age equality. Support policies that protect older women from discrimination and economic hardship. Reshape Society’s Story Start conversations that dispel myths about midlife women. Use storytelling to highlight successes and possibilities at every age.

 

Final Thoughts: The Power of Collective Action

The story of Jane Evans and The Seventh Tribe demonstrates that societal change begins with community and storytelling. Midlife women are not only the keepers of wisdom but also the catalysts for transformation. When we come together, share our stories, and challenge the narratives imposed on us, we can create a future where aging is celebrated, not feared. This is our time to step into leadership, to redefine what it means to be a woman over 45. The stories we tell will shape the world of tomorrow.

 

Takeaways

– Jane Evans is a strong advocate for midlife women’s empowerment. – The Seventh Tribe aims to create a supportive community for women. – Ageism and feminism are interconnected issues that need to be addressed. – Women have historically lost rights and need to reclaim their narratives. – The advertising industry has significant challenges for women, especially in leadership roles. – Personal experiences can fuel professional advocacy and change. Community support is crucial for women to thrive in their careers. – The future of society depends on the voices of matriarchs. – Women need to be visible in media and leadership positions. – The Social Imagination Project aims to envision a better future for all.

Chapters

00:00 Introduction to Jane Evans and Her Journey 02:39 The Uninvisibility Project and Midlife Women’s Empowerment 05:49 Defining Midlife and Addressing Ageism 08:45 The Seventh Tribe: A New Movement for Women 11:43 The Story of Dina: A Feminist Perspective 14:35 The Rise of Women and the Dismantling of Patriarchy 17:21 Jane’s Background and Early Career in Advertising 20:23 Challenges in the Advertising Industry 23:11 The Launch of Microsoft Word and Early Tech Experiences 26:01 Moving to Australia and Building a Career 28:51 Groundbreaking Campaigns and Recognition 31:50 The Struggles of Being a Female Creative Director 34:43 Starting Her Own Agency and Success 37:42 Navigating Personal Challenges and Business Growth 40:33 The Seventh Tribe and Social Imagination Project 43:35 Empowering Women Through Community and Support 46:34 The Future of Women in Society 49:31 Conclusion and Call to Action

Transcript

Jules (00:13) I have today a woman who absolutely has made me want to get back into podcasting again. Her name is Jane Evans. She is talking to me from London. Jane, welcome. Jane Evans (00:26) Hi, good morning or good evening or whatever it is. Jules (00:27) Ha! whatever it is for whoever’s listening. So I’m gonna tell you a tiny bit that I know about Jane. She is the founder of the Seventh Tribe and she’s also the author of, I wanna get the name right, ⁓ from, look, hang on, the author of Invisible, look, it’s gone. Go on, you tell them. Jane Evans (00:48) invisible to invaluable unleashing the- invisible to invaluable, unleashing the power of midlife women written with my dear friend, Carol Russell. And it’s a manifesto and a call to arms for midlife women to come into their power and damn well change the world. Jules (01:11) I can’t tell you how much I fucking love it, as I’ve already told you before we got started. So ⁓ my next question to you is great, so you can start explaining, but what is it that you do and why have you called it the seventh tribe? Jane Evans (01:30) Okay, so just to give you a bit of background to me for anybody listening who doesn’t know me, so I was probably one of the most successful female. creatives, advertising creatives of my generation. All of you in Australia, whenever you see a Tim Tam Genie commercial, that was one of mine. And every time you drink James Squire beer, I actually created the brand. and in 2013, I came back to the UK because one of my eldest daughter got a place at the Brit school, which is where Adele and Amy Winehouse and everybody went. And my youngest was about to start high school. So I was like, well, if we’re ever going to move back, now’s the time to do it. And I actually took my maternity leave. I had three days for both of my girls. ⁓ And I went to the National Film and Television School and studied screenwriting. ⁓ Then a couple of years later a figure came out that only 3 % of the world’s creative directors were female. So I stuck my hand up very, very loudly because I was like, I’m going to have to get back in. I’ve got no choice here. I was completely and utterly ignored by the industry. Even though I was the most ridiculously overqualified woman for the role, I was met with ageism to my face with people saying things like, I give you a job, Jane, but you’d end up as the old woman at the back of the creative department doing this shit that nobody else wants. ⁓ And for the first time in my life, I couldn’t rely on my talent to make a living. And within a couple of years, I was bankrupt, evicted, ⁓ you know, going to the food bank. ⁓ And… Jules (02:54) my god, no! Jane Evans (03:18) As I was in the food bank, as I do whenever I get into all of these sort of situations, because when you read the book it’s happened quite a few times, I basically sat there and went, why am I here? And I looked around and I realised that I was the only woman that could get out of there. Every other woman was going to be there every week, probably for the rest of her life. I was like, I ain’t never coming back here. It was like, I am going to do everything in my power to make sure I don’t come back here. But also I’m going to do everything in my power to make sure no other women like me end up here. So I set up the Uninvisibility Project, wrote the book, ⁓ set up the Visible Start Program, which actually got women employed in advertising. ⁓ And then in November of last year, I put up a post on LinkedIn and it was one of my normal midlife women we all have it so tough blah blah blah and then if you pressed more it went okay the world’s on fire us battle axes need to organize we’re meeting November the 21st 730 p.m. Jules (04:21) Yes. Jane Evans (04:25) 250 women DM’d me for information on that call and over 100 women turned up on this call. I had no idea what I was doing the call or why I was doing the call. just was like, know, sort of it blues brothers, know, sort of, you know, packing a cigarettes and a pair of blue, blue Ray-Bans and on a mission from God. So, so in December. Jules (04:48) Yeah. Jane Evans (04:56) decided I have to leave Visible Start behind. I’d come to the conclusion already that the only people that give a shit about midlife women are midlife women. And so these initiatives that we were creating were not making any difference because there wasn’t the societal change. my, you know, I was never about setting up training programs or running courses. my, you know, passion and drive was to always change the narrative. So I basically spent six months building something where women could, or mainly women, but we’re actually getting men in there at the moment and I’m sort of pivoting every two seconds with what I’m doing. But we needed a space away from the algorithm, away from the machines, away from social media, where we could actually follow the things that we were interested in. So we could talk about the Holy Land, we could talk about what’s happening in America, or we could talk about what’s on social media without being attacked with a way of looking to get solutions, ⁓ finding answers and taking action. Because, I’m sorry, but there is a war on feminism. And if anybody does not see the war on feminism at the moment, then you’re not paying attention. But, you know, Jules (06:07) Right. I would all add to that that there’s also a war on ageism and so the combination of feminism and ageism but it’s bringing all of us out of the woodwork and I just want to say as well when you say midlife what do you mean? Jane Evans (06:36) Okay, so we define midlife as 45 to 70. So from the end of fertility to the end of our working lives. Now, of course, that’s not going to be the same for everybody, but you can actually carve out, this is the last stage of your career, the middle stage of your life, because we’re to be living till we’re 90 or 100 years old. So a 20 year retirement, Jules (06:40) Okay, I love that. Yep. Yeah. Jane Evans (07:04) is, you know, that’s all anybody’s ever budgeted for. It’s a lot, it’s a lot more than most people have budgeted for and certainly more than women have. So in the UK, women have 30 % of the pension savings of men. I think the figure, I think it’s something like 48 % have less than £5,000 in pension savings. Less than £5,000. Jules (07:05) lot. Yeah! And in Australia, women over 50 are the fastest growing group of homelessness. I mean, it’s absolutely shocking. At the same time that we’re coming into our power and I don’t give a shit what anyone else thinks, I’m just gonna do something stage. Jane Evans (07:35) If I use that. When I’ve been campaigning this for a long time and there’s actually a chapter in the book about this. Which you know, I wrote in 2020 so you know you can see in the UK There’s been this wave of fucking menopause stuff now I said in 2020 if all we talk about is menopause all we are going to do is create a new stereotype of midlife women as Sweaty crazy mad ladies and it’s going to make our problems worse and it has and it was Jules (07:58) Yeah, right. Who can’t work? Who can’t work because they’ve got menopause symptoms? Jane Evans (08:22) Yeah. And it wasn’t until last year, it was actually on a post. I was moaning because they had Older Workers Week, which I just was like, that’s the most fucking stupid name on the planet. And I still think that and I don’t fucking care. And anyway, the woman we were actually in business or, know, sort of. we were aligned with the woman that was running it and I didn’t know it was her anyway, she sort of came in quite aggressively. And I was like, you know, we’ve been pushing for midlife, to call midlife for years. It was like, why can’t it be midlife workers week? Why can’t it be midlife workers week? And she went, because men associate midlife with crisis. And I went, ⁓ holy fucking shit. This is what’s happened. Yeah. Jules (08:57) Yeah. well we’ll change everything for the men. Jane Evans (09:09) We’re here we are as women going love being called midlife women because it says I’ve got half a life to live. But men and the narrative has turned in to midlife being a crisis, which is the complete book. I did a podcast. about six months ago with a young woman about, you know, sort of multi-generational design. And I talked about what life was like post-menopause. And she got to the end of it, she was going, Jane, you’re just a creative genius. She was like, I never ever thought I would start looking forward to menopause. Because… Jules (09:46) Apart from anything else for anyone who’s listening, no periods is a bloody brilliant thing for women. Jane Evans (09:54) I still have a kid at home who’s 24 and I tell you what, every month I’m just like, oh thank god I don’t go through that anymore. Thank god I don’t go through that anymore. Jules (10:01) I’ve got three of them at home and yes, feel the same way. Okay, so ⁓ the question was though, why have you called it Seventh Tribe? ⁓ Jane Evans (10:07) Yep. Why have I called it the seventh tribe? Because it’s the seventh tribe of Israel. So they always talk about the 12 tribes of Israel, don’t they? The foundation of everything. Okay, so the seven tribes of Israel. Jules (10:22) I’ve never heard of that before. Jane Evans (10:28) are the, so Abraham is the one who first talked to God and, you know, sort of, you know, offered his baby up for sacrifice to him and sort of built from there. So the 12 tribes of Israel is the basis of the Jewish race. So that is where the patriarchy sort of split off. Only these 12 are Abraham’s seed. Forget everybody else is Abraham’s seed. It’s just these 12 tribes. Jules (10:38) Yeah. Right. Jane Evans (10:56) But then there’s Dina, his daughter, seventh born. ⁓ And she fell in love with a Canaanite prince. You know, the enemy, my god. They all say he was, you know, the men’s stories say that she was raped. But feminists are like, I’m sorry, it sounds like she fell in love with him. ⁓ Anyway, anyway, know, whatever he did to her, for whatever reason, he basically went to his father and said, I love this woman, I want to marry her. So his father, the king of Canaan or whatever, goes to ⁓ her father and asks to be married. And he agrees, but only if all the men of his kingdom are circumcised. So… On the night of the wedding, two of the brothers ⁓ who, you know, sort of, she’s been defiled by the enemy, came in and killed all the men while they were recovering from the surgery. And she was taken, including the prince, and she was taken away and never heard of again. Jules (12:09) Right. Jane Evans (12:11) never mentioned again. So, and she was the first one in, you know, sort of written biblical stuff and it’s all stories and all of that. But, if you’re actually tracing the patriarchy through the Abraham line, she’s the first one who lost her inheritance rights. So, What would the world have looked like if women hadn’t lost their inheritance rights? What would have happened if women hadn’t lost maxillineal lines? Because if you’re looking at the world now… You you ask any man, all right, let’s go back to setting things up. So if a couple get married, it’s either the daughter leaving to go to the man’s family or the man leaving to go to the daughter’s family. Which would you think would be the safest option? I guarantee you every father would say, well, you wouldn’t send your daughter off to a bunch of strangers. It would be much better to bring the man into the group. I mean, Jules (13:12) No, you wouldn’t! Jane Evans (13:16) and then take into consideration that women built society. So while the men were off hunting, women were building agriculture, pottery, weaving, everything that was required, law, society. Then as townships became cities, they were the architects of the cities. They were completely in control and it was very equal. The first written word was by Enhedwana, ⁓ worshipping the goddess Ishtar. ⁓ The first known ⁓ you know, of writing by a civilian, shall we say, was a woman complaining that she didn’t get the copper she’d ordered, which would have been to create the vat to brew the beer. So in Mesopotamia… Jules (14:06) Right, wow, my god Jane, you know so much about all of this, but I love that name and that it’s got such a great story attached. Jane Evans (14:11) Yep. Well, the thing is, Mesopotamia, ⁓ patriarchy started with empire. So women were there building all of these magnificent cities. It was when the men went, let’s go and invade another city and invade another city and make it ours, that they created patriarchy. it was actually brought in by a king called Hammurabi, who erected a black stone penis. I mean, seriously, go and look at it. It’s in the Louvre. A massive black stone penis in the middle of the town, of the city, with 325 laws taking away all the rights of women. but that was only 1.3%, but that was only one, the patriarchy has only existed for 1.3 % of history. So, so we can. Jules (14:54) my god. Isn’t that amazing? yet, well, but I mean, times are changing. You can feel the rising of women, I think, at the moment. And I’ve felt it since the pandemic, particularly. Jane Evans (15:14) but we can just. but we can dismantle it because it’s only built on stories. It’s not built on any facts, it’s not built on any reasons, only built on stories. Women haven’t, so my great-grandmother, who I met, was the first woman in our family with a right to an education. It has only taken women five generations to find our stories, find the truth, look into, I mean, I’m constantly seeing things of, ⁓ they thought this warrior, this Norse warrior skeleton was a man. Whoops, it was a woman. So we can dismantle it because they won’t believe facts. Jules (15:52) ⁓ it’s a woman! Jane Evans (16:00) ⁓ They won’t believe what we say. So let’s just tell stories that will absolutely blow their reality. It was like, no, I’m sorry, you can believe that, but actually I believe this. Jules (16:16) Okay, so amazing story. So now I want to know a little bit about you and your background because you sound absolutely fascinating. So you talked about going back to England. Did you grow up in England? Jane Evans (16:32) I grew up, so I was born just outside Liverpool in 1962 and was there for the Beatles. Then my dad got a new job down south and we moved to Camberley and Surrey. Oh, okay. So my mum was an absolute stereotype of a sixties housewife. She was a beauty queen. Jules (16:46) What did your mum and dad do? Jane Evans (16:59) So which I always thought was hilarious, but she got second prize which made Monopoly interesting in our house. ⁓ my dad was an artificial inseminator, which made it really difficult when people asked you what your dad did for a living. Jules (17:00) Right, wow! ⁓ my god, really? That is amazing! Jane Evans (17:18) He traveled the world selling bull semen. he was in Australia and New Zealand. Australia and New Zealand was his territory. yes, my dad would spend like twice a year would spend six weeks in the Southern hemisphere ⁓ selling bull semen. Jules (17:22) What? Wow, how amazing. And so did you have brothers and sisters? Jane Evans (17:39) I had an older brother. ⁓ And yes, so yes, I had an older brother. ⁓ We moved to Camberley and Surrey. And the reason why that was, my mother chose it because that was where Sandhurst was, which is the officer training ⁓ camp. She was like, she moved me there because she wanted me to marry ⁓ an army officer, which I just think is absolutely hilarious because there’s absolutely no way. Jules (17:45) Okay. The office is training. no way. My father was an army officer, a British army officer. And, and my mother would have loved that too, or a doctor or a lawyer. And I was like, no way, I want a starving artist and I’m going to support them. I always say be careful what you wish for. ⁓ So, okay, so you, you got to Cambly. Did you enjoy school? Were you good at school? Jane Evans (18:09) killed each other within weeks. ⁓ I was really bored at school. was just constantly bored at school. Constantly. ⁓ I was always in trouble. ⁓ Yeah. And, you know, it was punk, so, you know, one assembly I decided that it’d be fun to take some food coloring in and give everybody punk hair and the headmaster came out to a sea of pink and purple and blue hair. Jules (18:37) Where are you? because you’re creative? guess who got into trouble. so… keep going. Jane Evans (19:02) And my favourite one was… Yeah, I was bored. It really didn’t… You know, I was intelligent. but just the way that they taught, I was bored. So anyway, at 16, ⁓ I knew exactly what I wanted to do. I wanted to get into advertising. ⁓ So at 16, I left school and went to art school, did a two-year foundation course, and then went on to do an advertising course. By the time I was 20, I got a job at Leacus Delaney as a junior art director, ⁓ one of the hottest shops in town. ⁓ Jules (19:38) Wow, hang on, wait, wait, wait, wait. How did you get in to be a junior art director? That seems like a big leap from somebody who’s come out of school straight into that kind of a role. Is it unusual? Jane Evans (19:53) OK, so at the time in the UK, there were four schools that you, four colleges that were teaching advertising or four schools that were teaching advertising creativity really well. So there were about 250 students around the country. We also did a DNA D course, which every week you go into a different advertising agency and be given a brief by people like Dave Trott, Barbara Noakes. David Abbott, Charlie Such. mean, you know, it was absolute dream, dream. ⁓ And I got my job because like picking the teams when you’re coming together as art director and copywriter was like picking, you know, in the patriarchal world, it was sports team picking. So, you know, all the boys pick the boys first and then, you know, anyway, the year above me, the person that was left was a black Jules (20:24) Big names. Yeah, right. Jane Evans (20:50) crippled guy and I was the top of my class and so they moved me up a year to go to be with this black crippled guy that nobody wanted to work with but what they didn’t realize was he was a he was fucking lovely absolutely he was a hemophiliac and a doctor had refused in fact to eight because they didn’t want to waste the NHS’s money on a black boy. Jules (21:04) Was he a lovely guy? Jane Evans (21:19) So he was very, very bitter, but the funniest, funniest, funniest human being, he actually died of AIDS through contaminated blood. Jules (21:23) Not surprised, what a thing! blood transfusions for the hemophilia. Jane Evans (21:37) ⁓ But he spent his last few years doing very dark stand-up comedy. Jules (21:44) We probably had plenty to talk about. Gee, it’s shocking to hear about that kind of racial discrimination, isn’t it? I won’t give you blood because I don’t want to waste it. That is on a whole other level. I often when I do… Jane Evans (21:56) to an eight-year-old black kid. To an eight-year-old black kid. Jules (21:59) It’s one of the things I talk about with when I do talks is about how if we think it’s difficult as older women, imagine if you had another layer of a woman of colour or a woman with a disability or a refugee. It’s just, we are obligated to be helping those women. Jane Evans (22:18) That’s why I wrote the book with Carol Russell. As I was writing the book, Black Lives Matter came out and I was like, I can’t do this by myself. I need to get Carol’s voice out here too. I just got on the phone to her and was like, this can’t be another, the last thing the world needs is another bloody book by a white middle-class feminist. Jules (22:40) Yeah, talking about black problems. Okay, so you started as a junior art director. Tell me about that and then how you ended up coming to Australia. Jane Evans (22:53) Okay, so I lost my first job very quickly ⁓ because I was young and beautiful and nobody had mentored me. Yeah, no, I was sent on my first ever photographic shoot by myself. No idea what I was supposed to do. None, Nobody would mentor me because everybody was too afraid of being close to… Jules (22:58) Lost it. Right. Really? Jane Evans (23:20) an attractive 20 year old. So I made so many mistakes in my first job. It is not true because nobody told me, you they just sort of presumed I knew you don’t learn how to direct shoots or, you know, do the type trace ups in. Yeah, apparently. ⁓ Jules (23:37) It just comes naturally. You Jane Evans (23:43) But the biggest mistake I made was there was a lunch and everybody, like with all of the top film directors and the crowd, it was like the in crowd in advertising. And everybody put money in a pot in the middle of the table and they went, whoever can tell a joke that nobody else has heard gets the pot. Well, you can imagine, I’m the junior, I’m going for that pot with everything that I’ve got. And ⁓ so anyway, it gets to me and I’m useless at jokes, I’m really bad at them. Anyway it got to me and I went, I know, I’m just gonna tell you a joke that everybody’s heard. went, Tim can I have a pay rise? Well at that point everybody just like explodes going, give him the pot, give him the pot, give him the pot. I got fired on the Monday morning. Jules (24:34) But I can I just say thank you for doing that anyway. I was worth it just to be able to say that joke I think that’s brilliant So you got kicked out of the first job. What was the next what happened after that? Jane Evans (24:47) The next one, I went to this little agency and everybody was going, Jane, that’s the biggest mistake you’ve ever made. ⁓ Jane, you shouldn’t go there. That’s gonna be, you know, can’t go from Liga Stalini to some little place that nobody’s heard of. But it was actually the best thing I ever did. First of all, they all took the time to train me and so I got really fucking good at my job. ⁓ You know, sort of people were actually telling me what to do, taking me on shoots and you know, sort of, you know, really teaching me. ⁓ But also this funny little agency was working on something that no none of the big agencies wanted to touch with the barge pole which was these new things coming in called computers and ⁓ So I actually spent two years working on in 1983 I launched Microsoft Word version 1 and ⁓ I’ve launched every single piece of tech since and ⁓ Again, it wasn’t the ideal CV move, but it’s given me the greatest story, which I know you’ve asked me in question, so I’m going to have to tell it now. Because you actually said something that people don’t know about you. So when I presented the… ⁓ Jules (25:57) Yeah, good. Jane Evans (26:05) ⁓ Microsoft word. The document came in the night before and the secretary all the way through it, 84 pages, had written floppy dicks instead of floppy disks. Now you know back then, the 84 pages of changing with Tippex, how long that would take. I mean, it took her longer to repair it than it did to type the whole document in the first place. Jules (26:25) Yes. Jane Evans (26:32) I then go to Microsoft the next day which was this tiny little almost prefab office miles out of London and I go in there and at the time there were two computer geeks well computer geeks in 1983 I don’t think had ever seen sunlight or a woman ever they couldn’t they couldn’t handle this 21 or 21 yeah I think I was 21 22 at the time you know, gorgeous, you know, all dressed up, my first big client meeting, you know, go in there. And then I’m like, OK, so, you know, this word processing thing, I’m a secretary. Tell me how why I should give up my golf ball typewriter for this sort of clattery clattery beige thing. ⁓ And they started going, well, it’s got eight bit and 32 meg of RAM. And and I’m like. Jules (27:12) works. Jane Evans (27:28) No, sorry. You’re gonna have to do better than that. You know, I’m a secretary. Tell me, give me one good reason why as a secretary I should do this. And they just turn very dryly and went, you could have got rid of your floppy dicks in one keystroke. Jules (27:42) when you went sold. Jane Evans (27:45) Sold, sold. And then they said, our boss is in town. He’s a 27 year old millionaire. Would you like to go out on a date with him? And I was like. Jules (27:57) Stop it! You went on a date with Bill Gates! Jane Evans (28:00) No! I said no! I was going out with an underwear model that night. No fucking way was I gonna go out with some 27 year old geek. Jules (28:09) my god, that is so good. Did you meet him though? Jane Evans (28:13) No, no, but that’s my, that’s my, that’s my, you know, sort of, that’s my quirky fact is I turned down a date with Bill Gates. Jules (28:14) never got to meet him. That’s your quirky fact that you want to share. That is nearly as good as Naomi Watts turning down Tom Cruise or whatever it was. You would know that lamb. ⁓ And too, how amazing. That’s so amazing. And that you’ve worked with Microsoft ever since is also incredible. Jane Evans (28:27) Yep. Yes, slam commercial. I haven’t worked with them since. So now I’ve worked on every tech. No, no, no. I’ve worked on every single launch of tech since then. you know, starting off with computers, software, mobile, you know, phones, mobile, web, fax machines, you know, as the as the tech came in, you know, I had a brief for every single one of them. you know, I was even called in ⁓ to work on Kodak. Jules (28:42) ⁓ I thought you said every piece of software. ⁓ phones. Yeah. Jane Evans (29:11) to try and get them to understand what digital was. And this was like in 1993 and they couldn’t get it. They just couldn’t understand it. So when you always hear about the moment that Kodak lost it, it was like they weren’t listening. They should have listened. And it was really interesting in that… I was sitting… Jules (29:30) No, I remember that too. I was working with a woman and that was when we were saying, ⁓ we think cameras are gonna go on to phones and Kodak’s gonna be out of business and Kodak was going, no, no, no, we’re gonna be fine. And it was like, the writing is on the wall. Can you not see it? Jane Evans (29:47) Well, I was 14 years, this was 14 years before phones. And so the client, nobody had a concept of what digital was meaning. They’d invented the JPEG, but were trying to charge for it. I mean, it was just bizarre. And so, I was in a client meeting and the client went, okay, it’s a cup of coffee, Jane. Please explain digital like it’s a cup of coffee. And they went, okay, looks like coffee, smells like coffee. Jules (29:57) what was coming. Jane Evans (30:16) tastes like coffee, no cup. And the client just went, I give up, I give up. I have no idea what you’re talking about. And I do wonder whether 13 years later when the iPhone came out that he went, oh, no cup. Oh, I get it. Jules (31:48) Oh my god, what an amazing experience. So keep going, I want to know how you ended up in Australia for 26 years. Jane Evans (31:54) Okay, so I’ll go back to where I was. I was, you know, working on computers, then got another job at a really cool agency and got the golden ticket, which was a female creative director. Absolutely unheard of, unbelievable. It was amazing. And then she got fired and we got fired and everybody got fired. And I got headhunted to go to Australia and I was like… Absolutely. I didn’t even have to think about it. Jules (32:25) So who head hunted you? Jane Evans (32:29) a woman called Geri Dipstel ⁓ and Geri was the headhunter that brought all the top talent out from England with the view to them being creative directors. So if she ever brought anybody out, it was, this is somebody that Geri thinks is a potential creative director. you know, cause she wouldn’t just bring out anybody from London. So my first job was the Ball Partnership. Jules (32:44) as a creative. So where was your first job? Who did you work for? Jane Evans (32:54) ⁓ And I worked with a copywriter called Dana Ferzi. And I also worked with the wonderful Mara Marich, who passed away last year, unfortunately, and Sarah Barkley. So, you know, I come over to Australia after being the lone creative and, you know, to four women in the creative department was really quite incredible. I then got poached out of there and went to Bevens and had a couple of years at John Bevens. And then Jules (33:08) I’m the only woman. Jane Evans (33:24) O ⁓ early 90s, Kristen Munger, Johnny Curran… Yeah. Jules (33:28) So that’s Ogilvy and Maverick for anyone that doesn’t know it, but is this when you started doing these, working on these iconic ⁓ campaigns? Jane Evans (33:36) Not quite then, not quite then. ⁓ So ⁓ Ogilvy was fantastic. That was a 50-50. male female creative department in 1990 with the greatest creative director again since passed on and it was a purple patch. The agency was winning everything. Everybody was winning everything anywhere. ⁓ Then Martin Sorrell bought Ogilvia Mather and anybody that was any good was wiped out. And I did something that Geri had told me never to do or she’d said to me, Jane, there’s two places in Sydney that you’ll never get a job. Jules (33:47) Wow. Right. Jane Evans (34:13) One is Mojo, the other is Clemence. And the reason being is A, you’re English and B, you’re a woman. ⁓ You know, you’re not welcome in, you really won’t be welcome in those. But it was the recession we had to have. Jules (34:25) It’s just so… outrageous that that is known about an agency, isn’t it? Outrageous. Jane Evans (34:34) But it was in the middle of the recession we had to have. was Paul Keating years, interest rates are at, I think, didn’t they get up to 25 % or something ridiculous at some stage? 18%, yeah, Yeah, but it was, you know, if you didn’t have a job, you… I know. And we survived it. Oh, what a surprise. So I took a job at Clemmonshire and… Jules (34:42) 18, 18 I think, might’ve got up to 21. and everyone’s complaining about 3 % now. Jane Evans (35:00) 10 years into my career, I was the first woman in a creative department again. Jules (35:06) And did they make your life hell or were they great? Jane Evans (35:09) It was war. It was absolute war. It was war. Jules (35:13) Boys club closed ranks, I’m sure. Jane Evans (35:17) awful. was one of the worst experiences of my life. was just atrocious. was just, yeah, it was absolutely awful. ⁓ To the point that it almost killed my career. Jules (35:26) I’ll tell you something that as well, Jane, know, we in Australia, we’ve gone from 43rd in the world two years ago for gender equality to 26th in the world this this year, 2025, when the, you know, I mean, we’re down there with a lot of countries we shouldn’t be considering we’re fourth in the world for tertiary education. So I’m kind of, I just think there’s so much unconscious bias going on in Australia that people are just so unaware of. Jane Evans (36:02) this was an unconscious and one of the things that I say is is one of the things that I say is I think that the reason why there were more female creatives in Australia was because it was so overt that you could batter off you could see it you knew what it was whereas in UK it’s so gaslit it’s so so gaslit so it was easy it was easier to deal with but a consolidated attack was just unbearable Jules (36:04) This sounds very effort! subtle. Jane Evans (36:31) absolutely unbearable. So I actually got very ill. Everybody thought it was the end of my career, wasn’t going to come back. And Jerry, who, you know, believed in me all the way was, was like found a creative director that would understand exactly what had happened to me, got me the job. ⁓ And it was like I got in there and they were like, OK, Jane, your choice of copyright, any copyright you want, you can choose. Jules (36:42) God lover. Jane Evans (37:01) And so I was like, well, it’s got to be a woman. And I wanted Jane Caro because Jane Caro had been at ⁓ Campaign Palace. She’d stopped to have her kids. Yeah. Jules (37:10) Stop it! I didn’t know she was in advertising. I only know her as a public figure. Jane Evans (37:16) So she had been at the campaign palace, got fired when she was pregnant and I was like, I want Jane Caro. And Jane Caro was like, well, I’m sorry, but I’ll only work three days a week, ⁓ five hours a day from like nine till two or something. And so I was like, yeah, fine. Absolutely no problems with that. to the creative director and said, I found a copywriter. She’s coming in three days a week, 15 hours a week. And he was like, okay, if you can make it work. And so basically I said to Jane, when you’re in, we do the creative work and I’ll do all the other shit. So I’ll do all the meetings, I’ll do all the selling, I’ll do all of that. ⁓ we had, then the creative director got sick and left, like disappeared one day, one day, no more creative director. And we’d just been given the brief for dry washing powder. And so… We go along to the meeting with no creative director, nobody ahead of us. First time in our career, like, okay, we’re gonna have to step up here, so turn up to the meeting, doing what we were. We turn up at the meeting, there was a, the client was a 55-year-old woman about to retire. Her name was Fran Mayne Boyle. She took one look at us. She went, this is the first time in the whole of my career I’ve ever had senior women. She got the brief, she ripped it up and went, don’t give me two cunts in the kitchen. Jules (38:21) We’re doing what we want! love her! my god. Jane Evans (38:49) So we created the drive campaign, which ⁓ showed ⁓ men doing the laundry. We had a commercial called Lipstick where a guy got a telephone number and his flatmate washed it off. Jules (38:58) Yep, I remember that one. Jane Evans (39:01) The campaign also showed the first divorced couple ever on television. People were ringing the station going, thank you. This is the first time we’ve seen each other. We said we showed the first commercial that actually showed an unmarried couple living together. And this campaign was it was it was remade around the world. It was remade in London, you know, which for an advertising creative in Australia to have your campaign remade from Omo in London. Jules (39:17) anything. Yes! Jane Evans (39:31) is enormous. was remade in South America. Jules (39:33) Massive. Absolutely massive. Because all the campaigns really come the other way, don’t they? mean, people are expecting that we’re going to copy something from the UK, not the other way around. Love it. Jane Evans (39:44) Yeah. Yeah. And the first set of awards that we won were the television awards. And at one stage they were like, don’t even bother getting off the stage. I was like, I actually walked out that evening like this with trophies. And then it came to award and we got a bronze. And I’m like, no, I’m sorry. We’ve got boys. Come on. Jules (39:59) Ha ha! Jane Evans (40:12) Come on, a bronze really? That’s all you’re gonna give us? Then at Cannes, we got nothing. And somebody at Cannes got nothing. Then somebody… I can’t remember who it was who was in the jury room said that when your commercials came up the South Americans all claimed that they were theirs that it originated in South America and the Australian judge who knew both Jane and I very very well kept quiet so it never actually got into judging because the South Americans claimed it as their own so anyway despite not winning, you know, Cannes, it was still seen as, you know, it was a groundbreaking commercial that everybody was talking about, or groundbreaking campaign that everybody was talking about. So we got our meeting with Gerry. Now there was always this, you know, this is what you worked for in advertising, was once you got the campaign, once you did it, it was like the offers come in, your salary skyrockets, everything’s fantastic. So. Jules (41:18) Yeah. Jane Evans (41:21) Go to Cherry, who’s always been absolutely completely and utterly honest with us. And she goes, Jane, I’m really, really sorry. Or both, Jane’s really, really sorry, but the guys have actually ganged up and decided there will never be a female creative director in Sydney, so forget about it. Jules (41:40) You must have wanted to just explode. So did that prompt you to start your own agency? Jane Evans (41:49) Yeah, I was 35. was like, said I was I said I was going to have the title by the time I was 35 and I demoed it. So I bought a massive two and a half thousand square meter warehouse, ⁓ set up my agency downstairs and started my family upstairs. And. Jules (42:03) Right. Jane Evans (42:10) ⁓ started with James Squire beer, I’d created. So we’d already worked at principles with Jack Vaughan and Jack and I had actually created the whole concept. We’d found out about James Squire. We designed the bottles. We did all of that. ⁓ But it was the Lion Nathan at the time basically said to Chuck Hawn, we’ll give you your brewery back. ⁓ You’ve got two years. Don’t lose more than two million, two million dollars. ⁓ So it was a tiny brewery, tiny budget principles Jules (42:28) Yes. Jane Evans (42:40) that are being working on it, we can’t work at those sort of So you have our blessing, take it, take it and off you go. So I founded the, the, the, ⁓ founded with James Squire Beer. got Maserati as a client. I had Revlon as a client. I had Katie’s as a client. I had the Guide Dogs as a client. In 2019, we were the 19th most awarded agency in the Asia Pacific region. ⁓ Jules (42:59) Amazing. Jane Evans (43:10) only independent on the list. ⁓ And pretty much. Jules (43:10) my god! Sorry, no, no, I’m just because my brother was working at an agency that was winning at that time that you might know, Chris Jeffers from, or CJ from Cummins Partners. That’s my baby brother. So I was kind of aware of little bits that were going on, but how amazing. So 2019 comes, and this is the year before the big pandemic. So I’m interested to hear what was the next step for you after winning all this stuff. Jane Evans (43:24) Yep. Yes. All right. Yeah, so it’s doing really well. Oh, well, that was a long time ago. So winning all of that, that was early 2000s. No, no, this was early 2000s. So 1990, 1995 was 90. Sorry, 1996 was when Jeremy, Jerry basically said, can’t be creative. So I set up my agency in 1997 and in 2001. Jules (43:49) Oh, I thought you said it was 2019. Sorry. Alright, okay. Jane Evans (44:14) It was the 19th most awarded, that’s where it’s come from. So until 2001, it was the 19th most awarded agency in the South Pacific region. So, I was heading to be the next David, Jokah 5. mean, we were really, and 90 % female agency, like 90 % female. It was all going brilliantly, unfortunately. Jules (44:17) Right. Which is amazing. Yes! Jane Evans (44:41) father of my children and my partner was a sociopath and we didn’t know this until the business got very until the business got successful I had business advisors and financial advisors and they went through all my tax and everything and went Jane do you realize that every single property you own is in your partner’s name but every single mortgage is in yours and Jules (44:46) dear. Jane! You’d let him run the finances! Jane Evans (45:12) A lot of women of my era did that because none of us had any financial. It’s not ignorance or stupidity. It was we had no financial, none, education. And my business partner, most of us don’t, nobody ever talked to us. Jules (45:24) I know, I still have none, but I did the finances. Go on. Jane Evans (45:31) Well, I learnt very quickly after that, you know, this is, you know, the father of your children. You know, when you’re signing documents, you expect that they’re, you you’re not looking through the fine print because this is somebody you trust. ⁓ Anyway. Yes, modern women will be listening to this going, you fucking idiot. Well, first of all, my accountants was, well, everything that James put down in the books as a mortgage payment now has to go as rent and you have to pay the tax on it. Jules (45:45) Yeah, so shit, what did you do? Jane Evans (46:00) So he got handed a 20,000 dollar tax bill. ⁓ And that’s when he turned violent. So like most sociopaths, he was on a very long grift. He was going to take everything from me. ⁓ And when he was discovered, he turned violent. So, you know. I basically had to walk away from the big agency, the big warehouse, ⁓ and start again as a cottage industry, as a single mother. Now, fortunately, I had got a great reputation. And this was, know, sort of, ⁓ so what we split up in 2002. ⁓ Jules (46:21) my god. Jane Evans (46:42) And for 2002 till 2013, was very much the trend in advertising worldwide that people specialize. So for the next 10 years, I created 18 craft beers. I was the craft beer queen. It was just, you know, I was making craft beers for all around the world. Jules (46:59) Right. As the wave is growing. Jane Evans (47:04) as the wave is Jules (47:04) Right. Jane Evans (47:04) growing. You know, because I created Craft Beer Full, there was even a category. So like in 1997, there was no such thing as craft beer. So we actually created a category as well as a beer. And I don’t drink beer. I fucking hate beer. And I was bored, stupid of creating beers. Jules (47:09) Yes! Can I tell you something? My best friend is a female beer rep and was selling James Squire and got two-ies into Oxford Street and was their number one sales rep roughly the same time that you were busy doing, I think it was 2001, something like that. Jane Evans (47:40) Well, she would have seen the big trick that we got that got James Squire into all the pubs. ⁓ t-shirts for the female bar staff. At the time, all promotional t-shirts were massive, great big, extra, extra large t-shirts. And we made… Jules (47:46) Which was what? Right. Jane Evans (48:01) Female I said, you know half of half of bar staff a female they’re not gonna want to wear that shit Let’s make something that the women want to wear. So when the reps went in, you know, they’ve got you well, here’s your to ease t-shirt and ⁓ Here’s your beautiful James Squire one and you know, they would getting the bit they were bringing the beer into the pub because the female bar staff wanted the t-shirts Jules (48:25) Wow, isn’t that amazing? That is amazing. Okay, so now we’re at around, like we’re gonna run out of time because I just wanna hear all of it. So we’re at 2002 and we need to get to 2024 in about 15 minutes. So tell me what happened next. Jane Evans (48:41) All right, well, we’ve sort of been there before. So we’ve sort of been there before. 2013, I came back to Australia, to same campaign back. Jules (48:44) okay. Jane Evans (48:52) And so, you are up to date on the story. So we’re back at the seventh tribe now. So we’ve gone from advertising, we’ve gone into activism, written a book, set up, you know, sort of things to, you know, employment programs and things for midlife women. Now we’re in 20, 25, I think. And, you know, I. Jules (49:10) So, okay, well, let’s just do a little bit now on the seventh tribe and Uninvisible and Visible Inc and what you’re doing because it’s absolutely my passion is getting older women out there in the media, not necessarily in advertising, but I’m trying to do it through PR, but also encouraging them and saying, you’ve got to push yourselves out there. Girls cannot see women out there, older women who are successful and we need to show them that they can do anything they want. Jane Evans (49:42) Look, one of the major reasons was the book is invisible to invaluable unleashing the power of midlife women. ⁓ I believe that in the 10 years that I’ve been campaigning, midlife women are more visible. I think after getting arguments, I think we are seen as more invaluable. I’m now at the point of, let’s unleash the power of midlife women. And there has never been a time in the world where we are needed more than we are now. So you can hear from my life story. I’ve been through quite a few things. If you actually look at us, we have been through, we have seen in the world everything that is going on. Jules (50:03) Yes! Jane Evans (50:19) at the moment. We’ve seen genocides, we’ve seen terror attacks, we’ve seen, know, we’ve seen, you know, crashes in economy, we’ve seen tic-tacers, we’ve seen new tech come in and the effect that it has on… Yeah, we’ve seen new tech coming in and how it affects society. So although we’ve never seen it all happening everywhere at once, which is what it appears to be, we have seen it. Jules (50:25) dictators. We’ve seen idiots running America. All of it. Jane Evans (50:45) The other thing is, is we are the matriarchs. We’re in a patriarchal fucking system and we don’t call ourselves matriarchs. That’s stupid. A matriarch is equal to a patriarch and the matriarchs, which are the most senior women wherever they are, they don’t have to be a mother, a matriarch, you know, you can be a matriarch at school if you’re the most senior person in the class. You know, it was like, it is the most senior woman in any community. If we all start coming together and singing from the same voice, Jules (50:57) Yes. Jane Evans (51:15) have control over the whole world. in Europe a woman over 50 is 28 % of the population. If she has a partner and two children she has direct loving control over a hundred and twelve percent of the population. So one of the things about the seventh tribe is to get women, to get the matriarchs telling Jules (51:34) Wow, that’s good. Jane Evans (51:44) different stories, telling a different story, telling a story of what the world could be. So one of the things that we’re doing is we’re setting up, is we’re doing a social imagination project. So in the 60s, we all had visions of, know, we’d watch Star Trek with them with flip phones, and now the flip phones are here. ⁓ You know, so we haven’t got the flying cars and the jetpacks. Jules (51:49) of strength. Yeah. Jane Evans (52:08) But growing up as a society, we all had a view that the world was getting better and more exciting. Now here we are in 2025. We can’t even see one generation ahead of a more positive future. So we’re setting up, we’re hoping to start in September, a social imagination project where first of all, we let the matriarchs know what’s coming in tech because the only people that know the amazing things that are happening in tech are the people developing it. like Microsoft’s… in 1983, they couldn’t explain what they were doing in terms that we would understand. So, you know, the first thing is, let’s see what’s coming. Now, all of this tech needs massive societal change for it to work. And we should be leading. Jules (52:59) or it will bring around massive societal. Jane Evans (53:04) Yeah. So we need to have a vision of the future. but also be able to take action to make it happen. So this is what the Social Imagination Project is all about. We’re going to get people coming in and going, know, this is what quantum computing is going to mean to everything. You know, this is what gene research is going to do so that we can actually get this sense of, wow, this is what’s coming. Then we tell stories, we write books, you know, we start imagining what this future looks like for people in Jules (53:24) Right, brilliant. Jane Evans (53:38) humans, ⁓ especially what does the world look like when we don’t have to work? There are so many things, without looking, ⁓ it’s already here, it’s already here. So ⁓ what does society look like? What does education look like? What does health look like? What does all, but what do we as human beings look like with this new technology? Now, then. Jules (53:44) which I think is coming sooner than people think too. Jane Evans (54:04) When everybody goes for Sunday lunch or Thanksgiving or Christmas or whatever, if the matriarch’s going, do you know gene therapy can do this? And do you know that we’re all going to be living till we’re 200 years old? And did you know that quantum community, now I thought that quantum, this week Google announced the birth of quantum chips. The birth of quantum computing is now here. And they have proved. Jules (54:12) Yeah. Jane Evans (54:30) that and so basically and you know I had to listen to you know probably two hours of a geek to get to sort of what it is so computers are binary zeros and ones zeros and ones zeros and ones well what happens if it could be a zero or a one and a zero or a one Jules (54:38) They’re not of at all. Jane Evans (54:48) and then all of the computations of that spread out, spread out, spread out all of a sudden means that they can now compute something that would take the greatest supercomputer on earth right now 25 years to compute. know, we can, you could get… Jules (55:07) Wow, they’re be able to do it. Like that. Jane Evans (55:15) health data on absolutely every single person suffering from it. And it can start looking, you so it can do things that it’s going to be able to do things that humans can’t do. Absolutely incredible, really exciting. But where are the morals? Where are the ethics? Where’s the how’s this going to change society? Jules (55:32) going to be used for good. Jane Evans (55:34) How is it going to be used for good? What are we going to do? How are we going to fit in with it? How can we? So there are so many questions that everybody should be talking about and everybody should be pushing for. And I think that in these times, the matriarchs have so much power to direct the way the world’s going. So we need to do this. So the Seventh Tribe, it’s so dimensional. Jules (55:54) Yes. Jane Evans (56:03) So one of the things that we’re doing is there are so many women that want to set up businesses, but they can’t afford to. come on, the seventh tribe, we’ve got it all set up, set up your own circle. So we’ve got one woman in the visible start course. The first three weeks of each course was just giving women a great big hug and going, you’re all right. It’s not just you, it’s society, it’s a system. It’s not you. ⁓ You’re great, you’re wonderful, you’ve got confidence. So she set up a business. Jules (56:24) my god. Jane Evans (56:28) ⁓ subscription site where you can go in and have a monthly account. But it’s almost like having a coach when you can’t afford to have a coach. Instead of 250 pounds a month, it’s 20 pounds for five pounds a month, you’re in with a cohort of other women. and she set this up for no money. was like she doesn’t have to, it’s all there. Here it is, start your circle. ⁓ We’ve got another circle. Jules (56:37) Yeah. Love it. Fantastic. So if somebody’s listening, so if someone’s listening and they want to join in, because it sounds friggin’ amazing, what’s the best way, and also how do people, if you want to, if someone wants to contact you or get in touch, what are the things, obviously this is going out on the internet, so don’t put anything that you don’t want other people to know, but how first do they get involved in the Seventh Tribe? Jane Evans (57:11) Okay Okay, so go to the seventh tribe comm and you’ll see a thing called join a circle Seventh yes, so the seven th tribe comm ⁓ Jules (57:18) And seventh is the number. Jane Evans (57:27) If you go in there, first of all, there’s lots of really fun things like you go become a goddess. It was like, you you can we’ll actually send you a goddess that you can use as your your thing. So you can come in and just sort of look at we have a daily goddess inspiration email that goes out, which is sort of a daily motivation with a soundtrack as well, because I want to get women in tune. ⁓ We have monthly New Moon meetings where I give a little fire talk and then we have a sound bath. ⁓ You know, so there’s lots and lots of things to do in it. But It’s also a cover. All of this goddess stuff is actually a cover for subversive action. So there’s a thing in there, go join a goddess circle. If you go on that page, it shows you all different goddess circles that you can join. And, you know, if you want to talk about what’s happening in the Holy Land, if you want to talk about what’s happening in America, if you want to talk about what’s happening on social. So at the moment we’re using. Jules (58:20) Okay, so these are like chat circles. Jane Evans (58:23) No, there are actually mini microsites. it’s almost like you’re a part of a group and on that microsite are all the files ⁓ that we can hold events. So there’s so much more than a WhatsApp group. ⁓ Jules (58:35) my god, I’ll have to go in and have a look. Jane Evans (58:38) Yeah, so you can go in there and so for instance, so it’s been interesting. I spent six months building it. I had the absolute perfect launch plan. ⁓ I was talking at the Unlikable Women’s ⁓ Conference, which if you want to go and see that speech and I would recommend all midlife women go and spend 35 minutes listening to that speech. It’s on the homepage. ⁓ As I was like, great, fantastic, launch. This is the great way to do it. ⁓ And then my LinkedIn. tanked like I’ve got 16,000 followers Yeah, so I’ve got 16,000 followers that well and yeah, so ⁓ I’ve got 16,000 followers I was reaching 200 people but Cindy when she was moaning that she was getting 43 views on a post I would repost it and get 30,000 impressions and so I’m like Hold on a minute. Yeah Jules (59:10) this is what you’ve been posting about. Yes, I’ve seen some of this. And Cindy Gallups as well. Yep. Really? Jane Evans (59:35) So I was like, hold on a minute, what’s going on here? You know, first of all, LinkedIn. Jules (59:39) Because I did go to LinkedIn and say, well, I’ve gone from 5,000 to 11,500 and my reach has gone probably halved in that time, if not more. But they’re saying, well, you just need to do more engaging posts. And I’m like, I haven’t really changed anything. So, all right, well. Jane Evans (59:57) No, the algorithm has changed and LinkedIn are denying it. But, and this is what the seventh tribe is all about. We took everybody off the algorithm, away from the algorithm and went, right, here’s a fucking problem. What are we going to do about it? So. I did experiments basically with my content. It was like, do selfies work? Does this work? So just putting out all this various content. I held a wrangling the algorithm session of which the 134 women came up and we just looked at all the different things that were happening. And I went, I got my reach up from 2000 impressions a week to 180,000 impressions a week. But then I started questioning, yeah, but what’s actually going viral? Jules (1:00:19) Yeah? Jane Evans (1:00:45) and it brought up some really, really interesting. So ⁓ I had a post that had 110,000 views and it was me pissed off, disheveled, makeup free, ⁓ selfie, and, you know, basically moaning that my 26 year old daughter had just lost her job. to add to my 23 year old daughter that hasn’t got a job. And the fact that, you I’d heard of three women that I’d got jobs that had lost them in the last week. And I’m like, hold on a minute, there’s a fucking social disaster happening here is that if there are no jobs for young people and women are being laid off, then we are, we are. Jules (1:01:26) Fucked. Jane Evans (1:01:27) dooming these women to a lifetime in poverty. They can’t downsize. There’s no benefits that cover for having a grown adult still at home at 24. And so, and then I realized… I looked at afterwards and first of all this was the only post that was shown to men all of whom offered my children jobs didn’t seem to notice that no the problem is is that the women don’t have the jobs you know the kids are only gonna get an entry-level job that ain’t gonna keep London rent but you know this completely over the top of like you don’t give a shit about you’re not listening you’re not understanding what the problem is but also it was like ⁓ so Jules (1:01:59) That’s right. Jane Evans (1:02:10) the midlife crisis thing only works. If I do an empowered selfie, it gets absolutely nothing. But when I’m pissed off and angry and vulnerable, it gets the views. So we went and started doing more experiments. And Matt Lawton from Australia actually messaged Cindy and I and went, would you like me to see if it makes a difference when men and women post? And so we did this one experiment. We weren’t even testing for whether it was male or female. Jules (1:02:36) I was shocked, absolutely shocked that somebody posted those results and I’ve saved it on my LinkedIn feed. I’m shocked at the difference. ⁓ But you know, Jane, we’re going to have to wind it up. ⁓ I could keep talking to you obviously for hours. I am sure anyone listening is going to go, ⁓ my God, I need to go and connect with this woman. Thank you. Jane Evans (1:02:48) It’s- You Jules (1:03:01) beyond thank you and I absolutely need to catch up with you outside of this podcast as well because you’re extraordinary and you’re great fun and I want to thank you so much for agreeing to do this interview. Jane Evans (1:03:14) Absolutely. It’s been fun.
Empowering Women to End Homelessness (ft. Dionne Payn)

Empowering Women to End Homelessness (ft. Dionne Payn)

Dionne Payn Disruptors Podcast Thumbnail

In this episode, Jules interviews Dionne Payn, founder of Women 4 Homes, an organisation dedicated to empowering women to invest in affordable housing and combat homelessness. Dionne shares her journey from the pharmaceutical industry to property development, highlighting the importance of financial empowerment for women. The conversation delves into the systemic issues contributing to women’s homelessness, the gender pay gap, and the need for a new approach to property investment. Dionne emphasises the significance of values alignment in partnerships and the role of community in creating lasting change.

How Women for Homes is Disrupting the Housing Market and Empowering Women Investors

Are you interested in innovative ways to combat homelessness while simultaneously empowering women financially? This post uncovers how Dionne Payne is leading a movement that’s transforming property development and investment through her organisation, Women for Homes. Discover her journey from traditional property development to disrupting systemic issues and creating sustainable, affordable housing solutions for women — especially those over 50, the fastest-growing group facing homelessness. In this article, we’ll explore the core mission of Women for Homes, the unique approach to property investment, and how women can participate in creating systemic change—one $5,000 investment at a time.

The Disruptive Vision: Creating Systemic Change in Housing

The conventional property development industry often focuses on profit maximisation, with little regard for social impact. Dionne Payne’s vision with Women for Homes flips that model, aiming to solve a pressing social crisis — homelessness among women, particularly over 50 — through ethical, inclusive investments. The System’s Flaws and the Need for a New Approach Dionne shares a powerful quote from Buckminster Fuller: “There’s no point railing against the existing system — just create a new one that makes the old one obsolete.” This mindset drives her work, emphasizing the importance of innovation over criticism. Traditional property investment, involving negative gearing and limited impact, caps potential and often neglects community well-being. In contrast, Women for Homes offers a disruptive model: investing in affordable, sustainable, and right-sized homes across the housing spectrum — from social housing to end-of-life care facilities. This approach aligns profitability with social purpose, turning investments into a force for systemic change. Why Women? Addressing a Critical Need Statistics reveal that women over 50 are Australia’s fastest-growing homelessness demographic. Dionne was inspired to focus on women after attending a retreat where she observed a surge of interest from women eager to be involved in property and investment but limited by high minimum investment thresholds (often $50,000+). Her insight: making property investment accessible to all women can harness collective power to tackle housing inequality. This effort is about creating a movement where women are not just passive investors but active participants in societal change.

Empowering Women Through Accessible Investment

Dionne explains that Women for Homes is not exclusive to women investors only, but currently targets women because they represent a vast, under-engaged segment with immense potential. How the Model Differs from Traditional Property Investing Typical property investments involve buying, negatively gearing, and waiting for capital appreciation — with inherent risks and caps on growth. Dionne advocates for ethical property investing, which is cash flow positive, sustainable, and purpose-driven. She notes: “When we get housing right, it is transformative. And we can do both: make money and create impact.” She emphasises that women can participate with as little as $5,000, drastically lowering barriers to entry. Why Focus on Women? Several reasons underpin this focus:

  • Addressing the gender pay gap and disparities that often leave women vulnerable.
  • Women are more likely to take time out to raise families, impacting their earning capacity and savings.
  • Women over 50 are the fastest-growing homeless group in Australia, making their empowerment a social imperative.

How Women Can Get Involved Interested individuals can join the movement via two main channels:

  • Find Dionne on LinkedIn, where she actively posts and shares insights.
  • Visit the website womenforhomes.com, where they can learn more and sign up for updates.

This approach creates a digital campfire – a community where women share stories, gain knowledge, and collectively solve housing problems.

Transforming the Housing Landscape One Investment at a Time

Dionne Payne’s journey exemplifies how disruptive innovation and a values-driven approach can reshape the property industry. Her work with Women for Homes offers not just an investment opportunity but a movement to empower women, reduce homelessness, and build communities rooted in fairness and sustainability. If you’re inspired to be part of this change, you can find Dionne on LinkedIn or join the movement through womenforhomes.com. Your $5,000 contribution could be the beginning of systemic transformation — for women, for communities, and for society at large.  

Takeaways

– Women for Homes aims to inspire a million women to invest in affordable housing. – Dionne believes in creating a new system rather than fixing the old one. The gender pay gap significantly contributes to women’s homelessness. Women over 50 are the fastest-growing group of homeless individuals in Australia. – Dionne’s journey into property development began with a desire to make money and create a legacy. Ethical property investing can be financially sustainable and impactful. – Dionne emphasises the importance of values alignment in partnerships. The podcast serves as a resource for women to share stories and gain knowledge. – Dionne’s experience in property development taught her valuable lessons about project management. Women for Homes is not just about investment; it’s a movement for systemic change.

Chapters

00:00 Empowering Women to End Homelessness 02:56 Disrupting the Property Investment Model 05:53 The Importance of Women in Housing 08:54 Understanding the Gender Pay Gap and Homelessness 12:03 The Role of Women for Homes 14:59 Dionne’s Journey: From Childhood to Career 18:06 Navigating Education and Early Career Choices 21:04 Transitioning to Property Development 23:53 Exploring New Zealand and Australia 24:32 Cultural Transition: From New Zealand to Australia 27:14 PhD Journey: Balancing Academia and Motherhood 30:45 Entering the Property Market: A New Venture 35:53 Scaling Up: From Small Projects to Larger Developments 39:37 Lessons Learned: Navigating Challenges in Property Development 42:35 Values in Business: The Importance of Alignment 44:22 Building a Community: Affordable Housing Initiatives

Transcript

Jules (00:13) Hi and welcome to this episode of She’s the Boss Disruptors and I’m interviewing the amazing Dion Payne from Women for Homes. I met Dion, I think it was a couple of years ago now, Dion was it? And you told me your story and what you were doing or a little bit of it and I was completely hooked so I know everyone else will be hooked as well. But let’s just start off by getting you to introduce yourself and tell us what do you do and what your business actually is. Dionne Payn (00:25) Yeah. Sure thing. Well, I am the founder of an organization called Women for Homes and we exist to inspire a million women to invest $5,000 to end homelessness by 2030. And we do that through ensuring that the women that invest are financially empowered along the way. So what we do at Women for Homes is we have, we have a opportunities to invest into affordable, sustainable and inclusive homes. And we also ⁓ offer education as well. And we work, I have the financially empowered women podcast, which I interview some amazing women who are doing great things in the finance space and educating. And it’s really for me about making sure that we have like a digital campfire where women can share their stories and other women that may Jules (01:14) Yep. Brilliant. Yeah. Dionne Payn (01:38) going through things that need that advice or guidance, they can listen to the podcasts and they can reach out to the experts that we have if they need to. Jules (01:48) my God, I love it, love it, love it. I’ve already just thought of someone I’m gonna have to introduce you to. But in the meantime, I know that you’ve worked in the industry in terms of raising investment for buildings for a long time. So can you tell us a little bit about the disruptive kind of aspect of what you’re doing? Because I think you are doing something really different. So is there something broken in the system that needs fixing? Dionne Payn (02:16) Yes, Jules (02:16) Leading question, but… Dionne Payn (02:16) yes. It’s really interesting because on Tuesday I run the Ethical Property Investor Accelerator and the theme for Tuesday’s lesson was legacy and I gave the quote from Buckminster Fuller that was there’s no point in railing against the existing system just create a new one that makes the old one obsolete. Jules (02:29) night. Dionne Payn (02:43) and I do really believe that that’s what we’re doing here at Women for Homes. look. Jules (02:43) Love that. Dionne Payn (02:48) Bit of background about me and how I got into this. I have been in the development industry for a long time, so over 10 years. I started off as a property developer and did a series of small developments, renovations and subdivisions, which then led me to do an affordable housing project, which was 14 one bedroom townhouses. And what was cool about that was that there were small homes, there were 60 square meters. They were in the right zoning, so we got relaxations. Jules (03:09) Okay. Dionne Payn (03:18) on the number of car parks and the number of homes that we could get on the site. So it worked for us financially. So we got a great return as investors into the project. And also there was a really beautiful legacy that we were able to create for the community. Now in full transparency, I didn’t go into it thinking, this is going to be a great legacy. I went into it thinking I’m going to make a mozza. But along the way, I realized that we could do both. And that was the first time in my property development journey that I Jules (03:23) Right? Yeah. Dionne Payn (03:48) that yeah okay we can do something that’s really meaningful for a lot of people because when we get housing right it is really transformative but we can also make money too and actually it’s really important that we do because of that financial sustainability and what I mean by that is when you make money on one thing you can do something else, do something else, increase the level of impact whereas if you do property investment in the traditional way which is you know buying a house, negatively gearing it, negative gearing hurts Jules (04:06) Yeah. Dionne Payn (04:18) people entering property, the negative giving laws hurt people getting into property in the first instance, but it also hurts you as an investor because it puts a cap on what you can, the number of properties that you can purchase. Whereas doing what I’m talking about, which is ethical property investing, you can keep doing it because it’s cash flow positive and you’re helping a lot of people and it feels really good. Jules (04:30) right And so what I know that you’ve and I’m going to get you to take me right back to when you were a little girl and how your career has progressed in a minute. But I’m interested to know how the model is different and you’ve sort of touched on it that currently in terms of building properties people are just building them in order to make some money and there’s a cap on it. But what led you to particularly want to help women? Why is that? Why is this called Women for Homes? And what are you trying to do to actually break what has been out there for a very, very long time? Dionne Payn (05:15) Yeah, well… Why women? I had an experience about this time last year where I went on a retreat and the retreat was fantastic and you know being out in nature and having really nourishing food and doing all these wonderful practices. It just gave me the time away to sit and be still and really contemplate the direction that I was going in and I remember being surrounded by all of these women who when I talk about my business because it was a marketing and branding retreat so we were learning different ways to do marketing. Jules (05:23) Yeah. Yeah. Dionne Payn (05:47) And so when I spoke to these women that were also on the course, they were saying things like, this is amazing, we’d love to be involved, how can we be involved? And I knew that what I was doing at that time in terms of raising capital. Jules (05:48) Yeah. Dionne Payn (06:01) only really worked for what we call wholesale investors. So those that are high net worth individuals that could put, you know, $50,000 minimum on the table. So when I looked around at this group of women, I was like, they’re beautiful women and they want to be involved. But I knew that that sort of investment point was going to be quite a challenge for many of them. So I just, you know, sort of pondered and, you know, being on the retreat, I was like, well, what’s missing? And I realised that actually Jules (06:06) Right. too high. Yeah. Dionne Payn (06:32) we need a way to make this an everybody’s solution. So since the affordable housing project that I did and completed back in 2018, I’ve been thinking, you know, how do we solve this housing crisis? What are the levers that we can pull to make this work? And done it. Jules (06:45) Yeah, because for anybody who’s listening, I don’t know if you realize that women over 50 are the fastest growing group of homelessness in Australia. And I know about five years ago, someone said to me, there are 16,000 women sleeping in their cars or on the streets. ⁓ At the moment, I imagine that’s growing. So it is a huge issue just in case anybody is listening and doesn’t know that. ⁓ So go on. Yeah. Dionne Payn (06:55) Absolutely. Yeah. Yeah, yeah, and that’s a great segue because when I was sitting down after the retreat, I knew I had to do something. And I was sitting down after the retreat just thinking, OK, what can I do? What can I do? And I knew it had to be around women because being on the retreat with women was fabulous. And I was like, yeah, we can we can really do something if we could harness that little bit of energy that was in that particular room at that time. but, you we expand that and we can harness all of these women. What can we do? So that that was really exciting for me. But at the Jules (07:34) Yeah. Dionne Payn (07:42) time, and I wasn’t sure what it was going to be, like I said, I knew I had to do something, in the business plan, in the preparing for Women for Homes. I’d kind of done all the regular things in the business plan. like, okay, well if we can get women to invest more amounts of money, how many women do we need? But I also wanted to look at, why are women ending up homeless in the first place? And I knew about the gender pay gap. That’s been something that’s been very advertised. But I didn’t know how many things kind of spilled out of that and how many things compounded that. So for example, when you Jules (08:06) in the first place, yeah. Yeah. Dionne Payn (08:23) got two graduates and they’re entering the workforce, a man and a woman, the man is more likely to negotiate to increase his salary, the woman is less likely to, so that sets up the disparity right at the beginning and then when women take time out of the workforce to raise families then you know they’re not being paid for the work that they’re doing even though studies have shown that if Jules (08:33) Yeah. Dionne Payn (08:48) if all of these jobs that women do when they take care of their children, if they were all outsourced, it would be a $200,000 a year job. Jules (08:57) And I think almost every woman who’s a parent knows that. I know, it’s crazy, isn’t it? It’s crazy, the devaluation of something that is so important. Dionne Payn (09:00) Yes, yes absolutely but it’s so crazy but… Yes, yeah. And that study actually came from an insurance company. So it’s not just random women making this up to make themselves feel good. It came from an insurance company. They do it every year. And so… Yeah, just seeing all of these different disparities, the taking time out of the workforce, the sandwich generation, so those women that are looking after older parents now, as well as looking after children, the children that are staying home for longer because they can’t afford to get out, women’s natural inclination to look after everybody other than themselves, and then throw in a divorce and separation. it’s just like, ⁓ take on this by the end of this research was like, Jules (09:33) as well. Dionne Payn (09:52) We are properly screwed and nobody is talking about this. ⁓ Me too, me too. Jules (09:54) We really are, yeah. I couldn’t agree more. So I’m glad you’re doing something about an aspect of it. Dionne Payn (10:03) When I thought about doing the podcast, I’d been thinking about doing a podcast for a while, and I was thinking about it, was like, it’s gonna be a lot of work, ⁓ I don’t know. But the message, the little kind of in my ear was like, you gotta do it, you gotta do it, and I’m so glad I did, because I’ve met so many amazing women, we’ve had so many great guests on, covering a range of topics from divorce and super funds and property and so much more. I’ve been educated, Jules (10:31) Yeah. Dionne Payn (10:33) ⁓ big time and there were things that I didn’t even know and you know times that I was like wow thank you for sharing and I realized as well as a result of doing that podcast that it’s a resource that I can share I can share with my immediate friends I had a friend that was going through something and she was explaining and I said you’ve got to listen to this podcast and as a result of taking action on that podcast it changed the trajectory of her working environment and the ripple effect on her family was immense so Jules (10:39) What? Yes. Brilliant. Dionne Payn (11:03) this is what we do really well as women. So I just, I love what I do, I love what I do with Women for Homes and the disruptive part of it is it’s about women taking their own power, not… relying on, okay, well I’m getting this advice from this place and this advice from this place and they are right. It’s really about, well, let me arm myself with all of the information that I will need that’s relevant to my situation. Let me hear something that will give me a different viewpoint and a different way of looking at the situation and then from there I can take action. So that’s the disruptive part. how I see women for homes is it’s not just a way to invest into affordable housing. It’s actually, it’s a movement. Jules (11:45) Yes. Dionne Payn (11:45) it’s combining the, you know, let’s make a systemic change and also let’s be financially empowered as well. Jules (11:54) Yeah, and I think it’s so important these days particularly that we don’t sit around and wait for somebody to help us or somebody to make those changes. We just take it into our own hands. Just a quick aside though, are you only taking investors as women or have you got, is the investment side of it gender neutral and it’s just about serving women or are you only looking for female investors as well? Dionne Payn (12:16) So, Women for Homes is about women investing into affordable and sustainable homes. The homes are available for everybody and how I see this is we need a diverse range of homes across what we call the housing continuum. So all the way from social housing up to downsize of housing and even end of life care. We need to increase the supply of houses across that continuum because if we don’t then it means that people are trapped in, for example, Jules (12:23) Right. okay. Dionne Payn (12:46) somebody living in a very big house, they want to be able to downsize and live in the area that they raise their children in, but they can’t move because they can’t find anything that is the right size for them. So Women for Homes is all about providing right sized homes across the housing continuum. Now the language that I use is all about women. Jules (13:03) Okay. ⁓ Dionne Payn (13:08) If men were to invest in that, I don’t think I’d have an issue with that. It’s just that I’m not speaking to that particular audience. But if men just think, gosh, this really moves me and I want to invest, we’ve got a big problem. We’ve got a housing crisis to sort out. I’m not really there to be turning money away. But it’s just, who am I talking to? It’s women. Jules (13:14) Yeah, yeah. Yeah. Okay, so my next question is, was there a light bulb moment? Was there something specific that happened that made you go, okay, I’ve got to do it now? And I mean, because the retreat to me sounds like quite a pivotal moment for you. But I think you’d started Women for Homes before that, hadn’t you? I thought the retreat was last year. No. Dionne Payn (13:47) No, no. It was… Yeah, yeah, so the retreat was last year, last November, and I started Women for Homes in the January. Jules (13:53) Right. my goodness, I didn’t realise it was that new. Crazy, okay. Dionne Payn (13:58) Yeah, yeah. I’ve been raising money, so I have a business called High Impact Property Investments which has been running for five years. So I’ve been raising money for affordable and sustainable homes for that period of time. But yeah, Women for Homes as the sort of sister of that organisation only started in January. Jules (14:06) Right. Wow, well, I feel very privileged that I’ve got you early, because I’m sure it’s going to be huge. OK, so now I’m incredibly nosy, and I love listening to people tell me about their life. So I want to go back. I can hear an English accent with you, and I do know that you’ve come over from England. But can we go right back to when you were, eight or nine? I want to know, did you go to school? Did you love school? Did you hate school? Do you have brothers and sisters? And what your parents did? Dionne Payn (14:23) Yeah. Yeah, okay, so I’m the eldest of six children. I have two brothers and three sisters. They are all very cool and all, yeah, they’re just great. And they live in, yeah, they live within a sort 10 kilometer radius of where we grew up. So every time I go home, I’m like, I’m so grateful because I don’t have to travel far to see everybody. Jules (14:51) wow. Yep. You ⁓ I’m sure that’s not the only reason but where is home? Where did you grow up? Dionne Payn (15:18) So I grew up just outside of Birmingham in the UK and we were in suburbia, there wasn’t really that much to do. But I was actually talking to my daughter and I was thinking that I’m so glad that we didn’t have mobile phones. We just had walkmans, I remember having my walkman and listening to tapes and things, but that whole digital aspect and being online, that wasn’t part of my childhood. Jules (15:21) Right. Haha Yeah. Dionne Payn (15:48) very grateful for that. And yeah, I loved school. I love, love, school. I just, yeah, I was one of those smart kids, not too smart that was completely inaccessible, but smart and friendly. So I had lots of friends, but also when I needed to knuckle down to work, I could do that. Jules (16:01) Right. Wow, okay, so I presume you loved secondary school as well and was that the local school to where your family is now? Dionne Payn (16:13) Yeah. Yeah, yeah, the local comp. Tiverdale comprehensive. Jules (16:19) Right, comprehensive. Okay, so what happened when you got to year 12 and you finished school? Was there a natural ⁓ urge to go to uni? Well, actually, I’ll tell you, actually, let’s just go back a bit. You didn’t tell me what your parents do and I’m only interested from the role modelling point of view as to what the expectations would have been on you and maybe what your parents sort of did and you were watching. Dionne Payn (16:48) Yeah, okay, so both my parents worked. My mum was a nurse and she used to work night shifts so she could be there for us during the day. And my dad was a bathroom fitter, so he would have bathrooms and, you know, sort of bathroom fittings loaded in the back of his van and he’d drive all up and down the country to go and fit bathrooms. Jules (17:09) installing bathrooms. Dionne Payn (17:11) I loved going to work with my dad. Sometimes I’d be lucky enough to go with him and I remember, you know, we’d stop off at these like, frock stop sandwich places and we’d get these like, big sandwiches and you know, the Twix bar and the Canna Coke. Jules (17:21) Yes. Or in England the sandwich with a bag of chips in it. Yeah, it’s a real English thing is those bag of crisps with your sandwich. Dionne Payn (17:31) Yes, yes, good times. It’s such a good thing. And now I’m gluten intolerant so I miss out on all of those things but I remember them with fondness, I really do. Jules (17:45) Right, right. Okay, so I wonder whether just doing that with bathrooms with your dad had some influence on you getting into housing. Whether… I don’t know whether that’s a long bow I’m drawing, but I wonder. Dionne Payn (17:53) Do you know, I’d never thought of that. No, no, I don’t think it is that long a bow. Like, I, just, it just seems really… Jules (17:59) Ha Dionne Payn (18:03) natural and probably not you know but yeah but probably was always quite interesting but just that just the process of okay well you can rip something out and put something new in and it looks amazing I was like yeah that’s really cool. The other aspect my mum being a nurse I remember when I was younger and saying to her ⁓ I want to be a nurse just like you she was like no no no no you want to be a doctor because they get paid more. Jules (18:19) Yeah. I had a father who was a doctor and I definitely ⁓ thought if I was going to do it I’d be getting in on the doctor side. They’re a bit godlike I think in hospitals. Okay so you finished school… No, well my dad just kind of pre-entered it and said I know you won’t study hard enough to do it and I went I don’t want to spend six to twelve years studying before I can get out into the world which was my big thing. Okay so you finished school. What was the next move? Did you go to uni? Dionne Payn (18:37) Yeah, I didn’t study hard enough to do medicine though. You I did, I did. So I wanted to do medicine. My sixth form years were full of partying and not really applying myself. So I knew early on I wasn’t going to get into medicine. I tried to get into pharmacy, but right at the last minute my grades weren’t. hot enough. But I do remember the headmaster, I can’t remember her name now, I can see her, she’s a very strict lady. I remember going in once, I’d got my A levels and she said, what are you going to do? And I was like, I don’t know, I think I’ll wait a year and I’ll reapply and maybe, you know, sort of study some more. And she said, no, just get yourself onto whatever course, it doesn’t matter. And I was like, okay. So I ended up on a course which was, was a new Jules (19:11) quite there. Yeah. Dionne Payn (19:41) course. was was pharmaceutical chemistry and how it was sold to me was that it was halfway between pharmacy and chemistry and I was okay at chemistry and I really wanted to do pharmacy so. Jules (19:42) Yeah. Wow. Dionne Payn (19:55) I thought great and what they said was if you’re in the top 10 % then you’ll be able to transfer to pharmacy. was like yeah great. But what they didn’t tell me was that the course was so small that there were 20 people and the top 10 % was two and I just yeah there were people that were way smarter than me and way more applied than I was and I still was in that phase of partying so I still you know I actually did really well in that degree but the thing that changed the Jules (20:04) wow, right. of you. Dionne Payn (20:24) for me was in the third year I went out to do a work placement and I ended up working in an agrochemical company looking at basically that they had pesticide levels that they had to meet so they’d sample all of these different products and just make sure that the level of pesticides were underneath that and having that applied skill and you know so being able to use that knowledge that I was learning and seeing this is why it’s relevant that was such a good pattern interruption Jules (20:52) Yeah. Dionne Payn (20:54) to me because I think if I hadn’t have had that I’d have just carried on partying and not really seen the benefit of the degree but when I finished that placement and went back for year four two things happened one is that there were only two of us in that last year because everybody else in the year below us had gone out on placement because they realized it was a really good thing and I was pretty competitive so I didn’t not competitive as even I wanted to beat the other person but just competitive that I didn’t want to be Jules (21:17) Right. Dionne Payn (21:24) left behind so you know I studied really hard and then also my boyfriend at that time who is now my husband he was a year yeah he was a year ahead of me and he’d come out no he was a year ahead of me in a different course he did geology and I didn’t yeah he came out and got a really good grade and I didn’t want to be the dumbass girlfriend so was like okay I’m gonna study so it saved me Jules (21:34) in the same course. Yeah. that’s impressive. Okay, so you finished. What did you do? What was the first job after leaving school? Leaving uni. Dionne Payn (22:00) Yeah, yeah, that’s right. I went to work for Smithclime Beecham before they merged with Gruxo. And so that was a pharmaceutical job and I really enjoyed the job. Jules (22:02) Sorry, I always put people on the spot and they go, haven’t even thought about this for so long. yeah. Yeah. Dionne Payn (22:21) I was still with my boyfriend and our husband at the time, but we were working in different places. So we working at different locations around the M25. So each weekend was a mad dash for one of us to drive over to the other one and then get back and ready for work on Monday morning and dealing with the M25, you know, sort of on a Friday evening, that kind of thing. So I enjoyed the work that I was doing, but I didn’t enjoy working for a big company. And I remember feeling like a sort of small cog Jules (22:34) night. interesting. Dionne Payn (22:51) in a very big machine and I was just irrelevant. Not to the people that I was working alongside, but in the sort of bigger scheme of things and I just, yeah, yeah. And I really like that, being able to see the effect of what I’m doing. So the next job I had was working for a smaller company where I felt that I was being really helpful and I really enjoyed that. Jules (22:59) That’s the biggest game of things yet. Yeah. And so, was that another pharmaceutical role? Dionne Payn (23:20) Yeah, yeah, so it was a pharmaceutical role and yeah, it was around that time that I decided that I was going to do a masters because I wanted to study a bit more. So I did that and I was working at that role at the same time and that was great. And then we went to live in Jersey for a while because that’s where my husband is from. And we were there for about three years, which was a really fun time, but I just missed. Jules (23:30) Yeah. Right. which is just a tiny, and it’s a tiny island off England, isn’t it, Jersey? Dionne Payn (23:46) So small, so small. At the time we were living there, there were 100,000 people and the island is nine miles by five. So I think that’s about 14 kilometers by seven, something like that. Yeah, yeah. So yeah, small island and I just, did feel a bit hemmed in. Jules (24:00) Right. Right? Dionne Payn (24:07) So after being on the islands, that was when myself and my husband decided that we were going to go travelling and not so much travelling to go to lots of different countries but just have a change of scene. So we decided that we were going to move to New Zealand and we were going to do a year and… Jules (24:20) right? Why New Zealand? Was there a connection there or had you seen an ad or what was it? ⁓ Dionne Payn (24:35) Geography wasn’t my strong point. Jules (24:37) ⁓ no, don’t tell me you thought it was nearby. ⁓ right. Dionne Payn (24:41) I thought it was tropical. I thought it was tropical because a friend of mine had gone to Fiji. And I was like, ⁓ Fiji’s over that side of the world. Let’s go to New Zealand. And we wanted to be somewhere where we could be for a year, immerse ourselves in something different culture, but not too different that we had to learn a new language. So we thought a year in New Zealand and then a year in Australia. And when we got to Australia, sorry, when we got to New Zealand, we went to Auckland and my husband was able to study ⁓ at an audio engineering school there and I was trying to find work. ⁓ Jules (24:47) and it was nearby. become locals. Right? Okay. Dionne Payn (25:16) I just found I found Aucklanders to be really they were friendly enough but not friendly. They were nice, they were nice people but not friendly and I just it felt like social suicide to me because I I love making friends. Mid-20s so um yeah it was 2005 so 27th yeah yeah. Jules (25:27) Right. How roughly how old are you at this stage? I mean, are you in your 30s or mid 20s? Okay. Right, okay. ⁓ So, from New Zealand to Australia, slight difference, where did you move to in Australia? Dionne Payn (25:46) I’m. We came over to visit. Well, we just came over to visit and we came over for, so we’d been in New Zealand for about two months. Came over to visit a friend who was living in Brisbane. He took us down to Byron and I was just hooked. Jules (25:54) Right. Anyway, we’re hooked. Dionne Payn (26:08) We’re never leaving. How do we move here permanently? So my husband was able to transfer his course to the college in Byron and I was offered a PhD scholarship through Southern Cross University. So I just leapt on it because that was what I wanted to do. And I thought I’d have to wait until I got back to the UK, but I was able to do it in Australia. And that gave us enough points to stay in Australia. So that was really awesome. Jules (26:08) Totally. Yeah. Wow, and then from that you were able to become permanent residents and then citizens. And so it sounds like your husband was also going through a bit of a career change because if he’s gone from pharmaceutical to audio… geography to audio. Okay, so, and is he still in the audio business now? No. Dionne Payn (26:35) Yeah. Yeah. Well, he went from geography to audio. Yeah. That’s a long story too. Jules (26:57) Okay, I won’t go down that rabbit hole then. Tell me about you. So, okay, so you were doing your PhD in, was it pharmaceutical still? Okay, and. Dionne Payn (27:07) Yeah, yeah. So I was actually looking at sugar cane as a source of medicines for diabetes. So it was pharmaceutical, but it was more natural products and that was what I was really interested in. And that was a great experience. I loved the work and the camaraderie was fantastic, but I just realized that at that Jules (27:18) Yeah. Dionne Payn (27:30) point if I didn’t have children and once I’d finished if I went straight into the postdoctoral positions I probably wouldn’t have children or have them much later and then maybe struggle to have children at all. So when I finished that when I finished my PhD I was hmm probably about six weeks away from my due date and I just thought look I’ll figure out yeah. Jules (27:49) Right. wow, you got pregnant during the… Okay. Dionne Payn (27:53) Yeah, I was very close to the end, but yeah, and so yeah, I had my daughter who arrived late, which was great because I got to have a bit of a break from studying because it was pretty intense at that point. Yeah. Jules (27:56) Yeah. time me a bit of time out not knowing what was going to happen though you know we all think we’re going to have this great little baby and it’s going to be easy and it’s just more challenging okay so did you stop work then ⁓ yeah go on yeah Dionne Payn (28:15) Actually, I have to say, Jules, my first year with my daughter, Marlia, it was like I was on holiday because the intensity of the PhD was that I was just working all the time and Marlia was really cruising at that age. She’d slept and did all the great things that you wish for as a parent. ⁓ Jules (28:23) brilliant! Yeah, great. Perfect. that’s amazing. Okay, so what did you do then? You’ve taken that year out to be with Malia. Did you decide to go back to work? Did you have another child? What was the next step? ⁓ Dionne Payn (28:46) Yeah, so we decided that I was going to stay home with Marlia. And in that first year, Marlia was just a very chilled child. After that, she became very energetic. Jules (29:03) As children tend to do. Dionne Payn (29:06) as children tend to do. And so yeah, there was lots of running around and I would do bits and pieces of contract work, so marketing work here and there, but it was mainly I was at home and my husband was working. And then four years later, my son came along, four years after Malia was born, my son came along. And at that point, and I loved, I had maybe about a year with him at home. And it just seemed like a really natural time for my husband to take it. Jules (29:24) Yeah. Dionne Payn (29:36) bit of a step back and for me to start working again and it was around that time that we decided to go into property and learn about property and in fact we’d probably been learning about property a year before, in the first year that Atticus was born, you know towards the end of that year was when we found a joint venture partner through one of the property courses that we did and that was how. Jules (29:38) Okay, nice. So, can I just interrupt? So were you doing these courses for your personally to just get ahead and say, if we want to be able to buy houses and things, then we need to be able to start making money. Okay, so it was just purely from an interest kind of point of view that you started with the property. Dionne Payn (30:09) Exactly. Yeah. Yeah. Yeah. it was totally about money making. It was like, what can I do? Because at that point I figured that I was pretty unemployable. know, having done a PhD, having worked by myself for four years, having taken time off to be with my kids, I was just like, yeah, who’s going to employ me? They’re probably going to find me really bossy and just, you know. Jules (30:21) Right. You I’m sure they would have loved you, but anyway it was time for a bit of a shift so Dionne Payn (30:42) It was time for a shift and you know being on one income and staying home with the kids was fantastic but bearing in mind that I’d been a student, I’d been on a stipend and my husband had a decent job but on one income it just doesn’t cut it so I just really wanted to understand the game of property so we could play it to our advantage. Jules (32:10) And so how you said you brought up got a joint venture partner. It sounds to me like it got bigger than, you know, normal people, not normal people, a lot of people who maybe will go out and a two bedroom flat as their first thing. What were you, what was your first project that you did with your husband and partners? Dionne Payn (32:31) Yes, so our first project was a ⁓ house on a block. It was a house in a studio. They were connected by a roof. The block must have been about, it was a long time ago, but maybe about 1400 square meters. So a decent sized block. Yeah. So I realized that we could remove the roof, renovate both properties, clean them up, give them a good renovation, subdivide them. Jules (32:38) Yeah. quite big, yeah. Dionne Payn (33:01) basically doing a paper exercise to separate them, put them on separate titles so that we could sell them separately and I did the numbers on that and it looked like it would be quite a healthy return so we presented that to the joint venture partner and he was happy to basically bankroll that while we did the work for it. Jules (33:03) Yep. Okay, so my big question has to be how do you find a joint venture partner? I mean, where did that come from? Because that’s not something that I hear very many other people do. Dionne Payn (33:29) It came from the property courses that we were doing and I remember the lady that ran the first course that we did, she said, know, money’s everywhere. Like you just don’t worry about the money. Like once you’ve got the deal, you’ll find the money. And I remember thinking at the time, like that sounds like a crock of, but okay, let’s give it a go. And so, you know, we did a series of, ⁓ found properties and we ran the numbers and we got help Jules (33:32) Right. You Dionne Payn (33:59) from the lady as well, because it was a mentor program. And so once we found the deal, she let us present it on stage. And so that was where we found somebody that had ⁓ the money and yeah, like total sweat equity there, because we didn’t have the money to put into it. But we had the enthusiasm and the, you know, like really wanting to make something work. Jules (34:02) Yeah. wow, right. Did you actually get out with, were you and your husband out with hammers and nails or were you project managing builders? Dionne Payn (34:35) We were project managing and also doing some of the work. So when I was responsible for sandpapering the frames, my husband had made a door. So he’s handy, I’m not. So he’d made the door and I was responsible for sanding the frames and I sandpapered the glass. And at the time I just wasn’t being that, you know, sort of… Jules (34:37) Right. Right, okay. Ha ha ha ha! Dionne Payn (35:03) careful because I was like, we’ll be able to you know rub that out and then he said no you can’t rub it out. I was like no. So that’s a bit of a running joke for us because he’s now a handyman and every once in a while I say do you need any help? He’s like no, ⁓ not from you. ⁓ Jules (35:10) dear. Right. HAHAHAHA ⁓ Okay, so you sold your first property, presumably made a nice little pot of money to be able to start investing into another one. How did your business grow or how did your career grow from there? Dionne Payn (35:28) we did. Well, did, actually just going back, Jules, because I think it’s really important. You said something about not many people would just go and find a joint venture partner or know how to do that. It’s that thing for me which is… Jules (35:40) Yeah, yeah. No. Dionne Payn (35:57) and somebody else talks about this in terms of the illusion of limited resources. So we think because we don’t have something that it’s just never going to happen. But that for me was a real eye-opener in, well, yeah, I didn’t have it, but I had another resource. ⁓ just putting the value on having time as a resource and the skill to be able to do something is so important because sometimes we think that money is everything. And money does grease Jules (36:01) Yeah. that other people don’t. Yeah. Dionne Payn (36:27) the wheels but you actually have to have people that will implement on your behalf and so I realised that as implementers and as people that were you know yes we can manage this project and yes we can do some of the work there was actually a lot of value in that and I just think it’s really important to bring that up because yes sometimes in places so much importance on money but when we realise that we all have have a resource that we and a skill that we can bring to the table it just really evens up the playing field. Jules (36:32) Right. Yeah, Dionne Payn (36:57) you Jules (36:57) and not to be scared of not necessarily having money because there are plenty of other people that do have it and don’t have that time. Okay, ⁓ so back to the question, what happened next? How did your ⁓ building, I guess, and property career from pharmaceutical, how did that progress? Or were you still just doing that on the side as a little project? Dionne Payn (37:04) Exactly. Yeah. No, no. we, after that project, we found another one. In fact, we found the other one in the middle of that project. And so we went back to the joint venture partner and said, hey, do you want to do this one? And so we did that. And then we found another project. So that really began our property development business. And yeah, so we did three. Jules (37:28) Right. flipping. Dionne Payn (37:46) projects and they were smaller, pretty similar, renovation subdivision and then the fourth project team was when I found the piece of land that had approval for the 14 one-bedroom townhouses and that project really, it was so… Jules (38:00) late. Dionne Payn (38:08) game changing for me. just blew my mind. I remember thinking about it afterwards and just going, wow, like I proved something really important that I didn’t even know that I needed to prove. And when I was growing up, so you know, my parents were working class, they worked really hard, but we didn’t have a lot of money. And so things were really tight. And also my mum’s family are ⁓ quite religious. So church was a big thing in my life as someone growing up. So kind of Jules (38:37) Yeah. Dionne Payn (38:38) equated ⁓ being of service and not having much money as being the same thing. So when we did this bigger project and I saw the benefit that it had on the community and I made money out of it, was like, you know those times where you’re just like, da da da da da, yeah, yeah, something really big has happened here. So that was it for me, it was like, well. Jules (38:55) The light bulb, yep. Dionne Payn (39:04) I can do property, because being of service is something that’s really important to me, like it’s just one of those values for me. So, and I guess as well that I’d had a bit of a perception of if you’re making lots of money, then you’re probably not making it in the right way. You know what mean? And particularly, yes, yeah, yeah. Jules (39:08) Yeah. No, and you probably don’t care about other people. I think there’s all those kind of weird things that are associated with wealth. Dionne Payn (39:29) Yeah, 100 % and particularly being in the property development industry as well. Yeah, like it’s just it. Yeah, anyway, all of that together just blew my mind and went, okay, we can do property development differently. And it wasn’t that I had that epiphany right at that time. And because actually that project was really challenging and it was it was a really bit of more than I could chew with that project. And so there were some lessons that I had to learn. Jules (39:33) property game. Well, it’s quite a lot to go from little one and two bedroom houses to 14 of them. And all the associated things, well, as you already alluded to, car parks and all those sorts of things that you wouldn’t even think about when you’re just thinking, just need to build walls. Dionne Payn (40:01) Yes. ⁓ Yes. Exactly, exactly. mean, in terms of the level of work, it’s the same amount of work. You know, it’s still a full time job. from that perspective, doing a project like that, like a larger project, you might as well use your time to do that kind of project. But there’s just a lot more to manage. And so it’s, you know, sort of doing those renovations, subdivisions is something that you can do as an individual or as a couple. Doing a larger scale project like that, you’ve Jules (40:18) Right. Yeah. Dionne Payn (40:40) really need to be on top of project management, financial management, people management, all of that. And so that I think that was the big learning curve and particularly around the people because I just, you know, I’m a very friendly person and, and, know, I always assume the best in people. So it was a real lesson that actually you can’t do that. You can’t assume the best. You’ve always got to be prepared. And so the, the important… Jules (40:57) Yeah. I’m sorry but there’s definitely a story in that. There has to be. You don’t have to name names or anything. But just because I’m somebody who takes people at face value and always trusts them. And I’m always incredibly hurt when I think that I’ve made the wrong decision or I find out I’ve made the wrong decision. Sorry to interrupt you but there clearly is a story. So was it a builder? Was it a… There was something that happened where somebody ripped you off. Dionne Payn (41:16) here. Wrong builder, wrong joint venture partner. Yeah, yeah. So not, wasn’t the same joint venture partner that I’d had right at the beginning. And look, I say wrong builder, wrong joint venture partner, they were absolutely right. They were absolutely right because that’s how I know. Yeah, yeah. ⁓ Jules (41:36) ⁓ right. Okay. in the previous ones, yep. Well they taught you, that’s how you learned, isn’t it? butts. Dionne Payn (41:56) The joint venture partner, it’s the values alignment. It wasn’t there. And that was a hard lesson because when, you know, sort of going through the project and… Jules (42:01) right Dionne Payn (42:08) The joint venture partner was very interested in minimizing costs and when that suited me that was great. But then I saw the fallout of that in terms of the builder ended up going broke. He had his own issues as well, but just the sort of, you know, really holding the purse strings and not being fair in terms of the way of, ⁓ you know, managing a project. Jules (42:15) You the quality. Right. OK. I’m so glad you say that because I do think that, ⁓ and I put it as a masculine thing, but it probably isn’t. It’s just probably more a finance thing that they remove the emotion completely. And I see it in my partner. He gets on a whole different face when we’re talking about money and it’s a very weird thing. But I’m like, why does one have to exclude the other? And I guess that’s where you butted heads with somebody who was there. Let’s be a hard-nosed business pragmatist. This is about us making money, it’s not about giving charity to other people. And it’s actually that combination that you want, that we all want you to do. Dionne Payn (43:12) Yeah, exactly, exactly. And I just really saw the impact that that had on the builder ⁓ because… Jules (43:18) Right. Dionne Payn (43:22) And like I said, the builder had his own challenges as well. So it was definitely a compounding effect. yeah, yeah, it was just values alignment. I really do believe in being fair and treating people fairly. And so when somebody is just all about the numbers and I’m all about the people, just, and we couldn’t agree on how to proceed on that. So that was a challenge. Jules (43:27) Yeah. But I think it’s just one of those classic, know, it sounds like a fuck up or whatever. And then you kind of go, well, actually it was a gift because really otherwise you could have kept doing this with people like him until something much worse happened. Dionne Payn (44:03) 100 % and it was a her by the way. Yeah. Jules (44:05) Oh, even worse, with somebody like them I should have said I did realise I make these future assumptions. Okay, so you finished your 14 houses, what came next? Other than probably a nervous breakdown. Oh really? Dionne Payn (44:16) ⁓ Yes, yep. Not quite the nervous breakdown, but certainly a period of depression and darkness. ⁓ no, it was actually the best thing. Again, with what you said before, we go through these things and then come out of it realizing the gift. And the gift for me and that was I’m stronger than I think. So it took… Jules (44:26) here. Yeah. undoubtedly. Dionne Payn (44:43) Yeah, it took me to go to the brink to get there, but I just remember at that time when it seemed really bleak, just thinking, I’ve just got to put one foot in front of the other, I’m going to get through this. I didn’t even know how I was going to get through it. It wasn’t like I had a plan. like, okay, yes, I’ll do this and this and this, and then I’ll get through it. But I just trusted in something bigger in terms of… Yeah, just trusted that continuously doing the right thing would actually see me out and just acting out of integrity would see me through. yeah, that was the gift. Jules (45:22) Well I’m glad it didn’t put you off property because it could have done that too. You could have gone back to pharmacology and… did it? Did it? Okay. ⁓ you poor thing. So what did you do next? Dionne Payn (45:27) No, did for a while. I remember saying to people, I’m never doing property ever again. So I look, I did some more projects, but then realized that my heart wasn’t really in it. And I did a lot of soul searching actually, and a lot of personal development. Yeah, that was good. I mean, I sort of went into that personal development thinking that I was broken. I came out of that personal development realizing that I’m not broken. just, you know, sort of had a set of circumstances that now I know better and now I’m more in alignment with my own values. I could just go, well, I wouldn’t do that again. So that was really beneficial. And… At the time I remember meeting a developer, really randomly actually, I went to a networking meeting and met a guy and was having a chat with him and I don’t know if he called me or I called him and he was like, you need to meet this developer guy that I’m working with. And so I met him and we had a good old chat and that was real values alignment. So it was chalk and cheese from what I’d had before with my joint venture partner. Jules (46:48) right Dionne Payn (46:51) and he asked me if I would raise money for him because I was good at doing that and good at finding joint venture partners. I would raise money for him. Jules (46:56) Sorry, what right is money for him? raise, yep, yep. Dionne Payn (47:01) Yeah, yeah. And yeah, because I’d had that experience of working with investors and joint venture partners. And I said, yeah, I can do that. And we we ended up working together for quite some time. like it’s still in my life now, we don’t work together in the business anymore. But we work together on individual projects. And yeah, so we had that working relationship for quite some time. And he actually mentored me out of property development because I was just thinking, this isn’t for me, I want to do more capital raising, I’m enjoying that aspect of it because it is all about, for me it’s about making friends, right? If I can make friends I’m happy. ⁓ And so I remember speaking to him as well after we met and just saying, look I’m happy to raise capital for you but I only want to do it for affordable and sustainable housing, how do you feel about that? And he was like, yeah that’s great, let’s set up a fund where we just do that and I was like, great! Jules (47:38) Yeah, yeah. brilliant! Dionne Payn (48:01) Thank you, Universe. Jules (48:01) Thank you, universe. Dionne Payn (48:04) So, I mean, it’s taken, ⁓ gosh, I met him in 2019. It is now 2025, and he has now set up the fund, and I’ve got the housing project. Excuse me. ⁓ Jules (48:19) Okay. Dionne Payn (48:19) ⁓ So it’s taken that time to get there, but that was the wish that we put out into the universe right back then, and it’s happening. So it’s really lovely to come full circle. Jules (48:29) I’m so pleased. Yeah, and it sounds like you’ve had quite a journey, but I think, you know, the fact that you have those values and that you’ve stuck by those values will, you know, is not only inspiring, but I think will hopefully… ⁓ help you make that impact and anything I can do to help you do that and make those get those affordable housing for women but also those investment opportunities is brilliant. So next question I’ve got one weird question for you at the end that’s nothing to do with anything that I ask everyone but in the meantime if anybody is listening to this and loves the sound of it and at $5,000 it seems very achievable that people can get involved what is the best way for them to get in touch with you? is the best way for them to, yeah, become part of your world. Dionne Payn (49:22) Yeah great, okay couple of ways. One, find me on LinkedIn because I’m very vocal on LinkedIn, often posting and so I just do a search for my name Dion Payne on LinkedIn and ⁓ the other way is going to the website and joining up at the website which is womenforhomes.com so that’s women number four homes.com and either way they’ll be in my universe and I’ll be in their universe and it will be lovely and Jules (49:26) Yep. great URL. Dionne Payn (49:52) Yeah, just, one of the things that I’m working on at the moment is a series of co-living homes for older women that are… Yes. Yes. Jules (50:00) my god, really? I love the sound of this. This is my sort of thing that I think I want to do when I get older. Dionne Payn (50:08) Yes. Awesome. Beautiful, affordable, dignified. That’s my sort of catchphrase for these homes. And we’re looking at using sustainable materials, using hemp. so I’m on this journey at the moment and I’m really looking for women that feel inspired to be a part of something like this. yeah, whether it’s investing or whether it’s spreading the word, I just see that this would be something really amazing. Jules (50:14) Right. Brilliant. Dionne Payn (50:39) And it’s something that’s really achievable, it’s something that already exists in the planning rules, it’s not that we have to do anything crazy. And we can really make a difference because as you alluded to right at the beginning, Women Over 50 is that fastest growing group facing homelessness and we don’t have to just wait for homelessness to happen, we can actually stop it at the source. And stopping at the source is exactly, exactly, yeah. Jules (50:51) Yeah. Yeah, we’ve got to nip it in the bud now. Yeah, yeah. And so are you building those just quickly to go to the properties that you, the co-living places? Are they all in Northern New South Wales at the moment? Or where are they? Dionne Payn (51:10) No, no. So they’ll be in Victoria, New South Wales and South Australia because the rules for those, they’re called rooming houses. The rules for those rooming houses are pretty flexible. Whereas in New South Wales, they’re actually, you need to do a large number of them to make it profitable. And so, you know, we’ve got an opportunity to make it profitable for investors, but also make it affordable for the inhabitants and a number of different ways of doing that. Jules (51:19) Yes. Right. Dionne Payn (51:40) working with community housing providers and that sort of thing. yeah, ⁓ I’m really excited about bringing this into being. Jules (51:48) I’m really excited that you’re bringing this into being as well. I just think this is so good Dion, I think that’s what we need and we need people like you to champion that change that needs to happen. ⁓ And I’m just so thrilled that I got a chance to meet you but also now to be able to share what it is that you’re doing because I do think you’re pretty extraordinary. ⁓ Dionne Payn (52:09) Thank you. Jules (52:10) And I’m absolutely delighted that you’re doing this and that I know you. So, okay, here’s a really out of left field question for you. Is there a quirky fact about you that most people don’t know that you’d be up for sharing? And it literally can be anything. So I’ve heard everything from Kate Toon telling me that she was the first person on Graham Norton’s Big Red Share. Who even knew that? Two people who are synchro, I know! Dionne Payn (52:18) Take care. didn’t Jules (52:38) She did it and then he started it as a regular thing apparently. ⁓ Yes, I’ve had CEOs tell me their secret rev heads. I’ve had all sorts of things. So is there a quirky fact about you that people might not know? Dionne Payn (52:42) Very cool. Yes, a few years ago, ⁓ for about two or three years, I was part of an 80s flash mob. Jules (52:54) Yeah. stop it in Australia yeah Dionne Payn (53:06) in Australia. We were called the Cassettes. The Cassettes is still going, they’re still flash mobbing. I jumped out of it actually as things got a bit more serious with the development because I just didn’t have the time. But we would go and perform dances to 80s music. It was so much fun. So much fun. ⁓ Jules (53:25) ⁓ wow, what I would give to see you in some leg warmers and leotards out doing an 80s dance. I love that. Well Dion, thank you so so much for this interview. It’s been really fun. You are an amazing woman. I absolutely hope that people listening to this will get in touch with you and become part of this movement that you’re building. And thank you for doing what you’re doing. Dionne Payn (53:36) It’s been so fun. Thank you. And look, ⁓ I just want to say thank you for interviewing me. ⁓ It’s been so much fun being on the show. And I love what you’re doing as well. And I love the fact that you’re such a super connector. ⁓ And yeah, I really appreciate that about you. Jules (53:55) Gosh. Thank you. Jules (00:13) Hi and welcome to this episode of She’s the Boss Disruptors and I’m interviewing the amazing Dion Payne from Women for Homes. I met Dion, I think it was a couple of years ago now, Dion was it? And you told me your story and what you were doing or a little bit of it and I was completely hooked so I know everyone else will be hooked as well. But let’s just start off by getting you to introduce yourself and tell us what do you do and what your business actually is. Dionne Payn (00:25) Yeah. Sure thing. Well, I am the founder of an organization called Women for Homes and we exist to inspire a million women to invest $5,000 to end homelessness by 2030. And we do that through ensuring that the women that invest are financially empowered along the way. So what we do at Women for Homes is we have, we have a opportunities to invest into affordable, sustainable and inclusive homes. And we also ⁓ offer education as well. And we work, I have the financially empowered women podcast, which I interview some amazing women who are doing great things in the finance space and educating. And it’s really for me about making sure that we have like a digital campfire where women can share their stories and other women that may Jules (01:14) Yep. Brilliant. Yeah. Dionne Payn (01:38) going through things that need that advice or guidance, they can listen to the podcasts and they can reach out to the experts that we have if they need to. Jules (01:48) my God, I love it, love it, love it. I’ve already just thought of someone I’m gonna have to introduce you to. But in the meantime, I know that you’ve worked in the industry in terms of raising investment for buildings for a long time. So can you tell us a little bit about the disruptive kind of aspect of what you’re doing? Because I think you are doing something really different. So is there something broken in the system that needs fixing? Dionne Payn (02:16) Yes, Jules (02:16) Leading question, but… Dionne Payn (02:16) yes. It’s really interesting because on Tuesday I run the Ethical Property Investor Accelerator and the theme for Tuesday’s lesson was legacy and I gave the quote from Buckminster Fuller that was there’s no point in railing against the existing system just create a new one that makes the old one obsolete. Jules (02:29) night. Dionne Payn (02:43) and I do really believe that that’s what we’re doing here at Women for Homes. look. Jules (02:43) Love that. Dionne Payn (02:48) Bit of background about me and how I got into this. I have been in the development industry for a long time, so over 10 years. I started off as a property developer and did a series of small developments, renovations and subdivisions, which then led me to do an affordable housing project, which was 14 one bedroom townhouses. And what was cool about that was that there were small homes, there were 60 square meters. They were in the right zoning, so we got relaxations. Jules (03:09) Okay. Dionne Payn (03:18) on the number of car parks and the number of homes that we could get on the site. So it worked for us financially. So we got a great return as investors into the project. And also there was a really beautiful legacy that we were able to create for the community. Now in full transparency, I didn’t go into it thinking, this is going to be a great legacy. I went into it thinking I’m going to make a mozza. But along the way, I realized that we could do both. And that was the first time in my property development journey that I Jules (03:23) Right? Yeah. Dionne Payn (03:48) that yeah okay we can do something that’s really meaningful for a lot of people because when we get housing right it is really transformative but we can also make money too and actually it’s really important that we do because of that financial sustainability and what I mean by that is when you make money on one thing you can do something else, do something else, increase the level of impact whereas if you do property investment in the traditional way which is you know buying a house, negatively gearing it, negative gearing hurts Jules (04:06) Yeah. Dionne Payn (04:18) people entering property, the negative giving laws hurt people getting into property in the first instance, but it also hurts you as an investor because it puts a cap on what you can, the number of properties that you can purchase. Whereas doing what I’m talking about, which is ethical property investing, you can keep doing it because it’s cash flow positive and you’re helping a lot of people and it feels really good. Jules (04:30) right And so what I know that you’ve and I’m going to get you to take me right back to when you were a little girl and how your career has progressed in a minute. But I’m interested to know how the model is different and you’ve sort of touched on it that currently in terms of building properties people are just building them in order to make some money and there’s a cap on it. But what led you to particularly want to help women? Why is that? Why is this called Women for Homes? And what are you trying to do to actually break what has been out there for a very, very long time? Dionne Payn (05:15) Yeah, well… Why women? I had an experience about this time last year where I went on a retreat and the retreat was fantastic and you know being out in nature and having really nourishing food and doing all these wonderful practices. It just gave me the time away to sit and be still and really contemplate the direction that I was going in and I remember being surrounded by all of these women who when I talk about my business because it was a marketing and branding retreat so we were learning different ways to do marketing. Jules (05:23) Yeah. Yeah. Dionne Payn (05:47) And so when I spoke to these women that were also on the course, they were saying things like, this is amazing, we’d love to be involved, how can we be involved? And I knew that what I was doing at that time in terms of raising capital. Jules (05:48) Yeah. Dionne Payn (06:01) only really worked for what we call wholesale investors. So those that are high net worth individuals that could put, you know, $50,000 minimum on the table. So when I looked around at this group of women, I was like, they’re beautiful women and they want to be involved. But I knew that that sort of investment point was going to be quite a challenge for many of them. So I just, you know, sort of pondered and, you know, being on the retreat, I was like, well, what’s missing? And I realised that actually Jules (06:06) Right. too high. Yeah. Dionne Payn (06:32) we need a way to make this an everybody’s solution. So since the affordable housing project that I did and completed back in 2018, I’ve been thinking, you know, how do we solve this housing crisis? What are the levers that we can pull to make this work? And done it. Jules (06:45) Yeah, because for anybody who’s listening, I don’t know if you realize that women over 50 are the fastest growing group of homelessness in Australia. And I know about five years ago, someone said to me, there are 16,000 women sleeping in their cars or on the streets. ⁓ At the moment, I imagine that’s growing. So it is a huge issue just in case anybody is listening and doesn’t know that. ⁓ So go on. Yeah. Dionne Payn (06:55) Absolutely. Yeah. Yeah, yeah, and that’s a great segue because when I was sitting down after the retreat, I knew I had to do something. And I was sitting down after the retreat just thinking, OK, what can I do? What can I do? And I knew it had to be around women because being on the retreat with women was fabulous. And I was like, yeah, we can we can really do something if we could harness that little bit of energy that was in that particular room at that time. but, you we expand that and we can harness all of these women. What can we do? So that that was really exciting for me. But at the Jules (07:34) Yeah. Dionne Payn (07:42) time, and I wasn’t sure what it was going to be, like I said, I knew I had to do something, in the business plan, in the preparing for Women for Homes. I’d kind of done all the regular things in the business plan. like, okay, well if we can get women to invest more amounts of money, how many women do we need? But I also wanted to look at, why are women ending up homeless in the first place? And I knew about the gender pay gap. That’s been something that’s been very advertised. But I didn’t know how many things kind of spilled out of that and how many things compounded that. So for example, when you Jules (08:06) in the first place, yeah. Yeah. Dionne Payn (08:23) got two graduates and they’re entering the workforce, a man and a woman, the man is more likely to negotiate to increase his salary, the woman is less likely to, so that sets up the disparity right at the beginning and then when women take time out of the workforce to raise families then you know they’re not being paid for the work that they’re doing even though studies have shown that if Jules (08:33) Yeah. Dionne Payn (08:48) if all of these jobs that women do when they take care of their children, if they were all outsourced, it would be a $200,000 a year job. Jules (08:57) And I think almost every woman who’s a parent knows that. I know, it’s crazy, isn’t it? It’s crazy, the devaluation of something that is so important. Dionne Payn (09:00) Yes, yes absolutely but it’s so crazy but… Yes, yeah. And that study actually came from an insurance company. So it’s not just random women making this up to make themselves feel good. It came from an insurance company. They do it every year. And so… Yeah, just seeing all of these different disparities, the taking time out of the workforce, the sandwich generation, so those women that are looking after older parents now, as well as looking after children, the children that are staying home for longer because they can’t afford to get out, women’s natural inclination to look after everybody other than themselves, and then throw in a divorce and separation. it’s just like, ⁓ take on this by the end of this research was like, Jules (09:33) as well. Dionne Payn (09:52) We are properly screwed and nobody is talking about this. ⁓ Me too, me too. Jules (09:54) We really are, yeah. I couldn’t agree more. So I’m glad you’re doing something about an aspect of it. Dionne Payn (10:03) When I thought about doing the podcast, I’d been thinking about doing a podcast for a while, and I was thinking about it, was like, it’s gonna be a lot of work, ⁓ I don’t know. But the message, the little kind of in my ear was like, you gotta do it, you gotta do it, and I’m so glad I did, because I’ve met so many amazing women, we’ve had so many great guests on, covering a range of topics from divorce and super funds and property and so much more. I’ve been educated, Jules (10:31) Yeah. Dionne Payn (10:33) ⁓ big time and there were things that I didn’t even know and you know times that I was like wow thank you for sharing and I realized as well as a result of doing that podcast that it’s a resource that I can share I can share with my immediate friends I had a friend that was going through something and she was explaining and I said you’ve got to listen to this podcast and as a result of taking action on that podcast it changed the trajectory of her working environment and the ripple effect on her family was immense so Jules (10:39) What? Yes. Brilliant. Dionne Payn (11:03) this is what we do really well as women. So I just, I love what I do, I love what I do with Women for Homes and the disruptive part of it is it’s about women taking their own power, not… relying on, okay, well I’m getting this advice from this place and this advice from this place and they are right. It’s really about, well, let me arm myself with all of the information that I will need that’s relevant to my situation. Let me hear something that will give me a different viewpoint and a different way of looking at the situation and then from there I can take action. So that’s the disruptive part. how I see women for homes is it’s not just a way to invest into affordable housing. It’s actually, it’s a movement. Jules (11:45) Yes. Dionne Payn (11:45) it’s combining the, you know, let’s make a systemic change and also let’s be financially empowered as well. Jules (11:54) Yeah, and I think it’s so important these days particularly that we don’t sit around and wait for somebody to help us or somebody to make those changes. We just take it into our own hands. Just a quick aside though, are you only taking investors as women or have you got, is the investment side of it gender neutral and it’s just about serving women or are you only looking for female investors as well? Dionne Payn (12:16) So, Women for Homes is about women investing into affordable and sustainable homes. The homes are available for everybody and how I see this is we need a diverse range of homes across what we call the housing continuum. So all the way from social housing up to downsize of housing and even end of life care. We need to increase the supply of houses across that continuum because if we don’t then it means that people are trapped in, for example, Jules (12:23) Right. okay. Dionne Payn (12:46) somebody living in a very big house, they want to be able to downsize and live in the area that they raise their children in, but they can’t move because they can’t find anything that is the right size for them. So Women for Homes is all about providing right sized homes across the housing continuum. Now the language that I use is all about women. Jules (13:03) Okay. ⁓ Dionne Payn (13:08) If men were to invest in that, I don’t think I’d have an issue with that. It’s just that I’m not speaking to that particular audience. But if men just think, gosh, this really moves me and I want to invest, we’ve got a big problem. We’ve got a housing crisis to sort out. I’m not really there to be turning money away. But it’s just, who am I talking to? It’s women. Jules (13:14) Yeah, yeah. Yeah. Okay, so my next question is, was there a light bulb moment? Was there something specific that happened that made you go, okay, I’ve got to do it now? And I mean, because the retreat to me sounds like quite a pivotal moment for you. But I think you’d started Women for Homes before that, hadn’t you? I thought the retreat was last year. No. Dionne Payn (13:47) No, no. It was… Yeah, yeah, so the retreat was last year, last November, and I started Women for Homes in the January. Jules (13:53) Right. my goodness, I didn’t realise it was that new. Crazy, okay. Dionne Payn (13:58) Yeah, yeah. I’ve been raising money, so I have a business called High Impact Property Investments which has been running for five years. So I’ve been raising money for affordable and sustainable homes for that period of time. But yeah, Women for Homes as the sort of sister of that organisation only started in January. Jules (14:06) Right. Wow, well, I feel very privileged that I’ve got you early, because I’m sure it’s going to be huge. OK, so now I’m incredibly nosy, and I love listening to people tell me about their life. So I want to go back. I can hear an English accent with you, and I do know that you’ve come over from England. But can we go right back to when you were, eight or nine? I want to know, did you go to school? Did you love school? Did you hate school? Do you have brothers and sisters? And what your parents did? Dionne Payn (14:23) Yeah. Yeah, okay, so I’m the eldest of six children. I have two brothers and three sisters. They are all very cool and all, yeah, they’re just great. And they live in, yeah, they live within a sort 10 kilometer radius of where we grew up. So every time I go home, I’m like, I’m so grateful because I don’t have to travel far to see everybody. Jules (14:51) wow. Yep. You ⁓ I’m sure that’s not the only reason but where is home? Where did you grow up? Dionne Payn (15:18) So I grew up just outside of Birmingham in the UK and we were in suburbia, there wasn’t really that much to do. But I was actually talking to my daughter and I was thinking that I’m so glad that we didn’t have mobile phones. We just had walkmans, I remember having my walkman and listening to tapes and things, but that whole digital aspect and being online, that wasn’t part of my childhood. Jules (15:21) Right. Haha Yeah. Dionne Payn (15:48) very grateful for that. And yeah, I loved school. I love, love, school. I just, yeah, I was one of those smart kids, not too smart that was completely inaccessible, but smart and friendly. So I had lots of friends, but also when I needed to knuckle down to work, I could do that. Jules (16:01) Right. Wow, okay, so I presume you loved secondary school as well and was that the local school to where your family is now? Dionne Payn (16:13) Yeah. Yeah, yeah, the local comp. Tiverdale comprehensive. Jules (16:19) Right, comprehensive. Okay, so what happened when you got to year 12 and you finished school? Was there a natural ⁓ urge to go to uni? Well, actually, I’ll tell you, actually, let’s just go back a bit. You didn’t tell me what your parents do and I’m only interested from the role modelling point of view as to what the expectations would have been on you and maybe what your parents sort of did and you were watching. Dionne Payn (16:48) Yeah, okay, so both my parents worked. My mum was a nurse and she used to work night shifts so she could be there for us during the day. And my dad was a bathroom fitter, so he would have bathrooms and, you know, sort of bathroom fittings loaded in the back of his van and he’d drive all up and down the country to go and fit bathrooms. Jules (17:09) installing bathrooms. Dionne Payn (17:11) I loved going to work with my dad. Sometimes I’d be lucky enough to go with him and I remember, you know, we’d stop off at these like, frock stop sandwich places and we’d get these like, big sandwiches and you know, the Twix bar and the Canna Coke. Jules (17:21) Yes. Or in England the sandwich with a bag of chips in it. Yeah, it’s a real English thing is those bag of crisps with your sandwich. Dionne Payn (17:31) Yes, yes, good times. It’s such a good thing. And now I’m gluten intolerant so I miss out on all of those things but I remember them with fondness, I really do. Jules (17:45) Right, right. Okay, so I wonder whether just doing that with bathrooms with your dad had some influence on you getting into housing. Whether… I don’t know whether that’s a long bow I’m drawing, but I wonder. Dionne Payn (17:53) Do you know, I’d never thought of that. No, no, I don’t think it is that long a bow. Like, I, just, it just seems really… Jules (17:59) Ha Dionne Payn (18:03) natural and probably not you know but yeah but probably was always quite interesting but just that just the process of okay well you can rip something out and put something new in and it looks amazing I was like yeah that’s really cool. The other aspect my mum being a nurse I remember when I was younger and saying to her ⁓ I want to be a nurse just like you she was like no no no no you want to be a doctor because they get paid more. Jules (18:19) Yeah. I had a father who was a doctor and I definitely ⁓ thought if I was going to do it I’d be getting in on the doctor side. They’re a bit godlike I think in hospitals. Okay so you finished school… No, well my dad just kind of pre-entered it and said I know you won’t study hard enough to do it and I went I don’t want to spend six to twelve years studying before I can get out into the world which was my big thing. Okay so you finished school. What was the next move? Did you go to uni? Dionne Payn (18:37) Yeah, I didn’t study hard enough to do medicine though. You I did, I did. So I wanted to do medicine. My sixth form years were full of partying and not really applying myself. So I knew early on I wasn’t going to get into medicine. I tried to get into pharmacy, but right at the last minute my grades weren’t. hot enough. But I do remember the headmaster, I can’t remember her name now, I can see her, she’s a very strict lady. I remember going in once, I’d got my A levels and she said, what are you going to do? And I was like, I don’t know, I think I’ll wait a year and I’ll reapply and maybe, you know, sort of study some more. And she said, no, just get yourself onto whatever course, it doesn’t matter. And I was like, okay. So I ended up on a course which was, was a new Jules (19:11) quite there. Yeah. Dionne Payn (19:41) course. was was pharmaceutical chemistry and how it was sold to me was that it was halfway between pharmacy and chemistry and I was okay at chemistry and I really wanted to do pharmacy so. Jules (19:42) Yeah. Wow. Dionne Payn (19:55) I thought great and what they said was if you’re in the top 10 % then you’ll be able to transfer to pharmacy. was like yeah great. But what they didn’t tell me was that the course was so small that there were 20 people and the top 10 % was two and I just yeah there were people that were way smarter than me and way more applied than I was and I still was in that phase of partying so I still you know I actually did really well in that degree but the thing that changed the Jules (20:04) wow, right. of you. Dionne Payn (20:24) for me was in the third year I went out to do a work placement and I ended up working in an agrochemical company looking at basically that they had pesticide levels that they had to meet so they’d sample all of these different products and just make sure that the level of pesticides were underneath that and having that applied skill and you know so being able to use that knowledge that I was learning and seeing this is why it’s relevant that was such a good pattern interruption Jules (20:52) Yeah. Dionne Payn (20:54) to me because I think if I hadn’t have had that I’d have just carried on partying and not really seen the benefit of the degree but when I finished that placement and went back for year four two things happened one is that there were only two of us in that last year because everybody else in the year below us had gone out on placement because they realized it was a really good thing and I was pretty competitive so I didn’t not competitive as even I wanted to beat the other person but just competitive that I didn’t want to be Jules (21:17) Right. Dionne Payn (21:24) left behind so you know I studied really hard and then also my boyfriend at that time who is now my husband he was a year yeah he was a year ahead of me and he’d come out no he was a year ahead of me in a different course he did geology and I didn’t yeah he came out and got a really good grade and I didn’t want to be the dumbass girlfriend so was like okay I’m gonna study so it saved me Jules (21:34) in the same course. Yeah. that’s impressive. Okay, so you finished. What did you do? What was the first job after leaving school? Leaving uni. Dionne Payn (22:00) Yeah, yeah, that’s right. I went to work for Smithclime Beecham before they merged with Gruxo. And so that was a pharmaceutical job and I really enjoyed the job. Jules (22:02) Sorry, I always put people on the spot and they go, haven’t even thought about this for so long. yeah. Yeah. Dionne Payn (22:21) I was still with my boyfriend and our husband at the time, but we were working in different places. So we working at different locations around the M25. So each weekend was a mad dash for one of us to drive over to the other one and then get back and ready for work on Monday morning and dealing with the M25, you know, sort of on a Friday evening, that kind of thing. So I enjoyed the work that I was doing, but I didn’t enjoy working for a big company. And I remember feeling like a sort of small cog Jules (22:34) night. interesting. Dionne Payn (22:51) in a very big machine and I was just irrelevant. Not to the people that I was working alongside, but in the sort of bigger scheme of things and I just, yeah, yeah. And I really like that, being able to see the effect of what I’m doing. So the next job I had was working for a smaller company where I felt that I was being really helpful and I really enjoyed that. Jules (22:59) That’s the biggest game of things yet. Yeah. And so, was that another pharmaceutical role? Dionne Payn (23:20) Yeah, yeah, so it was a pharmaceutical role and yeah, it was around that time that I decided that I was going to do a masters because I wanted to study a bit more. So I did that and I was working at that role at the same time and that was great. And then we went to live in Jersey for a while because that’s where my husband is from. And we were there for about three years, which was a really fun time, but I just missed. Jules (23:30) Yeah. Right. which is just a tiny, and it’s a tiny island off England, isn’t it, Jersey? Dionne Payn (23:46) So small, so small. At the time we were living there, there were 100,000 people and the island is nine miles by five. So I think that’s about 14 kilometers by seven, something like that. Yeah, yeah. So yeah, small island and I just, did feel a bit hemmed in. Jules (24:00) Right. Right? Dionne Payn (24:07) So after being on the islands, that was when myself and my husband decided that we were going to go travelling and not so much travelling to go to lots of different countries but just have a change of scene. So we decided that we were going to move to New Zealand and we were going to do a year and… Jules (24:20) right? Why New Zealand? Was there a connection there or had you seen an ad or what was it? ⁓ Dionne Payn (24:35) Geography wasn’t my strong point. Jules (24:37) ⁓ no, don’t tell me you thought it was nearby. ⁓ right. Dionne Payn (24:41) I thought it was tropical. I thought it was tropical because a friend of mine had gone to Fiji. And I was like, ⁓ Fiji’s over that side of the world. Let’s go to New Zealand. And we wanted to be somewhere where we could be for a year, immerse ourselves in something different culture, but not too different that we had to learn a new language. So we thought a year in New Zealand and then a year in Australia. And when we got to Australia, sorry, when we got to New Zealand, we went to Auckland and my husband was able to study ⁓ at an audio engineering school there and I was trying to find work. ⁓ Jules (24:47) and it was nearby. become locals. Right? Okay. Dionne Payn (25:16) I just found I found Aucklanders to be really they were friendly enough but not friendly. They were nice, they were nice people but not friendly and I just it felt like social suicide to me because I I love making friends. Mid-20s so um yeah it was 2005 so 27th yeah yeah. Jules (25:27) Right. How roughly how old are you at this stage? I mean, are you in your 30s or mid 20s? Okay. Right, okay. ⁓ So, from New Zealand to Australia, slight difference, where did you move to in Australia? Dionne Payn (25:46) I’m. We came over to visit. Well, we just came over to visit and we came over for, so we’d been in New Zealand for about two months. Came over to visit a friend who was living in Brisbane. He took us down to Byron and I was just hooked. Jules (25:54) Right. Anyway, we’re hooked. Dionne Payn (26:08) We’re never leaving. How do we move here permanently? So my husband was able to transfer his course to the college in Byron and I was offered a PhD scholarship through Southern Cross University. So I just leapt on it because that was what I wanted to do. And I thought I’d have to wait until I got back to the UK, but I was able to do it in Australia. And that gave us enough points to stay in Australia. So that was really awesome. Jules (26:08) Totally. Yeah. Wow, and then from that you were able to become permanent residents and then citizens. And so it sounds like your husband was also going through a bit of a career change because if he’s gone from pharmaceutical to audio… geography to audio. Okay, so, and is he still in the audio business now? No. Dionne Payn (26:35) Yeah. Yeah. Well, he went from geography to audio. Yeah. That’s a long story too. Jules (26:57) Okay, I won’t go down that rabbit hole then. Tell me about you. So, okay, so you were doing your PhD in, was it pharmaceutical still? Okay, and. Dionne Payn (27:07) Yeah, yeah. So I was actually looking at sugar cane as a source of medicines for diabetes. So it was pharmaceutical, but it was more natural products and that was what I was really interested in. And that was a great experience. I loved the work and the camaraderie was fantastic, but I just realized that at that Jules (27:18) Yeah. Dionne Payn (27:30) point if I didn’t have children and once I’d finished if I went straight into the postdoctoral positions I probably wouldn’t have children or have them much later and then maybe struggle to have children at all. So when I finished that when I finished my PhD I was hmm probably about six weeks away from my due date and I just thought look I’ll figure out yeah. Jules (27:49) Right. wow, you got pregnant during the… Okay. Dionne Payn (27:53) Yeah, I was very close to the end, but yeah, and so yeah, I had my daughter who arrived late, which was great because I got to have a bit of a break from studying because it was pretty intense at that point. Yeah. Jules (27:56) Yeah. time me a bit of time out not knowing what was going to happen though you know we all think we’re going to have this great little baby and it’s going to be easy and it’s just more challenging okay so did you stop work then ⁓ yeah go on yeah Dionne Payn (28:15) Actually, I have to say, Jules, my first year with my daughter, Marlia, it was like I was on holiday because the intensity of the PhD was that I was just working all the time and Marlia was really cruising at that age. She’d slept and did all the great things that you wish for as a parent. ⁓ Jules (28:23) brilliant! Yeah, great. Perfect. that’s amazing. Okay, so what did you do then? You’ve taken that year out to be with Malia. Did you decide to go back to work? Did you have another child? What was the next step? ⁓ Dionne Payn (28:46) Yeah, so we decided that I was going to stay home with Marlia. And in that first year, Marlia was just a very chilled child. After that, she became very energetic. Jules (29:03) As children tend to do. Dionne Payn (29:06) as children tend to do. And so yeah, there was lots of running around and I would do bits and pieces of contract work, so marketing work here and there, but it was mainly I was at home and my husband was working. And then four years later, my son came along, four years after Malia was born, my son came along. And at that point, and I loved, I had maybe about a year with him at home. And it just seemed like a really natural time for my husband to take it. Jules (29:24) Yeah. Dionne Payn (29:36) bit of a step back and for me to start working again and it was around that time that we decided to go into property and learn about property and in fact we’d probably been learning about property a year before, in the first year that Atticus was born, you know towards the end of that year was when we found a joint venture partner through one of the property courses that we did and that was how. Jules (29:38) Okay, nice. So, can I just interrupt? So were you doing these courses for your personally to just get ahead and say, if we want to be able to buy houses and things, then we need to be able to start making money. Okay, so it was just purely from an interest kind of point of view that you started with the property. Dionne Payn (30:09) Exactly. Yeah. Yeah. Yeah. it was totally about money making. It was like, what can I do? Because at that point I figured that I was pretty unemployable. know, having done a PhD, having worked by myself for four years, having taken time off to be with my kids, I was just like, yeah, who’s going to employ me? They’re probably going to find me really bossy and just, you know. Jules (30:21) Right. You I’m sure they would have loved you, but anyway it was time for a bit of a shift so Dionne Payn (30:42) It was time for a shift and you know being on one income and staying home with the kids was fantastic but bearing in mind that I’d been a student, I’d been on a stipend and my husband had a decent job but on one income it just doesn’t cut it so I just really wanted to understand the game of property so we could play it to our advantage. Jules (32:10) And so how you said you brought up got a joint venture partner. It sounds to me like it got bigger than, you know, normal people, not normal people, a lot of people who maybe will go out and a two bedroom flat as their first thing. What were you, what was your first project that you did with your husband and partners? Dionne Payn (32:31) Yes, so our first project was a ⁓ house on a block. It was a house in a studio. They were connected by a roof. The block must have been about, it was a long time ago, but maybe about 1400 square meters. So a decent sized block. Yeah. So I realized that we could remove the roof, renovate both properties, clean them up, give them a good renovation, subdivide them. Jules (32:38) Yeah. quite big, yeah. Dionne Payn (33:01) basically doing a paper exercise to separate them, put them on separate titles so that we could sell them separately and I did the numbers on that and it looked like it would be quite a healthy return so we presented that to the joint venture partner and he was happy to basically bankroll that while we did the work for it. Jules (33:03) Yep. Okay, so my big question has to be how do you find a joint venture partner? I mean, where did that come from? Because that’s not something that I hear very many other people do. Dionne Payn (33:29) It came from the property courses that we were doing and I remember the lady that ran the first course that we did, she said, know, money’s everywhere. Like you just don’t worry about the money. Like once you’ve got the deal, you’ll find the money. And I remember thinking at the time, like that sounds like a crock of, but okay, let’s give it a go. And so, you know, we did a series of, ⁓ found properties and we ran the numbers and we got help Jules (33:32) Right. You Dionne Payn (33:59) from the lady as well, because it was a mentor program. And so once we found the deal, she let us present it on stage. And so that was where we found somebody that had ⁓ the money and yeah, like total sweat equity there, because we didn’t have the money to put into it. But we had the enthusiasm and the, you know, like really wanting to make something work. Jules (34:02) Yeah. wow, right. Did you actually get out with, were you and your husband out with hammers and nails or were you project managing builders? Dionne Payn (34:35) We were project managing and also doing some of the work. So when I was responsible for sandpapering the frames, my husband had made a door. So he’s handy, I’m not. So he’d made the door and I was responsible for sanding the frames and I sandpapered the glass. And at the time I just wasn’t being that, you know, sort of… Jules (34:37) Right. Right, okay. Ha ha ha ha! Dionne Payn (35:03) careful because I was like, we’ll be able to you know rub that out and then he said no you can’t rub it out. I was like no. So that’s a bit of a running joke for us because he’s now a handyman and every once in a while I say do you need any help? He’s like no, ⁓ not from you. ⁓ Jules (35:10) dear. Right. HAHAHAHA ⁓ Okay, so you sold your first property, presumably made a nice little pot of money to be able to start investing into another one. How did your business grow or how did your career grow from there? Dionne Payn (35:28) we did. Well, did, actually just going back, Jules, because I think it’s really important. You said something about not many people would just go and find a joint venture partner or know how to do that. It’s that thing for me which is… Jules (35:40) Yeah, yeah. No. Dionne Payn (35:57) and somebody else talks about this in terms of the illusion of limited resources. So we think because we don’t have something that it’s just never going to happen. But that for me was a real eye-opener in, well, yeah, I didn’t have it, but I had another resource. ⁓ just putting the value on having time as a resource and the skill to be able to do something is so important because sometimes we think that money is everything. And money does grease Jules (36:01) Yeah. that other people don’t. Yeah. Dionne Payn (36:27) the wheels but you actually have to have people that will implement on your behalf and so I realised that as implementers and as people that were you know yes we can manage this project and yes we can do some of the work there was actually a lot of value in that and I just think it’s really important to bring that up because yes sometimes in places so much importance on money but when we realise that we all have have a resource that we and a skill that we can bring to the table it just really evens up the playing field. Jules (36:32) Right. Yeah, Dionne Payn (36:57) you Jules (36:57) and not to be scared of not necessarily having money because there are plenty of other people that do have it and don’t have that time. Okay, ⁓ so back to the question, what happened next? How did your ⁓ building, I guess, and property career from pharmaceutical, how did that progress? Or were you still just doing that on the side as a little project? Dionne Payn (37:04) Exactly. Yeah. No, no. we, after that project, we found another one. In fact, we found the other one in the middle of that project. And so we went back to the joint venture partner and said, hey, do you want to do this one? And so we did that. And then we found another project. So that really began our property development business. And yeah, so we did three. Jules (37:28) Right. flipping. Dionne Payn (37:46) projects and they were smaller, pretty similar, renovation subdivision and then the fourth project team was when I found the piece of land that had approval for the 14 one-bedroom townhouses and that project really, it was so… Jules (38:00) late. Dionne Payn (38:08) game changing for me. just blew my mind. I remember thinking about it afterwards and just going, wow, like I proved something really important that I didn’t even know that I needed to prove. And when I was growing up, so you know, my parents were working class, they worked really hard, but we didn’t have a lot of money. And so things were really tight. And also my mum’s family are ⁓ quite religious. So church was a big thing in my life as someone growing up. So kind of Jules (38:37) Yeah. Dionne Payn (38:38) equated ⁓ being of service and not having much money as being the same thing. So when we did this bigger project and I saw the benefit that it had on the community and I made money out of it, was like, you know those times where you’re just like, da da da da da, yeah, yeah, something really big has happened here. So that was it for me, it was like, well. Jules (38:55) The light bulb, yep. Dionne Payn (39:04) I can do property, because being of service is something that’s really important to me, like it’s just one of those values for me. So, and I guess as well that I’d had a bit of a perception of if you’re making lots of money, then you’re probably not making it in the right way. You know what mean? And particularly, yes, yeah, yeah. Jules (39:08) Yeah. No, and you probably don’t care about other people. I think there’s all those kind of weird things that are associated with wealth. Dionne Payn (39:29) Yeah, 100 % and particularly being in the property development industry as well. Yeah, like it’s just it. Yeah, anyway, all of that together just blew my mind and went, okay, we can do property development differently. And it wasn’t that I had that epiphany right at that time. And because actually that project was really challenging and it was it was a really bit of more than I could chew with that project. And so there were some lessons that I had to learn. Jules (39:33) property game. Well, it’s quite a lot to go from little one and two bedroom houses to 14 of them. And all the associated things, well, as you already alluded to, car parks and all those sorts of things that you wouldn’t even think about when you’re just thinking, just need to build walls. Dionne Payn (40:01) Yes. ⁓ Yes. Exactly, exactly. mean, in terms of the level of work, it’s the same amount of work. You know, it’s still a full time job. from that perspective, doing a project like that, like a larger project, you might as well use your time to do that kind of project. But there’s just a lot more to manage. And so it’s, you know, sort of doing those renovations, subdivisions is something that you can do as an individual or as a couple. Doing a larger scale project like that, you’ve Jules (40:18) Right. Yeah. Dionne Payn (40:40) really need to be on top of project management, financial management, people management, all of that. And so that I think that was the big learning curve and particularly around the people because I just, you know, I’m a very friendly person and, and, know, I always assume the best in people. So it was a real lesson that actually you can’t do that. You can’t assume the best. You’ve always got to be prepared. And so the, the important… Jules (40:57) Yeah. I’m sorry but there’s definitely a story in that. There has to be. You don’t have to name names or anything. But just because I’m somebody who takes people at face value and always trusts them. And I’m always incredibly hurt when I think that I’ve made the wrong decision or I find out I’ve made the wrong decision. Sorry to interrupt you but there clearly is a story. So was it a builder? Was it a… There was something that happened where somebody ripped you off. Dionne Payn (41:16) here. Wrong builder, wrong joint venture partner. Yeah, yeah. So not, wasn’t the same joint venture partner that I’d had right at the beginning. And look, I say wrong builder, wrong joint venture partner, they were absolutely right. They were absolutely right because that’s how I know. Yeah, yeah. ⁓ Jules (41:36) ⁓ right. Okay. in the previous ones, yep. Well they taught you, that’s how you learned, isn’t it? butts. Dionne Payn (41:56) The joint venture partner, it’s the values alignment. It wasn’t there. And that was a hard lesson because when, you know, sort of going through the project and… Jules (42:01) right Dionne Payn (42:08) The joint venture partner was very interested in minimizing costs and when that suited me that was great. But then I saw the fallout of that in terms of the builder ended up going broke. He had his own issues as well, but just the sort of, you know, really holding the purse strings and not being fair in terms of the way of, ⁓ you know, managing a project. Jules (42:15) You the quality. Right. OK. I’m so glad you say that because I do think that, ⁓ and I put it as a masculine thing, but it probably isn’t. It’s just probably more a finance thing that they remove the emotion completely. And I see it in my partner. He gets on a whole different face when we’re talking about money and it’s a very weird thing. But I’m like, why does one have to exclude the other? And I guess that’s where you butted heads with somebody who was there. Let’s be a hard-nosed business pragmatist. This is about us making money, it’s not about giving charity to other people. And it’s actually that combination that you want, that we all want you to do. Dionne Payn (43:12) Yeah, exactly, exactly. And I just really saw the impact that that had on the builder ⁓ because… Jules (43:18) Right. Dionne Payn (43:22) And like I said, the builder had his own challenges as well. So it was definitely a compounding effect. yeah, yeah, it was just values alignment. I really do believe in being fair and treating people fairly. And so when somebody is just all about the numbers and I’m all about the people, just, and we couldn’t agree on how to proceed on that. So that was a challenge. Jules (43:27) Yeah. But I think it’s just one of those classic, know, it sounds like a fuck up or whatever. And then you kind of go, well, actually it was a gift because really otherwise you could have kept doing this with people like him until something much worse happened. Dionne Payn (44:03) 100 % and it was a her by the way. Yeah. Jules (44:05) Oh, even worse, with somebody like them I should have said I did realise I make these future assumptions. Okay, so you finished your 14 houses, what came next? Other than probably a nervous breakdown. Oh really? Dionne Payn (44:16) ⁓ Yes, yep. Not quite the nervous breakdown, but certainly a period of depression and darkness. ⁓ no, it was actually the best thing. Again, with what you said before, we go through these things and then come out of it realizing the gift. And the gift for me and that was I’m stronger than I think. So it took… Jules (44:26) here. Yeah. undoubtedly. Dionne Payn (44:43) Yeah, it took me to go to the brink to get there, but I just remember at that time when it seemed really bleak, just thinking, I’ve just got to put one foot in front of the other, I’m going to get through this. I didn’t even know how I was going to get through it. It wasn’t like I had a plan. like, okay, yes, I’ll do this and this and this, and then I’ll get through it. But I just trusted in something bigger in terms of… Yeah, just trusted that continuously doing the right thing would actually see me out and just acting out of integrity would see me through. yeah, that was the gift. Jules (45:22) Well I’m glad it didn’t put you off property because it could have done that too. You could have gone back to pharmacology and… did it? Did it? Okay. ⁓ you poor thing. So what did you do next? Dionne Payn (45:27) No, did for a while. I remember saying to people, I’m never doing property ever again. So I look, I did some more projects, but then realized that my heart wasn’t really in it. And I did a lot of soul searching actually, and a lot of personal development. Yeah, that was good. I mean, I sort of went into that personal development thinking that I was broken. I came out of that personal development realizing that I’m not broken. just, you know, sort of had a set of circumstances that now I know better and now I’m more in alignment with my own values. I could just go, well, I wouldn’t do that again. So that was really beneficial. And… At the time I remember meeting a developer, really randomly actually, I went to a networking meeting and met a guy and was having a chat with him and I don’t know if he called me or I called him and he was like, you need to meet this developer guy that I’m working with. And so I met him and we had a good old chat and that was real values alignment. So it was chalk and cheese from what I’d had before with my joint venture partner. Jules (46:48) right Dionne Payn (46:51) and he asked me if I would raise money for him because I was good at doing that and good at finding joint venture partners. I would raise money for him. Jules (46:56) Sorry, what right is money for him? raise, yep, yep. Dionne Payn (47:01) Yeah, yeah. And yeah, because I’d had that experience of working with investors and joint venture partners. And I said, yeah, I can do that. And we we ended up working together for quite some time. like it’s still in my life now, we don’t work together in the business anymore. But we work together on individual projects. And yeah, so we had that working relationship for quite some time. And he actually mentored me out of property development because I was just thinking, this isn’t for me, I want to do more capital raising, I’m enjoying that aspect of it because it is all about, for me it’s about making friends, right? If I can make friends I’m happy. ⁓ And so I remember speaking to him as well after we met and just saying, look I’m happy to raise capital for you but I only want to do it for affordable and sustainable housing, how do you feel about that? And he was like, yeah that’s great, let’s set up a fund where we just do that and I was like, great! Jules (47:38) Yeah, yeah. brilliant! Dionne Payn (48:01) Thank you, Universe. Jules (48:01) Thank you, universe. Dionne Payn (48:04) So, I mean, it’s taken, ⁓ gosh, I met him in 2019. It is now 2025, and he has now set up the fund, and I’ve got the housing project. Excuse me. ⁓ Jules (48:19) Okay. Dionne Payn (48:19) ⁓ So it’s taken that time to get there, but that was the wish that we put out into the universe right back then, and it’s happening. So it’s really lovely to come full circle. Jules (48:29) I’m so pleased. Yeah, and it sounds like you’ve had quite a journey, but I think, you know, the fact that you have those values and that you’ve stuck by those values will, you know, is not only inspiring, but I think will hopefully… ⁓ help you make that impact and anything I can do to help you do that and make those get those affordable housing for women but also those investment opportunities is brilliant. So next question I’ve got one weird question for you at the end that’s nothing to do with anything that I ask everyone but in the meantime if anybody is listening to this and loves the sound of it and at $5,000 it seems very achievable that people can get involved what is the best way for them to get in touch with you? is the best way for them to, yeah, become part of your world. Dionne Payn (49:22) Yeah great, okay couple of ways. One, find me on LinkedIn because I’m very vocal on LinkedIn, often posting and so I just do a search for my name Dion Payne on LinkedIn and ⁓ the other way is going to the website and joining up at the website which is womenforhomes.com so that’s women number four homes.com and either way they’ll be in my universe and I’ll be in their universe and it will be lovely and Jules (49:26) Yep. great URL. Dionne Payn (49:52) Yeah, just, one of the things that I’m working on at the moment is a series of co-living homes for older women that are… Yes. Yes. Jules (50:00) my god, really? I love the sound of this. This is my sort of thing that I think I want to do when I get older. Dionne Payn (50:08) Yes. Awesome. Beautiful, affordable, dignified. That’s my sort of catchphrase for these homes. And we’re looking at using sustainable materials, using hemp. so I’m on this journey at the moment and I’m really looking for women that feel inspired to be a part of something like this. yeah, whether it’s investing or whether it’s spreading the word, I just see that this would be something really amazing. Jules (50:14) Right. Brilliant. Dionne Payn (50:39) And it’s something that’s really achievable, it’s something that already exists in the planning rules, it’s not that we have to do anything crazy. And we can really make a difference because as you alluded to right at the beginning, Women Over 50 is that fastest growing group facing homelessness and we don’t have to just wait for homelessness to happen, we can actually stop it at the source. And stopping at the source is exactly, exactly, yeah. Jules (50:51) Yeah. Yeah, we’ve got to nip it in the bud now. Yeah, yeah. And so are you building those just quickly to go to the properties that you, the co-living places? Are they all in Northern New South Wales at the moment? Or where are they? Dionne Payn (51:10) No, no. So they’ll be in Victoria, New South Wales and South Australia because the rules for those, they’re called rooming houses. The rules for those rooming houses are pretty flexible. Whereas in New South Wales, they’re actually, you need to do a large number of them to make it profitable. And so, you know, we’ve got an opportunity to make it profitable for investors, but also make it affordable for the inhabitants and a number of different ways of doing that. Jules (51:19) Yes. Right. Dionne Payn (51:40) working with community housing providers and that sort of thing. yeah, ⁓ I’m really excited about bringing this into being. Jules (51:48) I’m really excited that you’re bringing this into being as well. I just think this is so good Dion, I think that’s what we need and we need people like you to champion that change that needs to happen. ⁓ And I’m just so thrilled that I got a chance to meet you but also now to be able to share what it is that you’re doing because I do think you’re pretty extraordinary. ⁓ Dionne Payn (52:09) Thank you. Jules (52:10) And I’m absolutely delighted that you’re doing this and that I know you. So, okay, here’s a really out of left field question for you. Is there a quirky fact about you that most people don’t know that you’d be up for sharing? And it literally can be anything. So I’ve heard everything from Kate Toon telling me that she was the first person on Graham Norton’s Big Red Share. Who even knew that? Two people who are synchro, I know! Dionne Payn (52:18) Take care. didn’t Jules (52:38) She did it and then he started it as a regular thing apparently. ⁓ Yes, I’ve had CEOs tell me their secret rev heads. I’ve had all sorts of things. So is there a quirky fact about you that people might not know? Dionne Payn (52:42) Very cool. Yes, a few years ago, ⁓ for about two or three years, I was part of an 80s flash mob. Jules (52:54) Yeah. stop it in Australia yeah Dionne Payn (53:06) in Australia. We were called the Cassettes. The Cassettes is still going, they’re still flash mobbing. I jumped out of it actually as things got a bit more serious with the development because I just didn’t have the time. But we would go and perform dances to 80s music. It was so much fun. So much fun. ⁓ Jules (53:25) ⁓ wow, what I would give to see you in some leg warmers and leotards out doing an 80s dance. I love that. Well Dion, thank you so so much for this interview. It’s been really fun. You are an amazing woman. I absolutely hope that people listening to this will get in touch with you and become part of this movement that you’re building. And thank you for doing what you’re doing. Dionne Payn (53:36) It’s been so fun. Thank you. And look, ⁓ I just want to say thank you for interviewing me. ⁓ It’s been so much fun being on the show. And I love what you’re doing as well. And I love the fact that you’re such a super connector. ⁓ And yeah, I really appreciate that about you. Jules (53:55) Gosh. Thank you.